New York: Béatrice Coron, 2016. Paperback. Number 3 of 3 copies. This intricate work created by Béatrice Coron beautiful displays her skill and artistry in papercutting. A sea blue book case opens to reveal the mystery, diversity, and wonder of the Galapagos through Coron's hand cut creation, made from a single sheet of black Arches paper. The individual pages unfold to show a scene 44 inches long. The viewer sees silhouettes of water, land, birds, sea creatures, and more. Coron describes her book work: "For the last 20 years, I have been exploring visual storytelling in artist books, paper cutting and public art. Collecting memories from individuals and communities, I stage narrative allegories in silhouette to create a dialogue with the viewer in playful fantasies. These visual chronicles record archetypal stories that transcend time and space. I have been fascinated by the relation of people to their space and the sense of belonging. Using papercutting where everything is cut from a single piece of Tyvek, the profusion of individual stories makes a coherent whole world." [From her website] Christina Favretto, Head of Special Collections at the University of Miami describes Coron's work in Coron's "artfragments" portfolio: "There is a palpable joy in the work of Béatrice Coron, the kind of joy we felt as children in unwrapping a particularly enticing holiday gift. But...for Béatrice the gift is a sheet of Tyvek...or paper, and the stories to be unearthed and unleashed within and through the medium." Size: 8 x 44 inches when unfolded. 5.5 x 8 inches when folded. In fine condition. ARTB/081921. Fine.
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New York: Béatrice Coron, 2016. Number 4 of 5 copies. In this fun production, book artist Béatrice Coron collaborated with musicians Van Gage and Cortez to create both a book and a CD of their music! In addition to her paper cutting of musicians playing instruments, singing, and dancing Coron also wrote the song's lyrics, which are handwritten on one side of the black Arches paper silhouettes. Coron describes her book work: "For the last 20 years, I have been exploring visual storytelling in artist books, paper cutting and public art. Collecting memories from individuals and communities, I stage narrative allegories in silhouette to create a dialogue with the viewer in playful fantasies. These visual chronicles record archetypal stories that transcend time and space. I have been fascinated by the relation of people to their space and the sense of belonging. Using papercutting where everything is cut from a single piece of Tyvek, the profusion of individual stories makes a coherent whole world." [From her website]. Christina Favretto, Head of Special Collections at the University of Miami describes Coron's "work in her artfragments" portfolio: "There is a palpable joy in the work of Béatrice Coron, the kind of joy we felt as children in unwrapping a particularly enticing holiday gift. But...for Béatrice the gift is a sheet of Tyvek...or paper, and the stories to be unearthed and unleashed within and through the medium." The paper silhouettes and the CD are housed in a black folder with a blue title label to spine and front cover. In fine condition. Folder is 6.5 x 6.5 inches. The paper-cut measures 6 x 24 inches when opened. ARTB/081921. Fine.
La Mesa, CA: Anne Covell, 2017. Hardcover. Number 21 of 60 copies. "On January 20th, 2017, Donald J. Trump was sworn in as the 45th president of the United States. That same day, the official White House website (whitehouse.gov) began the digital transition to archive and replace Obama’s policies with those of the new administration. Immediately, people began to notice that key issues such as health care, education, and immigration were nowhere to be found. Keyword searches for terms such as “climate change,” “LGBT,” and “civil rights” all returned 404 errors. Even more conspicuously, the Spanish-language version and the disabled-accessible version of the site were no longer available.Internet Archive, a non-profit digital library that has been archiving webpages since 1996, captured 167 snapshots of whitehouse.gov that day. This book records the last snapshots taken of Obama’s policies before they came down, the 404 errors that followed, as well as the Internet Archive timestamps for when the information was last available and when it disappeared" (Anne Covell).The first layer of this accordion book reveals text from webpages from whitehouse.gov covering topics like "equal pay", "criminal justice", "climate change", "disabilities", etc. from the Obama era. Each of these pages has a tab at the top edge, which the reader can pull down to reveal the content (or lack thereof) of the same page from the day of Trump's inauguration on January 20, 2017. The contrast is startling. Government webpages once filled with useful, empowering information, were eradicated in a single day. Covell fills these blank spaces with the haunting outlines of book-like shapes to represent a lost library and consequently imparting a feeling of emptiness and loss of hope. The Record presents a powerful visualization of the turmoil that the Trump administration has imposed since its first day in office. Bound in black and white paper wrappers with title to front cover. Letterpress printed accordion on Masa paper with sumi wash and hand brayering. Housed in grey cardstock case with red twine legal closure to rear. Anne Covell's work can be found in collections across the world including Columbia University, San Francisco MOMA, RIT, the National Library of Chile, and Yale. She makes paper as well as books and teaches book arts workshops. Her work often address interactions between humans and nature. According to her artists' statement: "I am interested in the human capacity to physically shape environment, to make claim to earth that must inherently be shared, and the subtle, observable ways nature adapts and responds. Through this lens, I attempt create beauty from perceivably ugly acts as an entry for exploring complex human response to transience and decay." Size: 6.5 x 4.25 x .25 inches (closed); 13 x 42.5 x .25 inches (open). Fine.
