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Paris: 1781. Hardcover. RARE. Very good in full leather with raised bands and gilt tooled panels on spine. Gilt tooling on inner and outer edges of boards. Pages edged in gilt; somewhat faded. Leather on spine is cracked and chipped in places, but gilt is still bright. Bumped corners. Minor bookworm damage to boards in several places. Rubbing/minor staining to boards. Marble endpapers which are faded/rubbed. Laid paper interior is very clean with several spots of foxing and some fading to endpages only. Very light soiling to title page and half-title. Green ribbon bookmark is sewn into binding. Translated from the Greek by Giacomelli. Classical Literature. CLA2/2250. Very Good.
2014. A beautiful calligraphic manuscript of William Morris’s poem “Love Fulfilled.” Maryanne Grebenstein is a professional calligrapher who studied under many other notable calligraphers. She teaches calligraphy and manuscript gilding at the Massachusetts College of Art (Boston), the North Bennet Street School (Boston), and the Abbey Studio in Hingham, MA. This lovely lyric was published in Morris’s last book of poetry, Poems by the Way, in 1892. A contemporary critic described this late work as still marked by a pervading intensity of human feeling found in his early poetry. The title and decorated capitals are 23 Karat gold leaf. Thirty-five lines with the calligrapher’s signature in pencil below the border. The text is in Moon Palace sumi ink and the color is in Winsor & Newton gouache on Crane’s 100% cotton stock paper. Archivally matted. Measures 17 x 22 inches including mat. Fine.
Portland, OR: Anne Greenwood, 2016. Number 2 of 12 copies in the special edition portfolio signed and numbered by the book artist. There were also 138 copies of the chapbook. This beautiful and complex work was inspired by the poetry of the Portland poet and seamstress Hazel Hall (1886-1924) and pays homage to her to writings and resilience. She survived either scarlet fever or a fall at the age of 12 and used a wheelchair for the rest of her short life. The poems are republished by permission from The Collected Poems of Hazel Hall. From the colophon: "The special edition portfolio is made of crinoline; it is machine sewn, hand-dyed in fustic, and pressure-printed with machine-stitched text from poems originally written by Hall and then pieced together by Anne Greenwood. The chapbook cover is machine-stitching on crinoline; the under print is pressure-printed, hand-stitched embroidery with pochoir and the book is hand-bound using the pamphlet stitch. The decorations are hand-stitched embroidery sigils by Greenwood and Shannon Ayuyu pressure printed on washi paper. The tapestry is made of crinoline hand-dyed in madder, fustic, cochineal and indigo, with hand stitching and pochoir. The applique: the moon is pressure-printed, found, hand-made doily, and the poem Loneliness is written by Hall and printed with a polymer plate. The machine-stitched texts are cut-ups of Hazel Hall’s poetry made by Shannon Ayuyu and Anne Greenwood. The printing is all by Clare Carpenter (2016) in Portland, Oregon." Anne Greenwood is a well-known artist who has exhibited widely and whose works can be found in museum and library collections around the country. She was born on the high Dakota Plains and was led to an art degree by her artist grandmother. In 1990 she moved to Portland, Oregon and began her career as an artist and horticulturalist. Anne’s artwork explores an interest in folk art and speaks of her kinship with the natural world and how this influences her connection to daily life. In 2002, Anne set up a textiles studio integrating handwork, book arts, and textiles into an interdisciplinary practice. From Anne's artist's statement: "My artistic practice navigates an infinite network of connections: narrating the simple and complex, physical and ephemeral, past and present, within the context of place, history, and transformation. I form relationships that expand and fortify admiration and reverence, leading to the discovery of new truths about the world around us." When the tapestry is folded the work measures 8 x 12.25 inches. In fine condition. ARTISTB/031819. Fine.
Wales: Gwasg Gregynog, 2004. Hardcover. Number 122 of 200 copies. In the introduction Dowd states “the present publication is designed to bring the artistic achievements of contemporary binders who have worked...for Gregynog to the notice of a wider public.” This book reproduces in color the nineteen special bindings produced from 1977 until 2002 by the press. Among the binders are Sally Lou Smith, James Brockman, Julian Thomas, Alan Wood, David Esslemont, David Vickers, and Kyffin Williams. Printed in Monotype Walbaum type on Monoadnock Astrolite paper. Bound in dark blue linen with gilt title and press name to spine and the device of the press on the front board. Housed in slipcase in same blue linen. In fine condition. 100 pages. PRI/120811. Fine.
