London: Bradbury and Evans, 1853. Hardcover. First edition, bound from parts, as stab-holes are visible in inner margin. This novel is considered by many to be Dickens’s masterpiece for its scathing indictment of the old court of Chancery, its multitude of memorable characters, and its powerful unfolding of Lady Dedlock’s tragic secret. Includes all 39 full page engraved plates, frontispiece, and extra-engraved title by Hablot Knight Browne, known as “Phiz.” Attractively bound in three quarter green leather over marbled paper covered boards with gilt title and decoration to spine. Chipping to head of spine, wear to hinges and cornesr, and rubbing to boards. Most of the interior is clean and bright; however, the title page and all illustrations are foxed and brown (mostly along margins) as is common with this edition. There is a split to the interior near the end of the book. Binding remains secure. Full marbled edges and marbled endpapers. 624 pages. LIT/032520. Very Good.
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New York: George Routledge and Sons, circa 1900. Hardcover. Copperfield edition. Bound in the original grey cloth boards with gilt title to spines, black titles to front covers, and floral decoration to spines and front covers. Minor wear to spine ends, corners, and edges of boards. Minor browning to margins, but interiors are clean overall. Illustrated. Yellow endpapers. Some volumes have slightly loose hinges, but most have tight bindings. An attractive set in very good condition. This set may require an additional shipping fee. LIT/050719. Very Good.
London: Chapman and Hall, 1845. First Edition, Second State (with publisher's name at bottom of title page). Very good original red cloth binding with bright gilt title and vignette to cover and spine. Chipping and several tears to book cloth along hinges and spine. Full gilt edges. Occasional spots of foxing to interior and occasional smudge marks to margins. Rear hinge is cracked. Contains charming, wood-engraved frontispiece and title page (lightly spotted), as well as 11 other engraved illustrations throughout the text. Dickens' second Christmas story. 175 pages. Literature. LIT/041619.
Malvern East, Victoria Australia: Electio Editions, 2011. Softcover. Number 29 of 40 copies of which 31 were for sale. The is the second book in the Alan Loney's Electio Edition "alphabeta series". Alan Loney (1940 - ) is a well known writer, poet, editor, publisher and letterpress printer. His work has been published by University and private presses in New Zealand, Australia and North America.His own presses have printed and published many of New Zealand's most noted poets. He has also produced books himself, and in collaboration with artists and printmakers in New Zealand and overseas. His partner Miriam Morris enjoys a dual career as a visual artist and professional musician. For this book Morris contributes two original pen and acrylic drawings, each one unique in each copy. Marion May Campbell is better known as a contemporary Australian artist, but the book's prospectus describes her as also a poet of brilliance, sensitivity and skill. Bound in hand stitiched tan paper covers with title in yellow and author and artist names in red. Designed and printed by Lone with Dante and Libra types printed on damped BFK Rives paper. Housed in a bright yellow clamshell box and accompanied by the prospectus. In fine condition. Measures 5 x 9.25 inches. Unpaginated. PRI/022020. Fine.
London: Eragny Press, 1901. Hardcover. One of 226 copies, of which 200 were for sale, issued by Hacon and Ricketts. Founded in 1894 by Lucien Pissaro and his wife, Esther, the Eragny Press became well known for its distinctive designs, woodcuts, and printing. This lovely book is an edition of Flaubert’s story about the beheading of John the Baptist. In an early full crimson morocco binding with five raised bands to spine. Title, author, and date in gilt to spine. Slight rubbing to hinges. Leather turn-ins are gold tooled and the endpapers are marbled paper. Red hand sewn endbands with a three color silk ribbon marker and top edge in gilt. Interior pages are bright and clean save for evidence of a bookplate on verso of free front endpaper that has lightly offset on opposite page. Includes a woodcut frontispiece illustration by Lucien with borders and initials done by Esther. Near fine condition. A lovely fine binding. In French. 104 pages. PRI/080514. Near Fine.