Maureen Cummins, 2016. Hardcover. Number 34 of 40 copies. Signed the artist. In this powerful work, noted book artist Maureen Cummins investigates the dark side of the history of psychosurgery, as exemplified by the career of Doctor Walter Freeman (1895-1972), a professor of neurology who became known as the father of lobotomy by single-handedly popularizing the pre-frontal lobotomy in America. Although he had no formal training in either surgery or psychology, Freeman modified the traditional procedure for lobotomies by driving ice picks through his patients’ eye sockets rather than drilling into the skull to sever nerve connections in the prefrontal cortex to treat mental illness. Despite his championing of his procedure he admitted that lobotomies often created childlike behavior or a vegetative state in patients. Hundreds of patients died. The controversial procedure also raised numerous questions about patients’ rights, the abuse of institutional power, and the disproportionate targeting of women. Of the more than 3000 patients that Freeman operated on, two-thirds were women. Cummins uses physical rape as an analogy for neurological penetration, a form of sexualized violence that was perpetuated for decades in the name of medical progress. She visualizes this by a series of laser cut holes that bore through each page, becoming smaller page by page.The holes penetrate reproduced images of lobotomy patients’ heads and on the last page the title “The Rapist” becomes “Therapist?” The images of women are from 'before-and-after” photos used in Freeman’s textbook, which are re-contextualized, with lines of typography serving as blindfolds, reclaiming for these women a measure of dignity, humanity, and anonymity. The pages of the book are laser-cut aluminum with silkscreen-printed text and imagery. The covers are also laser-cut aluminum with a large hole that reveals the subsequent holes and "The" and "rapist" on either side of the cover's hole. The pages are attached to the cover by two ring binders. Housed in an aluminum box with a metal title label affixed to the top. In fine condition. 16 pages. 24” x 9” x 1” open 12” x 9” x 1 closed. ARTISTSB/100419. Fine.
1750. A leaf from A Natural History of Birds. Edward's friend and mentor Mark Catesby taught him the technique of engraving, which made it possible for him to engrave his own drawings, the results of which can be found in his natural historical works. He added to the hand colored compositions of his illustration engravings by including insects, especiallly butterflies. Print method is Engraving by Copper Plate with original hand coloring on laid paper, measuring 290 x 220 mm. or approximately 11 1/2 x 8 1/2 inches. Archivally matted. #49247. Very Good.
Kingsport, TN: The Kingsport Press, 1952. Hardcover. First Edition. SIGNED BY CLARE LEIGHTON, LYND WARD, AND FRITZ EICHENBERG. The contents of this book originally were published once a month as a series on book illustration in Publishers' Weekly. Because of many requests, the series was published in book format. According to the publisher's note, this book was not for sale, but distributed to those requesting a copy and to their many friends in the publishing, bookmaking, and others interested in the book arts. The series begins with medieval manuscripts and Renaissance books, and includes well known artists ranging from Durer,Hogarth, Blake, Cruickshank, Dore, Burne-Jones, Crane, Pyle; to Parrish, Beardsley, Dulac, Kent, Gill, and De Angeli. One page is devoted to each artist. Ward, Leighton, and Eichenberg signed the page on his/her work. A b&w illustration accompanies each artist. Bound in original black cloth backed orange cloth, with gilt title to spine. Minor wear and bumping to corners, otherwise near fine. 76 pages. BOB/111810. Near Fine.
