Paris: Goupil and Cie; Manzi, Joyant and Cie, 1907. Hardcover. Number 107 of 300 copies. A beautiful and sumptuous work in French on the life and art of the great Renaissance painter Sandro Botticelli. In his preface, the author describes his careful research and authentication process on the artist’s work, saying it was necessary because Botticelli had so many disciples who imitated his style. There are 70 plates, of which nine are in color, plus a color frontispiece of a Botticelli self-portrait. For each work there is a plate of the full painting, followed by one or more plates with details from it. The color plates are all details of Botticelli’s exquisite portraiture. Plates 1-66 follow the text pages; plates 67-70 are bound in with the text. Bound in three quarter red leather with marbled paper covered boards and raised bands and gilt title to spine. Original paper covers bound in. Some staining to edges of some of the text pages, not affecting the plates. Each plate has a tissue guard printed with the title and location of the painting. Ownership signature in red ink on half title. In very good condition. Elephant folio. 83 pages plus plates. ART/091012. Very Good.
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Mount Vernon, NY: The Golden Eagle Press, . Hardcover. Number VI of 108 copies. Signed and numbered by the artist. Includes fifteen plates. There are thirteen original watercolors by the noted artist, Kurt Roesch. The frontispiece and a second hors-text plate are lithographs. This is an overlooked livre d’artiste, published six years before the press printed Orpheus, a book recognized in The Artist and the Book 1860-1960. This work is the whimsical and mysterious story of a boy, Sprig, and his horse Turfy, and their nighttime adventure and transformation. In the colophon, Roesch writes: “This Archetype Edition of Sprig and Turfy is not only the first but unique in the history of the printed book. It is conveniently limited to one hundred and eight copies, each containing original paintings in watercolor over a key plate in black, printed by S.A. Jacobs, The Golden Eagle Press, Mount Vernon, N.Y.”. Bound in tan buckram with a gilt device on the front board, cloth ties, in a tri-fold chemise in a slipcase, both also covered in tan buckram. Book in near fine condition. Slipcase and chemise are very good with light wear. Unpaginated. PRI/081111. Near Fine.
London: Printed for T. Davies, R. Baldwin, T. Becket, T. Cadell, and T. Evans, 1774. Hardcover. The second edition, corrected. Full brown leather boards with maroon leather title labels and gilt titles to spines. Each volume in this set has been expertly rebacked with new leather to spines. The boards appear to be original. Heavy wear and chipping to edges of boards. One of the raised bands on volume I has been nearly chipped off. Scuffing and minor cracking to boards. The interiors are clean overall, though there are a few small spots of foxing. The book plate of James John and Sophia Holrond of White Hall to front pastedown of each volume. Two signatures are loose, but present in Volume II; the bindings of the remaining volumes are secure. 384 pages + index in Volume I; 410 pages + index in Volume II; 454 pages + index in Volume III; 410 pages + index in Volume IV. This set may require additional money for shipping. HIS/092607. Very Good.
David McKay, (1929). First American trade edition in original dust jacket and box. (Publisher's name to spine; however, the title page cites the English publisher - George G. Harrap.) Fine in original grey blue cloth boards with gilt title to spine and front cover. Gilt rose design to front cover. Includes twelve full color, full page illustrations and many black and white in text line drawings. Illustrated endpapers. Minor soiling to the fore-edge of the textblock, else clean and bright. In grey dust jacket with dark red title to spine and full color illustration pasted down to front panel. The jacket has a few small chips to the edges and a few creases. Housed in the original grey paper covered box with full color illustrated pastedown (that matches the jacket illustration) to front cover. The corners of the top of the box have been repaired / reinforced with archival mending tape. Rubbing and wear to the edges of the box. 232 pages. CHILD/013118.
London: Arthur Barker, 1934. Hardcover. First Edition. A masterpiece of historical fiction, ranked in some surveys as one of the best novels of the twentieth century. In very good condition in black cloth boards with gilt title to spine. Light spotting to boards and light wear to edges. Previous owner’s bookplate to front pastedown and note in pencil to front free endpaper. There is offsetting from an article that is no longer present on the front endpaper and front flap of the jacket. Minor foxing to endpapers. There is a foldout family tree at the rear of the book. In blue illustrated dust jacket with white title to spine and front panel. The jacket is in three pieces with small chips to the spine ends, edges, and hinges. Browning to spine of jacket. A nice copy despite noted wear. 494 pages. LIT/052511. Very good in a good dust jacket.