London: Longmans, Green, and Co., 1893. Maurice Greiffenhagen. Hardcover. First Edition of this Aztec romance. Author's Presentation Copy, inscribed "To Andrew from his affec brother H Rider Haggard 1894." Henry Rider Haggard (1856-1925) was the author of a number of adventure novels set in exotic locales. His books, including She and King Solomon's Mines, are still popular today. Haggard traveled to Mexico in 1891 to do research for this book and sadly his young son died while he was away. The book describes the first interactions between the Spanish and South American natives, as well as murders, shipwrecks, and slavery. Colonel Andrew Haggard, who had a distinguished military career - he was one of he first British officers to command in the Egyptian army - was also a successful novelist, travel writer and poet. It is known that Andrew helped Rider with the writing of Dawn and he likely played an important role in helping his younger brother with the several bestsellers which revolved around Egypt and mummies. There are 25 black and white illustrations by the British painter and illustrator Maurice Greiffenhagen. He was Haggard's friend, which led him to illustrate several of his adventure books, starting with She in 1889. Bound in the original publisher's blue-green cloth with gilt author and title to front cover and spine. Light bumping, small chip to bottom of faded spine. Hinges a bit tender but text block is tight. Interior pages are clean. Bookplate of collector Mark Samuels Lasner to front pastedown. Very good condition. 325 pages plus 24 page publisher's catalog. LIT/012016. Very Good.
Glenview, IL: Karen Hanmer, 2008. Hardcover. Number 17 of 30 copies. At once vast and minimal, sparse and rich, the night sky has always been a canvas upon which people project their myths and dreams. Star Poems presents quotes that document response to the night sky across the ages by philosophers, artists, and poets from Plato and Byron to contemporary writers, scientists and astronauts. This text is paired with 17th century mythological images of constellation forms and images of early star gazers on a background of a NASA photograph of the Milky Way. The book can be held in the hand and read page by page like a traditional book, can be removed from its jacket and unfolded flat to reference historical astronomical charts or contemporary NASA composite photos, or can be folded into an infinite variety of sculptural shapes. Measures: 6.75x5.75x.75" closed, 17.5x 23" open. Housed in a blue cardstock box with velcro closure. Fine.
Basel, Switzerland: Romano Hänni, 2005. Hard Cover. Number 34 of 40. Each book is unique. Second Edition. This book includes a selection of proof pages from various early handprinted books by Romano. The pages include handwritten notes and marks for corrections. Because each proof sheet is different, each illustration and also each book is unique. The poems, which are interspersed with the proof sheets, are written by Romano's father. The typographic pictures and cover are letterpress printed and the poems are inkjet printed. The text is in German with no English translation. (56 pages) ARTB/011713. Fine.
Basel: Romano Hänni, 2017. Hardcover. Number 64 of 87 copies of the standard edition. The text is in German, English, and Japanese. Master book artist Hanni has long been passionately speaking out through some of his books about the devastating effects of contamination from nuclear facilities. This powerful work is about the Fukushima nuclear disaster in Japan in 2011 that occurred after a severe earthquake and its accompanying tsunami. It was the most significant nuclear incident since the 1986 Chernobyl disaster. He writes in the text appearing on the inside of the book's stiff paper covers that claims made by nuclear scientists "that no health consequences are to be expected from contamination are unscientific, immoral, and criminal." He further states that "there is no peaceful use for nuclear energy. It is repressive, criminal and deadly. Only nuclear plants that have not been built can offer absolutely safety." Hänni writes much more to detail what happened and the dire effects. He believes that the catastrophe in Fukushima is a "disaster beyond human imagination in both time and scope." The title comes from parts of the text where Hänni writes about the many people permanently displaced in order to escape the contamination resulting from the disaster. The book itself is printed in five colors on paper towels, an innovative technique that Hänni has successfully used in a previous work. On the pages small selections of text are juxtaposed with letters, images, and symbols to communicate the event and its aftermath. The results are stunning and thought-provoking. Hand composed and hand printed letterpress. Most of the pages required several printing forms and runs. Books are handbound. The production took about 1400 hours to complete. Housed in a grey paper covered slipcase with title in the three languages on a white spine. The book is accompanied by a glossy 12-page color pamphlet with 108 photographs documenting the production process. Book has 64 unnumbered pages. 9.25 x 10.25 inches. In fine condition. PRI/101017. fine.
Basel: Romano Hänni, 2010. Hardcover. Number 35 of 175 copies. Swiss book artist and typographer Romano Hänni (1956 - ) has been experimenting with unusual compositions of letter forms and symbols since the early 1980s. His designs can seem somewhat whimsical but often are reactions to society, politics, and traumatic events. Creating things manually with the participation of all of the senses is very important to him. A master of visual poetry, he enjoys teaching to pass on his knowledge and skills. This work offers a commentary on various aspects of life, some of which are illustrated with design elements. For example "with ritalin" shows a series of small, numbered pill shaped designs. It faces "without ritalin" which shows a variety of animals and other creatures. One unillustrated quote from the jacket reads "The daily misconduct: It is not the large catastrophes, it is he daily mistakes in the details that cause the global problems." Bound accordion style in boards with white illustrated dust jacket. Handcomposed and handprinted in black, red, blue, and gold. The text is printed in German; however, a pictorial booklet supplement with English translation is included. A thought provoking, well designed book. ARTB/092117. Fine.