Moscow: Emil Goozairow, 2016. Emile Goozairow is a Russian artist who paints and draws, produces movies, and creates exceptional miniature handmade books that are printed on rare types of paper and published in limited editions. His techniques create unique designs that often are made with natural materials alone or in combination with relief decorations made from metal or polymeric clay. He creates books that he describes as "pop up," “kinetic carousel," “liporello” or “3D origami.” He also writes fairy tales, stories and mystical scenes. "A carousel is spinning, and golden sand like snow slowly falls. I saw a strange mysterious alphabet and all the characters fly into the sky ...." When each page is turned the revealed pages pop open with Emil's beautiful illustrations and text describing a fantastical dream. The covers are brown velvet with a relief polymer clay artistic design on the front cover. A wonderful and imaginative book. In fine condition. Measures about 2.25 x 3 inches. ARTB/021921. Fine.
Berkeley: Flying Fish Press, 2003. Number 61 of 100 copies signed and numbered by the book artist. At the time this book work was first created, Julie Chen described it as "by far the most ambitious and extravagant piece ever to be produced at Flying Fish Press. Personal Paradigms presents a truly interactive experience for the reader in the form of a game that is played and the results then recorded in a collaborative ledger book. The object of the game focuses on the player's own life experiences and perceptions at the moment that the game is being played." Presented in a sumptuous cloth covered box, the set includes a letterpress printed game board and a multitude of beautiful lasercut game pieces. The game board opens to a full size of 21 x 30 inches. Box measures 15. x 11.25 x 4.75 when closed. In fine condition. ARTISTSB/042820. Fine.
London: Longmans, Green, and Co, 1877. Hardcover. This is the most famous work by English historian and biographer, James Anthony Froude (1818 - 1894). Originally intending to be a clergyman, Froude ultimately turned from this career after publishing a novel that questioned the Christian faith. Very good in three-quarter tan leather over marbled paper boards with leather title and volume labels to spines. Gilt decoration to spines. Minor wear to edges, corners, and spine ends of all volumes. Occasional pulls and small chips to leather. Marbled endpapers and marbled edges. Clean, bright interiors overall with occasional spots of foxing and soiling. Tight bindings. An attractive set despite noted condition issues. Each volume is about 600 pages. This set may require an additional shipping fee. ENG/021519. Very Good.
Brussels: G. Van Oest, 1912. Hardcover. Folio. Bellini (c.1400-c.1470) was a key figure in the development of Renaissance painting in northern Italy. He also founded something of a dynasty, with his sons and son-in-law, Andrea Mantegna, all becoming famous painters in their own right. Most of Bellini’s paintings have disappeared, and his two surviving sketchbooks, one at the Louvre and one at the British Museum, are how he is best remembered. These two oversized folio volumes lavishly reproduce the masterful drawings from each sketch book along with a facing description of each. Volume I has 134 plates and Volume II has 100. Many are on double pages and fold out. Very good in the original half vellum with brown paper boards and gilt title to spine and front boards. As with most heavy books, the joints show some splitting but have been repaired and are holding tight. The vellum has some soiling and spotting, and there is minor scuffing to the paper boards. The interior is bound tightly and is very clean. ART/8122. Very Good.
Moscow: Emil Goozairow, 2020. Hardcover. A small book. Both covers are three-dimensional and are made from sculpted, carved, and hand-painted polymer clay. The book is held closed with green cord and a metal clasp. An accordion featuring black and white illustrations of this jagged, rocky landscape - which incorporates letterforms in both the rocks and negative spaces. An imaginative design. [36 pages.] Size: about 4 x 2.5 inches. ARTB/021921. Fine.
Philadelphia, PA: Stedman, Brown & Lyon, 1873. This map is from [O.W.] "Gray's Atlas of the United States with General Maps of the World, Philadelphia, Stedman, Brown & Lyon 1873." It is one of many variations of reprints variations of reprints from Colton's (1800-1893) original "General Atlas," that was printed from 1857 through 1888. Colton may have copied this map's format from Sidney E. Morse (1794-1871) and Samuel Breese' (1802-1873) 1845 version of "Maryland and Delaware. (with) District of Columbia." Later, Publisher, A.J. Johnson used Colton's format of this map in his 1860 edition of "Johnson's New Illustrated Family Atlas." Johnson did not use the famous "Colton" border, but rather created his own and substituted an engraving of the US capitol where the inset of Washington, D.C. was. Gray completely omitted any decorative border in this example; however, portions of the map extend out beyond the simple border to where the Colton and Johnson decorative borders would have been. The map is a steel engraving. Delaware and Maryland are divided into hand colored counties and cities, major roads, railroads, geographic details, and major bodies of water featuring the Chesapeake Bay, Potomac River, Delaware Bay, and the Atlantic Ocean. Inset in lower left corner presents "District of Columbia" with "references" identifying major sites by number and a "Scale of Miles." The reverse page contains "Gray's Atlas Map of New Jersey. 97." Fading on edge of page and two small tape markings on reverse. Size of Map: 30.2cm X 41.5cm (11 7/8" X 16 1 4") Framed. #45460. Near Fine.