2014. A beautiful calligraphic manuscript of William Morris’s poem “Love Fulfilled.” Maryanne Grebenstein is a professional calligrapher who studied under many other notable calligraphers. She teaches calligraphy and manuscript gilding at the Massachusetts College of Art (Boston), the North Bennet Street School (Boston), and the Abbey Studio in Hingham, MA. This lovely lyric was published in Morris’s last book of poetry, Poems by the Way, in 1892. A contemporary critic described this late work as still marked by a pervading intensity of human feeling found in his early poetry. The title and decorated capitals are 23 Karat gold leaf. Thirty-five lines with the calligrapher’s signature in pencil below the border. The text is in Moon Palace sumi ink and the color is in Winsor & Newton gouache on Crane’s 100% cotton stock paper. Archivally matted. Measures 17 x 22 inches including mat. Fine.
London: Macmillan and Co., 1874. Hardcover. First Edition. The rare first edition of a key work in British history. Includes a time line, genealogical tables, and five maps of which four are printed in color. John Richard Green (1837-1883) was an English clergyman who left the church and turned to history. This work assured his place as a major writer of history. The book was intended for a popular audience and was very successful, leading to subsequent expanded editions. Very good in original dark brown cloth boards with gilt title to spine. Bumping to corners, light rubbing to boards, and slight crease to rear board. This book has been expertly recased using all original materials. The interior has a few light spots of foxing throughout and spots of browning to the end pages. One inch stain from tape remnant on ffe. With the bookplate of Thomas Brooke. Housed in a fine brown cloth slipcase with leather and gilt title label to spine. Index, 847 pages. ENG/052110. Very Good.
Portland, OR: Anne Greenwood, 2018. Number 3 of 10 copies in the deluxe edition, signed and numbered by the book artist. Vestiges was conceived in Iceland where Anne was an artist-in-residence in April and May 2018. This striking work includes folded, sewn, dyed, and printed crinoline cloth pieces accompanied by text. They beautifully capture the almost intangible nature of vestiges - things disappearing or no longer in existence. The book's wrap-around cover is white crinoline. The book is printed with Weiss Italic type on Mohawk Superfine paper by Diane Jacobs of the Scranton Press in Portland. The text is hand-written and authored by the artist as are the hand-dyed fabric manipulations (from the colophon). Anne Greenwood is a well-known artist who has exhibited widely and whose works can be found in museum and library collections around the country. She was born on the high Dakota Plains and was led to an art degree by her artist grandmother. In 1990 she moved to Portland, Oregon and began her career as an artist and horticulturalist. Anne’s artwork explores an interest in folk art and speaks of her kinship with the natural world and how this influences her connection to daily life. She makes objects, installations, and works with her community. In 2002, Anne set up a textiles studio integrating handwork, book arts, and textiles into an interdisciplinary practice. From Anne's artist's statement: "My artistic practice navigates an infinite network of connections: narrating the simple and complex, physical and ephemeral, past and present, within the context of place, history, and transformation. I form relationships that expand and fortify admiration and reverence, leading to the discovery of new truths about the world around us. I enter into inquiry-based community engagement through arts education, residency, public work, studio practice, and collaboration. " A lovely work in fine condition. ARTS/031419. Fine.
Wales: Gwasg Gregynog, 2004. Hardcover. Number 122 of 200 copies. In the introduction Dowd states “the present publication is designed to bring the artistic achievements of contemporary binders who have worked...for Gregynog to the notice of a wider public.” This book reproduces in color the nineteen special bindings produced from 1977 until 2002 by the press. Among the binders are Sally Lou Smith, James Brockman, Julian Thomas, Alan Wood, David Esslemont, David Vickers, and Kyffin Williams. Printed in Monotype Walbaum type on Monoadnock Astrolite paper. Bound in dark blue linen with gilt title and press name to spine and the device of the press on the front board. Housed in slipcase in same blue linen. In fine condition. 100 pages. PRI/120811. Fine.