London: Macmillan & Co., 1891. Hardcover. First Edition. Lanoe Falconer was the pseudonym of Mary Elizabeth Hawker (1848-1908), the English novelist and short story writer. This scarce book was a very popular supernatural novel in its day. In very good condition in original dark blue cloth boards. Light bumping to corners and chipping to spine. Interior pages clean with some splitting to signatures but text block is holding. 197 pages plus 44 page classified catalogue. LIT/031511. Very Good.
London: Printed for C. Dilly in the Poultry; and J. Phillips, 1788. Hardcover. Uncommon First Edition. William Falconer (1744-1824) was an English physician who was a frequent contributor of papers to learned societies on a range of medical subjects. He wrote on such topics as bath waters, nephritis, fevers, gout, and the influence of climate. This work was the first psychiatric prize essay awarded the Fothergillian Medal in 1787 by the Medical Society of London. Bound in contemporary mottled goatskin, with gilt ruled panels, raised spine bands, and embossed compartmental fleurons, with red leather spine label. Embossed library stamp to the title page and one internal page. There is light foxing throughout, and a few pages are neatly repaired at the gutters, else a handsome copy. 105 pages plus advertisements. MED/032520. Very Good.
England: The Fleece Press, 2010. Hardcover. 1 of 500 copies. The artist Leslie Cole, who trained under Bawden and Ravilious at the Royal College of Art in the 1930s, produced some of the finest wartiime paintings after appointed an Official War Artist, his watercolors being particularly fine, many in a Ravilious influenced style. Cole travelled through Germany (recording the scenes of horrific trauma at Belsen a week after its liberation), France, Malta and the Far East, where he recorded the action in Borneo and Singapore, a theatre of the war largely forgotten by Europeans today. Cole’s work was the equal of any other war artist, and yet he was unable, for personal or other reasons, to maintain the momentum after the war, when he seems to have slid very slowly downhill, and his early promise was unfulfilled. The book also writes of Cole’s wife Brenda . She had a very colorful teenage history, being the chief prosecution witness for the Church of England when they prosecuted the Rector of Stiffkey for importuning young girls. She disguised this past very ably through her life, even changing her name, and may not even have told her husband. Her true identity was revealed to friends before she died. This handsome work was designed and type set by Simon Lawrence, the publisher. Bound in quarter dark blue cloth with beautiful blue marbled paper made by Louise Brockman for the front and rear covers. . Printed in Miller display type. Over 130 illustrations of Cole's works and photographs of him and his wife.198 pages including index. PRI/011311. Fine.
Berkeley: Flying Fish Press, 2019. Hardcover. Number 23 of 50 copies, signed and numbered by the artist/author. This book was inspired by a series of conversations between Julie Chen and her daughter, Eleanor Chen-Ranstrom about pattern, texture, perception, and learning. Artist's statement: "Wayfinding examines the relationship between physical and mental learning through the context of navigation through time and space. The piece focuses the reader’s experience on the physicality of the book as object with the inclusion of three-dimensional cast paper panels and pages that rattle when turned, all housed in a series of shallow boxes that are hinged together in layers. The inclusion of a three-dimensional alphabet abstracted from diagrams of flag semaphore addresses the activities of signaling, translation and gesture, highlighting how information is taken in by all the senses and not just through the eyes" Letterpress printed using pressure printing and photopolymer plates on handmade papers from the Morgan Paper Conservatory and Hahnemuhle Bugra. Measures 9 x16 inches byx4 .5 inches when closed, opening to a full width of 41 inches In fine condition. ARTSB/042820. Fine.
New York: D. Appleton and Company, 1923. Hardcover. A relatively scarce book of seven short stories by Foote (1881-1950), a prolific novelist, short story writer and screewriter. Most notably, the title story from this anthology was the basis for Alfred Hitchcock’s famous film, “Notorious.” Very good in red cloth boards with gilt title to spine and front board, and a gilt dragon on the front board. There is minor rubbing to the boards. This book has been expertly restored with new endpapers. Interior is clean overall with occasional light foxing. 310 pages. LIT/061605. Very Good.