Hingham, MA: Maryanne Grebenstein, 2012. Hardcover. Features text from a biblical verse. Taking inspiration from a 15th century manuscript, calligrapher Maryanne Grebenstein has created an unique book that has been lettered, decorated, gilded, and bound by hand. Using the same materials and techniques employed by scribes for centuries, Grebenstein carefully letters each word, uses raised 23K gold leaf, and hand paints each border decoration. The page proportions are kept to the traditional ratio, utilizing the centuries old ‘gold rule’ established during the Renaissance. Each page has a similar but not identical border design, following the design principal utilized in the prayer book. Written on Zerkall ingres paper. Beautifully bound by Samuel Feinstein in full blue Niger Oasis goatskin with gilt title to spine and front cover. The front cover features a rose onlay in red and green leather. A gilt stamp of the rose appears on the rear cover. Marbled endpapers by Cockerell Marblers. Signed by the artist and binder. Measures 9.5 inches x 13 inches. Calligrapher and book artist Maryanne Grebenstein (Marblehead, MA) founded The Abbey Studio, which offers professional calligraphy services and classes, and also Turn-in-the-Path Books which produces unique and limited edition books and broadsides. Maryanne teaches at the North Bennet Street School in Boston and is a Visiting Artist at the Corcoran College of Art+Design in Washington, DC. Fine.
Portland, OR: Anne Greenwood, 2018. Number 3 of 10 copies in the deluxe edition, signed and numbered by the book artist. This deluxe edition includes a hand-written poem in a rear folder with a bound in fabric piece. Vestiges was conceived in Iceland where Anne was an artist-in-residence in April and May 2018. This striking work includes folded, sewn, dyed, and printed crinoline cloth pieces accompanied by text. They beautifully capture the almost intangible nature of vestiges - things disappearing or no longer in existence. The book's wrap-around cover is white crinoline. The book is printed with Weiss Italic type on Mohawk Superfine paper by Diane Jacobs of the Scranton Press in Portland. The text is hand-written and authored by the artist as are the hand-dyed fabric manipulations (from the colophon). Anne Greenwood is a well-known artist who has exhibited widely and whose works can be found in museum and library collections around the country. She was born on the high Dakota Plains and was led to an art degree by her artist grandmother. In 1990 she moved to Portland, Oregon and began her career as an artist and horticulturalist. Anne’s artwork explores an interest in folk art and speaks of her kinship with the natural world and how this influences her connection to daily life. She makes objects, installations, and works with her community. In 2002, Anne set up a textiles studio integrating handwork, book arts, and textiles into an interdisciplinary practice. From Anne's artist's statement: "My artistic practice navigates an infinite network of connections: narrating the simple and complex, physical and ephemeral, past and present, within the context of place, history, and transformation. I form relationships that expand and fortify admiration and reverence, leading to the discovery of new truths about the world around us. I enter into inquiry-based community engagement through arts education, residency, public work, studio practice, and collaboration. " A lovely work in fine condition. ARTS/031419. Fine.
Washington DC: Kristin Gubrandsdottir, 2010. Soft cover. Number 10 of 11 copies signed and numbered by the book artist. Kristin is a book artist, furniture maker, and teacher from Iceland. Her works typically address feelings, memory, and experience. She studied book arts at the Corcoran College of Art + Design in Washington DC where she made this book. She currently resides in Brussels. Awakening is a powerful photobook done in response to the loss of friends that "left me wondering about the meaning of our existence and why some leave too prematurely." The photographs and text address these questions and the strange feelings that arose in her at night that left her waking up "knowing that one day I will die." The twelve evocative color photos are reproduced in an oblong accordion style book and juxtaposed with letter press text. Printed on Soberest paper using Minion Pro Regular and Medium Italic fonts. Bound in white stiff paper with titling on front cover. In fine condition. Unpainted. PI/022119. Fine.