London: Longmans, Green, and Co., 1893. Maurice Greiffenhagen. Hardcover. First Edition of this Aztec romance. Author's Presentation Copy, inscribed "To Andrew from his affec brother H Rider Haggard 1894." Henry Rider Haggard (1856-1925) was the author of a number of adventure novels set in exotic locales. His books, including She and King Solomon's Mines, are still popular today. Haggard traveled to Mexico in 1891 to do research for this book and sadly his young son died while he was away. The book describes the first interactions between the Spanish and South American natives, as well as murders, shipwrecks, and slavery. Colonel Andrew Haggard, who had a distinguished military career - he was one of he first British officers to command in the Egyptian army - was also a successful novelist, travel writer and poet. It is known that Andrew helped Rider with the writing of Dawn and he likely played an important role in helping his younger brother with the several bestsellers which revolved around Egypt and mummies. There are 25 black and white illustrations by the British painter and illustrator Maurice Greiffenhagen. He was Haggard's friend, which led him to illustrate several of his adventure books, starting with She in 1889. Bound in the original publisher's blue-green cloth with gilt author and title to front cover and spine. Light bumping, small chip to bottom of faded spine. Hinges a bit tender but text block is tight. Interior pages are clean. Bookplate of collector Mark Samuels Lasner to front pastedown. Very good condition. 325 pages plus 24 page publisher's catalog. LIT/012016. Very Good.
Glenview, IL: Karen Hanmer, 2016. Number 34 of an open edition. For centuries paper has served as a quick, elegant, and economical covering material for books. Renowned book artist and teacher Karen Hanmer has created this set of ten model paper bindings to offer instruction to experienced and would-be binders. She writes: "These models and accompanying instructions will introduce beginners to the basic tools, techniques and materials of bookbinding. Experienced practitioners will discover how features from multiple bindings can be combined to create a new, custom structure to meet the requirements of any project. All of these structures can be made in a sparsely-equipped studio with minimal specialized tools or equipment.The paper bindings are mostly non-adhesive, mostly unsupported sewing: three folded paper cases, supported and unsupported laced cases, long stitch, chain stitch with decorative guards, double-pamphlet in tipped wrapper, multi-section pamphlet, German stiffened paper binding with double-fan adhesive text block. They are in a variety of colors and patterns. The set also includes a 140 page hand-bound b&w laser-printed manual: a skill-building guide to bookbinding techniques, tools, and materials with a glossary and an extensive bibliography (many of the resources available online). Chapters on tools and supplies, ergonomics, signature preparation, end sheets, sewing and working with case-weight papers precede complete instructions for crafting ten different paper binding structures. Each process is illustrated with numerous b&w photographs and diagrams. The instructions for each structure are also provided as PDFs on digital media for classroom distribution." Each model is approximately 6.5 x 4.5 inches; manual is 9 x 6 inches. All housed in a beige cloth covered clamshell box with paper title label on spine. These models are a valuable reference for libraries, book arts programs, or for anyone who is interested in learning more about the structural aspects of the book. In fine condition. ARTISTSB/102517.
Glenview, IL: Karen Hanmer, 2008. Hardcover. Number 17 of 30 copies. At once vast and minimal, sparse and rich, the night sky has always been a canvas upon which people project their myths and dreams. Star Poems presents quotes that document response to the night sky across the ages by philosophers, artists, and poets from Plato and Byron to contemporary writers, scientists and astronauts. This text is paired with 17th century mythological images of constellation forms and images of early star gazers on a background of a NASA photograph of the Milky Way. The book can be held in the hand and read page by page like a traditional book, can be removed from its jacket and unfolded flat to reference historical astronomical charts or contemporary NASA composite photos, or can be folded into an infinite variety of sculptural shapes. Measures: 6.75x5.75x.75" closed, 17.5x 23" open. Housed in a blue cardstock box with velcro closure. Fine.