London: Longmans, Green, and Co, 1877. Hardcover. This is the most famous work by English historian and biographer, James Anthony Froude (1818 - 1894). Originally intending to be a clergyman, Froude ultimately turned from this career after publishing a novel that questioned the Christian faith. Very good in three-quarter tan leather over marbled paper boards with leather title and volume labels to spines. Gilt decoration to spines. Minor wear to edges, corners, and spine ends of all volumes. Occasional pulls and small chips to leather. Marbled endpapers and marbled edges. Clean, bright interiors overall with occasional spots of foxing and soiling. Tight bindings. An attractive set despite noted condition issues. Each volume is about 600 pages. This set may require an additional shipping fee. ENG/021519. Very Good.
Paris: Goupil and Cie; Manzi, Joyant and Cie, 1907. Hardcover. Number 107 of 300 copies. A beautiful and sumptuous work in French on the life and art of the great Renaissance painter Sandro Botticelli. In his preface, the author describes his careful research and authentication process on the artist’s work, saying it was necessary because Botticelli had so many disciples who imitated his style. There are 70 plates, of which nine are in color, plus a color frontispiece of a Botticelli self-portrait. For each work there is a plate of the full painting, followed by one or more plates with details from it. The color plates are all details of Botticelli’s exquisite portraiture. Plates 1-66 follow the text pages; plates 67-70 are bound in with the text. Bound in three quarter red leather with marbled paper covered boards and raised bands and gilt title to spine. Original paper covers bound in. Some staining to edges of some of the text pages, not affecting the plates. Each plate has a tissue guard printed with the title and location of the painting. Ownership signature in red ink on half title. In very good condition. Elephant folio. 83 pages plus plates. ART/091012. Very Good.
Dublin: William Hallhead, 1777. Hardcover. Pirated Dublin edition. Volume one states that it is the Fourth Edition; it was printed in Dublin for Hallhead in 1777. Volumes 2 - 6 were also printed in Dublin for Hallhead and are dated 1781. Volumes 7 - 10 were printed in Dublin for Luke White in 1788. Lacks volumes 11 and 12. Volume 2 has folding map. Bookplate of Charles Chauncey to front pastedown of each volume. Bound in full leather with title and volume labels to spines; however, one volume lacks volume label. Volumes 1- 6 have matching full calf bindings and volumes 7 - 10 are bound in matching mottled calf bindings. This set may require an extra shipping fee. Very Good.
London: Printed for T. Davies, R. Baldwin, T. Becket, T. Cadell, and T. Evans, 1774. Hardcover. The second edition, corrected. Full brown leather boards with maroon leather title labels and gilt titles to spines. Each volume in this set has been expertly rebacked with new leather to spines. The boards appear to be original. Heavy wear and chipping to edges of boards. One of the raised bands on volume I has been nearly chipped off. Scuffing and minor cracking to boards. The interiors are clean overall, though there are a few small spots of foxing. The book plate of James John and Sophia Holrond of White Hall to front pastedown of each volume. Two signatures are loose, but present in Volume II; the bindings of the remaining volumes are secure. 384 pages + index in Volume I; 410 pages + index in Volume II; 454 pages + index in Volume III; 410 pages + index in Volume IV. This set may require additional money for shipping. HIS/092607. Very Good.