Chicago: McDonnell Brothers. Hardcover. Folio. Bound in modern matching three quarter black leather over red cloth covered boards with black titles to spines. Inlaid in both covers are pieces from the original cloth bindings with the original gilt title stamps. Small chip to head of spine of second volume. Minor wear to bindings including light wear to spines, edges of boards, and corners. slight fraying to cloth where cloth meets the leather corners. Bookplate to front pastedowns, which appear to be preserved and re-adhered from original binding. The bookplates have been pasted down upside-down with a few water spots. Slight browning and occasional smudge marks to page margins, but clean and bright overall. Remnants of glue to rear pastedowns suggesting that these might be ex-library; however, no other noticeable library markings. Chipping and closed tears to edges of some pages. Large fold-out map in first volume; however, it is currently in several pieces with several large chips. Full marbled edges. An attractive set. 836 pages. AMER/011821. Very Good.
London: Longmans, Green, and Co., 1893. Maurice Greiffenhagen. Hardcover. First Edition of this Aztec romance. Author's Presentation Copy, inscribed "To Andrew from his affec brother H Rider Haggard 1894." Henry Rider Haggard (1856-1925) was the author of a number of adventure novels set in exotic locales. His books, including She and King Solomon's Mines, are still popular today. Haggard traveled to Mexico in 1891 to do research for this book and sadly his young son died while he was away. The book describes the first interactions between the Spanish and South American natives, as well as murders, shipwrecks, and slavery. Colonel Andrew Haggard, who had a distinguished military career - he was one of he first British officers to command in the Egyptian army - was also a successful novelist, travel writer and poet. It is known that Andrew helped Rider with the writing of Dawn and he likely played an important role in helping his younger brother with the several bestsellers which revolved around Egypt and mummies. There are 25 black and white illustrations by the British painter and illustrator Maurice Greiffenhagen. He was Haggard's friend, which led him to illustrate several of his adventure books, starting with She in 1889. Bound in the original publisher's blue-green cloth with gilt author and title to front cover and spine. Light bumping, small chip to bottom of faded spine. Hinges a bit tender but text block is tight. Interior pages are clean. Bookplate of collector Mark Samuels Lasner to front pastedown. Very good condition. 325 pages plus 24 page publisher's catalog. LIT/012016. Very Good.
New York: Lewis Historical Publishing Company, 1912. Hardcover. The standard edition of this set was issued in three volumes and included a volume on the history of Baltimore. This deluxe edition was issued with only the two biographical volumes. Includes "ample narratives of the life careers of many of the makers of the history of the city of Baltimore. Leaders in the various epochs of its wonderful growth here receive appropriate mention, which, it is believed, will not only be esteemed as a proper tribute to their characters and achievements, but will afford an inspiration for the future" (introduction). A full page portrait and/or a coat of arms accompanies each biographical entry. The coats of arms are printed in full color. Bound in three quarter dark brown leather with marbled paper covered boards and gilt titles to spines. Rubbing to spine and boards and wear to edges of boards including chipping to paper along edges. The front hinge of volume one is starting. Small library sticker to the foot of the spines of both volumes. Small closed tears and folds to edges of some tissue guards, offsetting from some portraits, and slight toning to margins of come pages, but very clean and bright overall. 613 pages. Size: Large quartos. MD/010616 This set may require an additional shipping fee. Very Good.
Glenview, IL: Karen Hanmer, 2004. Number 20 or 20 copies, signed and numbered by the book artist. Karen's artist-made books are physical manifestations of personal essays intertwining history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. This is the last unsold copy of this thoughtful and nostalgic book by Karen. She uses the text of a young Navy wife’s letter written from Europe in the 1950s to her family on the farm along with her alternate personal thoughts. The book uses the flag book structure to juxtapose these texts with sections of an old photograph of her Midwestern relatives. This structure offers an effective medium for creating a visual as well as a textual experience. The full photograph of the family is revealed when the book is fully opened. The photograph and text were created using pigment inkjet prints. The covers reproduce a black and white photo of the young Navy wife with an Italian city view behind her. The back of the book opens in accordion style and shows another black and white photo from Italy. Book is 4.5 x 9 inches closed and 8 x 19 inches when fully open. Housed in an archival stiff paper storage box with Velcro closures. In fine condition. Fine.
Glenview, IL: 2002. Hardcover. Number 8 of 20 copies. “Chicago binder, book and installation artist Karen Hanmer’s intimate, playful works fragment and layer text and image to intertwine memory, cultural history, and the history of science. Her work weds the ancient act of book binding with the high tech use of the computer to aid her process. The intimate scale and the gestures of exploration required to travel through each piece evoke the experience of looking through an album, a diary, or the belongings of a loved one. However, her works often take the forms of games or puzzles, and many include witty text” (Karen Hanmer). This work is a history of an immigrant farming family told through photographs. The family is depicted on both inside covers with one picture dating from the 1920s and the other from the 1960s. Connecting the pictures is a flowing field of corn, which is blurred on one side and detailed on the other. As you open the book the interlocking pages and imagery create a flowing movement that simulates the passage of time. The result is an engaging book that tells a story despite the lack of text. Housed in an archival paper case with the artist’s contact information and edition number on the front panel. In fine condition. Unpaginated. ARTB/060111. Fine.