Glenview, IL: 2002. Hardcover. Number 8 of 20 copies. “Chicago binder, book and installation artist Karen Hanmer’s intimate, playful works fragment and layer text and image to intertwine memory, cultural history, and the history of science. Her work weds the ancient act of book binding with the high tech use of the computer to aid her process. The intimate scale and the gestures of exploration required to travel through each piece evoke the experience of looking through an album, a diary, or the belongings of a loved one. However, her works often take the forms of games or puzzles, and many include witty text” (Karen Hanmer). This work is a history of an immigrant farming family told through photographs. The family is depicted on both inside covers with one picture dating from the 1920s and the other from the 1960s. Connecting the pictures is a flowing field of corn, which is blurred on one side and detailed on the other. As you open the book the interlocking pages and imagery create a flowing movement that simulates the passage of time. The result is an engaging book that tells a story despite the lack of text. Housed in an archival paper case with the artist’s contact information and edition number on the front panel. In fine condition. Unpaginated. ARTB/060111. Fine.
Glenview, IL: Karen Hanmer, 2011. Hardcover. Chicago binder, book, and installation artist Karen Hanmer’s intimate, playful works fragment and layer text and image to intertwine memory, cultural history, and the history of science. Her work weds the ancient art of book binding with the high tech use of the computer to aid her process. The intimate scale and the gestures of exploration required to travel through each piece evoke the experience of looking through an album, a diary, or the belongings of a loved one. However, her works often take the forms of games or puzzles, and many include witty text. Number 2 of 3 copies. A sculptural book featuring text from Jane Austen’s archetypal romance, Pride and Prejudice, with heart shaped cut outs to reveal illustrations clipped from the covers of modern day romance novels. This book can be displayed in a star format using two included cloth clips or as an accordion. According to the book artist: The “background pattern references Regency era roller-printed textiles. This piece was created from a minimum quantity of recycled and already-purchased materials and with limited use of electricity for Sustainable Book and Paper Arts, a 2011 exhibition curated by Shawn Sheehy and Melissa Jay Craig.” Inkjet printed with found images. It is housed in an archival grey folding case with artist’s contact information stamped to front panel. Size: 6.75 x 4.25 x 3 inches, closed; 6.75 x 8.5 x 8.5 inches, open. Fine. Fine.
Basel: Switzerland: Romano Hänni, 2015. Number 20 of 50 copies in the deluxe edition. There were 187 copies in the standard edition. This deluxe edition includes both a copy of the standard edition and a "unikat edition," which features additional layers of printing and some variant prints from the standard edition. Each 'unikat' book is unique. Both volumes are accodion structures with board covers. A printed white paper dust jacket holds the book in codex form, but the jacket can be easily removed to view the extended accordion. In addition to two six page supplements with the colophon printed in both English and German (one for each volume), this deluxe edition includes a 12 page side-stapled booklet with a series of photographs documenting the creation of this project. Beautifully letterpress printed using typography to create images. There is no text printed in either the standard or unikat editions. Both volumes and all three supplements are housed in a slipcase, which is titled in black.Each volume and also the slipcase have paper book bands around them. [12 pages in each volume].
Basel: Romano Hänni, 2010. Hardcover. Number 35 of 175 copies. Swiss book artist and typographer Romano Hänni (1956 - ) has been experimenting with unusual compositions of letter forms and symbols since the early 1980s. His designs can seem somewhat whimsical but often are reactions to society, politics, and traumatic events. Creating things manually with the participation of all of the senses is very important to him. A master of visual poetry, he enjoys teaching to pass on his knowledge and skills. This work offers a commentary on various aspects of life, some of which are illustrated with design elements. For example "with ritalin" shows a series of small, numbered pill shaped designs. It faces "without ritalin" which shows a variety of animals and other creatures. One unillustrated quote from the jacket reads "The daily misconduct: It is not the large catastrophes, it is he daily mistakes in the details that cause the global problems." Bound accordion style in boards with white illustrated dust jacket. Handcomposed and handprinted in black, red, blue, and gold. The text is printed in German; however, a pictorial booklet supplement with English translation is included. A thought provoking, well designed book. ARTB/092117. Fine.