Moscow: Emil Goozairow, (2020). Small unnumbered limited edition. Goozairow is a Russian artist who paints and draws, produces movies, and creates exceptional handmade books that are printed on rare types of paper and published in limited editions. His techniques create unique designs that often are made with natural materials alone or in combination with relief decorations made from metal or polymeric clay. He creates books that he describes as "pop up," “kinetic carousel," “liporello” or “3D origami.” He also writes fairy tales, stories and mystical scenes. A playful alphabet book with something embedded in both covers, causing it to rattle when read. Delightful illustrations with alliterative phrases (many comical) for each letter such as: Angel's Acorns for A, Creeping Cats, Delightful Desire for D, and Ugly Unicorn for U. The book has a special folding design that seems to unravel as you open each page. The book must be turned and flipped as you read in order to see all of the letters in order. Both boards are pyramid shaped relief designs in colored polymer clay. The book is held closed with braided red cord straps that fasten with a metal clasp. In fine condition. Each side of this triangular shaped book measure about 2 inches. Fine.
Bugyrus, OH: Gould and Starr, 1873. Hardcover. A Scarce Atlas of Crawford County, Ohio. Disbound, with original black cloth boards present but detached. The front board is titled in gilt and is heavily worn along the edges with chips to cloth and soiling. The rear board is also well worn. All maps are present; however, the large fold out map of Ohio, which is printed on a thinner stock paper, is badly damaged, creased, and torn with a portion missing. This atlas includes population statistics for the U.S. and for each town (in Ohio only) for 1860 and 1870; a brief history of the county and townships; a list of patrons of the atlas (listed by township); advertising directories divided by region; 24 color maps of towns, townships, the county, and state; and many attractive black and white views of landmarks, farms, private homes, and businesses within the county. Soiling and tears to most pages, mostly along the edges and margins; however, some pages are evenly soiled. Most tears are short, but some extend several inches into the page, affecting images and/or maps. There is a large, attractive, handwritten inscription in German to the front endpapers from the previous owners: "Johann D. De Roche! Margaret De Roche! Wilhelm H. De Roche! Geboren 15 januar 1856! An gottes legen alt alles gelegen Amen! 1878!" John D. DeRoche is listed as a patron of this atlas from the Chatfield township. This is a good reading copy perfect for a historian, scholar, or resident of Crawford, Ohio. Size: Elephant Folio. ATL/111819. Good.
London: Arthur Barker, 1934. Hardcover. First Edition. A masterpiece of historical fiction, ranked in some surveys as one of the best novels of the twentieth century. In very good condition in black cloth boards with gilt title to spine. Light spotting to boards and light wear to edges. Previous owner’s bookplate to front pastedown and note in pencil to front free endpaper. There is offsetting from an article that is no longer present on the front endpaper and front flap of the jacket. Minor foxing to endpapers. There is a foldout family tree at the rear of the book. In blue illustrated dust jacket with white title to spine and front panel. The jacket is in three pieces with small chips to the spine ends, edges, and hinges. Browning to spine of jacket. A nice copy despite noted wear. 494 pages. LIT/052511. Very good in a good dust jacket.
Hingham, MA: Maryanne Grebenstein, 2012. Hardcover. Number 16 of 20 copies. One unique hand lettered copy was also issued. This is a small prayer book containing The Lord’s Prayer in Latin, Middle English (John Wycliffe version), and the Revised Standard Version. In this limited edition the black text is printed and the decorations are hand colored with the illuminations in gold or silver pen. Each book is hand bound and colored differently, so that the 20 copies all have a completely different look. 3 x 3 inches. Fine.
2014. A beautiful calligraphic manuscript of William Morris’s poem “Love Fulfilled.” Maryanne Grebenstein is a professional calligrapher who studied under many other notable calligraphers. She teaches calligraphy and manuscript gilding at the Massachusetts College of Art (Boston), the North Bennet Street School (Boston), and the Abbey Studio in Hingham, MA. This lovely lyric was published in Morris’s last book of poetry, Poems by the Way, in 1892. A contemporary critic described this late work as still marked by a pervading intensity of human feeling found in his early poetry. The title and decorated capitals are 23 Karat gold leaf. Thirty-five lines with the calligrapher’s signature in pencil below the border. The text is in Moon Palace sumi ink and the color is in Winsor & Newton gouache on Crane’s 100% cotton stock paper. Archivally matted. Measures 17 x 22 inches including mat. Fine.