Basel: Switzerland: Romano Hänni, 2015. Number 20 of 50 copies in the deluxe edition. There were 187 copies in the standard edition. This deluxe edition includes both a copy of the standard edition and a "unikat edition," which features additional layers of printing and some variant prints from the standard edition. Each 'unikat' book is unique. Both volumes are accodion structures with board covers. A printed white paper dust jacket holds the book in codex form, but the jacket can be easily removed to view the extended accordion. In addition to two six page supplements with the colophon printed in both English and German (one for each volume), this deluxe edition includes a 12 page side-stapled booklet with a series of photographs documenting the creation of this project. Beautifully letterpress printed using typography to create images. There is no text printed in either the standard or unikat editions. Both volumes and all three supplements are housed in a slipcase, which is titled in black.Each volume and also the slipcase have paper book bands around them. [12 pages in each volume].
Basel: Romano Hänni, 2010. Hardcover. Number 34 of 175 copies. Swiss book artist and typographer Romano Hänni (1956 - ) has been experimenting with unusual compositions of letter forms and symbols since the early 1980s. His designs can seem somewhat whimsical but often are reactions to society, politics, and traumatic events. Creating things manually with the participation of all of the senses is very important to him. A master of visual poetry, he enjoys teaching to pass on his knowledge and skills. This work offers a commentary on various aspects of life, some of which are illustrated with design elements. For example "with ritalin" shows a series of small, numbered pill shaped designs. It faces "without ritalin" which shows a variety of animals and other creatures. One unillustrated quote from the jacket reads "The daily misconduct: It is not the large catastrophes, it is he daily mistakes in the details that cause the global problems." Bound accordion style in boards with white illustrated dust jacket. Handcomposed and handprinted in black, red, blue, and gold. The text is printed in German; however, a pictorial booklet supplement with English translation is included. A thought provoking, well designed book. ARTB/092117. Fine.
Baltimore: Hill Press, 2014. Number 32 of 60 copies. This handsome book combines Heaver's interest in two subjects and their confluence: Dutch-Inspired type faces and English prayer books. He states in his preface that this fascination had its foundation in years of typographic contemplation and that his HIll Press, founded in 1987, was an early manifestation. In this book, Heaver and his contributors explore the early Dutch types and typographers and how the use of their types spread to other countries. The Book of Common Prayer was chosen for detailed examination because of its beauty and the need to narrow the scope of the analysis. Bound in red cloth with white titling on spine and cover labels. Printed on Twinrocker paper with Fry Baskerville type. With many illustrations and tipped in items throughout. Title page illustration by Chris Manson. In fine condition. Measures 7.25 x10 inches. 65 pages. PRI/021221.
Oldham, England: Incline Press, 2012. Hard Cover. Number 118 of 250 copies. Heavily influenced by the Art Nouveau movement, E.R.Weiss (1875 – 1942) was a multitalented German artist who painted watercolors and murals, and also designed furniture, fabric, stained glass, ceramics, wallpaper, and books. This book focuses on Weiss’s book artistry including his typographic designs, calligraphy, book jacket designs, illustrations, and more. It took printer Graham Moss of the Incline Press over fifteen years to research, compile, and print this impressive collection of Weiss’s book works, which features numerous tipped-in reproductions and several original pieces. It is a large folio bound in brown paper covered boards with vellum spine and design in red to front cover. Housed in a brown paper covered slipcase with black cloth edges and title label to spine. In fine condition. 178 pages. PRI/062415. Fine.
New York: G. P. Putnam's Sons, 1889. Hardcover. Hudson Edition. An attractive set bound in three quarter brown morocco over marbled paper covered boards with gilt titles, raised bands, and floral devices to spines. Minor rubbing and wear to edges of boards, bands, hinges, and corners. Minor bumping to some corners. Includes frontispieces and full page illustrations with tissue guards. Decorated initials begin each chapter. Clean and bright interiors with many unopened pages. Previous owner's signature in pen dated 1891 on the front free endpapers of each volume. Marbled endpapers and top edges gilt. LIT/041719. Very Good.