[England]: [c. 1904-1906]. Hardcover. The complete original manuscript for Beatrice Harraden's novel, The Scholar's Daughter, published by Methuen in 1906. It has been bound for presentation to her literary agent, A.P. Watt, with an inscription on the front free endpaper: "For my most kind friend Mr. A.P. Watt from Beatrice Harraden. a little token of gratitude for all the regard and kindness received from himself & his sons for so many years. Jan 28th 1913. I chose the M.S. of this book specially because the story was always one of which my friend has [?] with & most welcome appreciation." Beatrice Harraden (1864-1936) was an English novelist who was active in women's rights causes, and an ardent feminist and suffragette. Aspects of her life were incorporated in her work, as with this novel. She was involved as a reader for the Oxford English Dictionary, and this novel is set among lexicographers. Contemporary reviews of the book were mixed. The review in The Bookman states that the work is a clever little domestic drama written with zest and skill. "The title, a suggestive one, would seem to imply that we may expect something unscholarly from the daughter of a scholar." This review also states that there was a dramatic version of the story. A later letter to the editor states that the novel was first written as a play. The manuscript has corrections and changes throughout, along with a few tipped in pages from a typescript, and provides a fascinating look at the creative process of this New Woman writer. Bound in grey cloth with gilt title and author to front board. A rarity in very good condition. Small quarto. About 178 pages. AUTO/073115. Very Good.
Boston: Houghton Mifflin and Company; The Riverside Press, 1900. Hardcover. 258 of 500 copies of the Autograph Edition, signed in the first volume by the author's daughter, Rose Hawthorne Lathrop, who provided the introduction, and by the publisher. FRONTISPIECE OF EACH VOLUME IS SIGNED BY THAT VOLUME'S ILLUSTRATOR. This beautiful and important set is illustrated by some of the foremost illustrators from the late 19th and early 20th centuries. They include several of the artists of the Brandywine School such as Howard Pyle, Jessie Wilcox Smith, Frank Schoonover and Anna Whelan Betts. Other illustrators include the famed American impressionist artist, Child Hassam. The volumes are signed as follows: Anna Whelan Betts (Volume I); Emlen McConnell (II); Sarah S. Stilwell (III); Jessie Wilcox Smith (IV); Mary Lewis Ayer (V); Eric Pape (VI); Maud Cowles (VII); B. West Clinedinst (VIII); Alice Barber Stephens (IX and X); E.C. Peixotto (XI); Frank T. Merrill (XII); Howard Pyle (XIII); A.I. Keller) (XIV); Frederick McCormick (XV); F.C. Yohn(XVI); Albert Herter (XVII); Harry Fenn (XVIII); Childe Hassam (XIX); Edmunc H. Garrett (XX); Jules Guerin (XXI); and Ross Turner (XXII). Beautifully bound in publisher's deluxe binding of three quarter blue morocco, marbled boards, and gilt decorated spine with titles and floral ornaments betweeen raised bands. Marbled end pages, t.e.g.. In fine condition. LIT/072310 This set may require an extra shipping fee. Fine.
New York: Alfred A. Knopf, 1945. Hardcover. PRESENTATION COPY signed by the author “to Gay Dallman, with the good wishes of Langston Hughes New York, July 12, 1947.” Elaine Gay Dallman was a poet, bibliophile, and socialite in San Francisco. This is a nice copy of the second printing. Very good in black cloth with orange cloth spine and purple title to front board and spine. Slight fading to spine and bumping to bottom corners. In a very good price clipped dust jacket with green spine panel and black title to spine. The jacket is worn along the edges including a chip to the head of the spine and a short closed tear. There is also a scuffmark to the front panel and the interior of the front flap has light dampstaining. There is no evidence of dampstaining to the boards or to the exterior of the jacket. 125 pages. POE/04291. Very Good in Very Good Dust Jacket.
Oldham, England: Incline Press, 2012. Hard Cover. Number 118 of 250 copies. Heavily influenced by the Art Nouveau movement, E.R.Weiss (1875 – 1942) was a multitalented German artist who painted watercolors and murals, and also designed furniture, fabric, stained glass, ceramics, wallpaper, and books. This book focuses on Weiss’s book artistry including his typographic designs, calligraphy, book jacket designs, illustrations, and more. It took printer Graham Moss of the Incline Press over fifteen years to research, compile, and print this impressive collection of Weiss’s book works, which features numerous tipped-in reproductions and several original pieces. It is a large folio bound in brown paper covered boards with vellum spine and design in red to front cover. Housed in a brown paper covered slipcase with black cloth edges and title label to spine. In fine condition. 178 pages. PRI/062415. Fine.