London: Longmans, Green, and Co., 1893. Maurice Greiffenhagen. Hardcover. First Edition of this Aztec romance. Author's Presentation Copy, inscribed "To Andrew from his affec brother H Rider Haggard 1894." Henry Rider Haggard (1856-1925) was the author of a number of adventure novels set in exotic locales. His books, including She and King Solomon's Mines, are still popular today. Haggard traveled to Mexico in 1891 to do research for this book and sadly his young son died while he was away. The book describes the first interactions between the Spanish and South American natives, as well as murders, shipwrecks, and slavery. Colonel Andrew Haggard, who had a distinguished military career - he was one of he first British officers to command in the Egyptian army - was also a successful novelist, travel writer and poet. It is known that Andrew helped Rider with the writing of Dawn and he likely played an important role in helping his younger brother with the several bestsellers which revolved around Egypt and mummies. There are 25 black and white illustrations by the British painter and illustrator Maurice Greiffenhagen. He was Haggard's friend, which led him to illustrate several of his adventure books, starting with She in 1889. Bound in the original publisher's blue-green cloth with gilt author and title to front cover and spine. Light bumping, small chip to bottom of faded spine. Hinges a bit tender but text block is tight. Interior pages are clean. Bookplate of collector Mark Samuels Lasner to front pastedown. Very good condition. 325 pages plus 24 page publisher's catalog. LIT/012016. Very Good.
Glenview, IL: Karen Hanmer, 2004. Number 20 or 20 copies, signed and numbered by the book artist. Karen's artist-made books are physical manifestations of personal essays intertwining history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. This is the last unsold copy of this thoughtful and nostalgic book by Karen. She uses the text of a young Navy wife’s letter written from Europe in the 1950s to her family on the farm along with her alternate personal thoughts. The book uses the flag book structure to juxtapose these texts with sections of an old photograph of her Midwestern relatives. This structure offers an effective medium for creating a visual as well as a textual experience. The full photograph of the family is revealed when the book is fully opened. The photograph and text were created using pigment inkjet prints. The covers reproduce a black and white photo of the young Navy wife with an Italian city view behind her. The back of the book opens in accordion style and shows another black and white photo from Italy. Book is 4.5 x 9 inches closed and 8 x 19 inches when fully open. Housed in an archival stiff paper storage box with Velcro closures. In fine condition. Fine.
Basel, Switzerland: Romano Hänni, 2005. Hard Cover. Number 34 of 40. Each book is unique. Second Edition. This book includes a selection of proof pages from various early handprinted books by Romano. The pages include handwritten notes and marks for corrections. Because each proof sheet is different, each illustration and also each book is unique. The poems, which are interspersed with the proof sheets, are written by Romano's father. The typographic pictures and cover are letterpress printed and the poems are inkjet printed. The text is in German with no English translation. (56 pages) ARTB/011713. Fine.
Basel: Romano Hänni, 2010. Hardcover. Number 35 of 175 copies. Swiss book artist and typographer Romano Hänni (1956 - ) has been experimenting with unusual compositions of letter forms and symbols since the early 1980s. His designs can seem somewhat whimsical but often are reactions to society, politics, and traumatic events. Creating things manually with the participation of all of the senses is very important to him. A master of visual poetry, he enjoys teaching to pass on his knowledge and skills. This work offers a commentary on various aspects of life, some of which are illustrated with design elements. For example "with ritalin" shows a series of small, numbered pill shaped designs. It faces "without ritalin" which shows a variety of animals and other creatures. One unillustrated quote from the jacket reads "The daily misconduct: It is not the large catastrophes, it is he daily mistakes in the details that cause the global problems." Bound accordion style in boards with white illustrated dust jacket. Handcomposed and handprinted in black, red, blue, and gold. The text is printed in German; however, a pictorial booklet supplement with English translation is included. A thought provoking, well designed book. ARTB/092117. Fine.