Minneapolis: Indulgence Press, 2007. Hardcover. 1 of 26 deluxe lettered copies. This is Letter W. Signed by author and book artist. This book contains 31 previously unpublished poems by the highly regarded poet Michael Dennis Browne. The poems are short and intended to elicit larger thoughts by the reader. Inspired by his love of music, Schilling designed the book to create a meditative environment through the placement of poems and photographs on the page. The book structure acts as a composition around the lines of text to float the poems along the way. The deluxe edition of 26 copies is printed by letterpress in Reykjavik and Philosophia type on MacGregor & Vinzani handmade paper. The pages are French folded and include cyanotype photographic prints; they are sewn with exposed cords laced into red oak boards. The book is housed in a clamshell box bound with blue goatskin and indigo dyed handmade paper. In fine condition. 60 pages. PRI/111512. Fine.
London and New York: Bliss, Sands and Foster; Brentano's, 1894. Hardcover. First Edition. Presentation Copy, inscribed on free front endpaper "To the 'Star Barker' of our house, whose sunny nature excuses a dozen faults, and whose tiny, rippling laugh makes serious work impossible - but whom we would not do without - With the fondest love of his mother - The Author," and further inscribed "To Karl Martin, Buffalo, June 20 1901." The recipient of this extravagant inscription was the author's son. Jones was an American writer and this is the uncommon English issue of this book. The stories are of a science fiction / fantasy nature. Bound in brown cloth with delicate cream and green design of cupids and title and author in gilt. Edges are worn and chipped. Interior pages have some browning along margins. There is some splitting of the signatures but the text block remains solid. In very good condition. 95 pages. LIT/010413. Very Good.
Hammersmith: Kelmscott Press, [1896-1897]. Six Kelmscott Press leaves, pages 3-14, from The Earthly Paradise. Page three has the last lines from "September." Pages 4-14 are the first few pages of "The Death of Paris." They include the two-page title and first page of the work with the beautiful borders done by Morris and a ten-line decorated initial letter "I." There is also a six-line initial. Printed in black and red Golden type on Apple paper. A lovely example of the fine printing of the Kelmscott Press and the impressive poetry of William Morris. In near fine condition. MOR/060216. Near Fine.
New York: Charles Scribner's Sons, 1908. Hardcover. The Outward Bound Edition. Volumes 1 - 32; lacks volumes 11, 17, 20, and 33 - 36. This set was issued over many years, so it's no surprise that several are missing. An attractive set bound in three quarter dark brown leather over marbled paper covered boards with gilt titles, floral devices, and raised bands to spines. Minor wear to edges, corners, spine ends, and bands to most volumes. One volume has a detached spine (along one edge). Another volume (18) is heavily cracked along the spine with some chipping. Minor sunning to spines of some volumes. Clean interiors overall with occasional spots of soiling to margins. Includes full page illustrations with captioned tissue guards. Marbled endpapers and top edges gilt. LIT/041719. Very Good.
London: George Bell and Sons, 1902. Walter Crane. Hardcover. FIRST TRADE EDITION. This is still the best and most comprehensive work on Crane’s art, encompassing his illustrations, paintings, and decorative works. There are 8 photogravure plates, 24 full page colored plates, and over 100 other illustrations of his paintings, wall paper designs, and book illustrations. There are also two inserted facsimile leaves from The Story of the Glittering Plain published by the Kelmscott Press. It was the only Kelmscott Press title illustrated by Crane, despite his close friendship with fellow-Socialist William Morris. The book begins with a chapter discussing Morris’s influence on Crane’s ideas of Socialism and art. A very good small folio bound in the original blue-green pictorial cloth, with the cover design and spine printed in black and gilt. The covers show wear, with slight fraying at edges, brief spotting, and the front hinge slightly cracked. The interior is quite clean and bright save for some very light aging to margins and a small brown stain on one of the color illustrations and its facing page. Altogether a very nice copy of this rather scarce book. 148 pages. ILL/042210. Very Good.