Basel: Romano Hänni, 2018. Hardcover. A set of three books in the Words Make the Infinite Finite series. Volume VII is limited to 290 copies, Volume VI is limited to 187 copies, and Volume V is limited to 86 copies. Swiss book artist and typographer Romano Hänni (1956 - ) has been experimenting with unusual compositions of letter forms and symbols since the early 1980s. His intricate designs can seem somewhat whimsical but often are reactions to society, politics, and traumatic events. Creating things manually with the participation of all of the senses is very important to him. A master of visual poetry, he enjoys teaching to pass on his knowledge and skills. Each of these books was hand composed and hand printed in black, red, yellow, and blue ink. All are accordion structures with stiff paper illustrated wrappers, which when removed, allow the twelve pages of the contents to be unfolded into one continuous strip. With a paper band closure for the folded book. Includes a four page supplement featuring the title of the work and the colophon in both English and German. A small set in a slipcase measuring about 3.25 inches wide by 5 inches tall by 1.25 inches thick. In fine condition. Unpaginated. PRI/112818. Fine.
London: Macmillan and Co., 1887. A beautiful signed copy of one of Hardy's most popular novels and his own favorite. He wrote on the half title: "Yours faithfully Thomas Hardy." The book was first published in three volumes in March 1887. The publisher did not reprint the novel in its original three-volume form but in September 1887 reissued it in one volume in two impressions of 2000 copies each (Purdy bibliography p. 57). This copy is in a beautiful custom signed brown calf binding by Sangorski and Sutcliffe. With gold ruling on the covers and five raised bands on the spine. The compartments have gilt titling, date, autograph note, and decorations. Some darkening to spine. t.e.g. Light offsetting to half title and last page from leather. It does not affect the signature. Interior otherwise pristine and in very good plus condition. 352 pages. LIT/062819.
Simi Valley, CA: Pie in the Sky Press, 2014, 2016. Hardcover. The book's writer and illustrator, Rebecca Chamlee, states: "Like the self-taught naturalists of the Victorian era, my recent work examines the intersection of my artistic and scientific interests by collecting and cataloging the natural world. I am inspired to record, interpret and celebrate nature. My new letterpress printed artist book project records and observes the natural world around me." Her creative aesthetic is beautifully complemented by Karen's own. Karen Hanmer’s artist-made books are physical manifestations of personal essays that intertwine history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Karen was the winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition. One of only ten graduates of the American Academy of Bookbinding’s Fine Binding program, she has studied with many notable fine binders. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland. Her masterful bindings wed the ancient art of book binding with the high tech use of the computer to aid her process. This beautifully executed unique binding was done from a few printer's proofs that the writer left in sheets for hand bookbinders. Karen's binding uses a design of Quercus lobata (valley oak) leaves and vintage botanical instruments that reference the author's documenting of the native flora surrounding her home in an arid inland valley in Southern California. In a German Bradel binding with a green goatskin spine, boards covered in orange Khadi handmade paper with Cave paper onlays and pigment inkjet printed illustrations. With three-color hand-sewn silk endbands, and the top edge decorated with sponged gilt acrylic, acrylic pochoir on spine, and hand-titling in gold foil. Roma endpapers. The book measures 9 x 6 x 1 inches. Housed in a brown cloth bound clamshell box with leather title label to spine. In fine condition. Fine.
Philadelphia: Joseph Allen, 1855, 2016. Hardcover. Karen Hanmer’s artist-made books are physical manifestations of personal essays that intertwine history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Karen was the winner of the Jury Prize for Binding in the 2009 Helen Warren DeGolyer American Bookbinding Competition. One of only ten graduates of the American Academy of Bookbinding’s Fine Binding program, she has studied with many notable fine binders. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland. Her masterful bindings wed the ancient art of book binding with the high tech use of the computer to aid her process. She writes about this work: "This binding was created for an exhibit in Charleston, SC. As a Midwesterner unfamiliar with the area, I inquired about local icons and incorporated several: an antiquarian text block on the local Revolutionary War hero “The Swamp Fox” decorated with South Carolina’s palmetto motif, on a background of the once ubiquitous “Charleston green.” The resulting production is this masterfully constructed and executed unique designer book binding that perfectly befits the text. Bound in full green goatskin with back pared onlays in several shades of green, tooling and hand-titling in blind along bottom edges of the boards. With three-color hand-sewn endbands and three edges sprinkled in three colors of acrylic. Marbled endpapers by Pamela Smith. Measures 7.5 x 4.5 x 1 inches. Housed in green cloth clamshell box with green leather spine label. In fine condition. 252 pages. FINEBINDING/080618. Fine.
New York: Dodd, Mead & Company, . Hardcover. First edition with the charming illustrations by famed illustrator Jessie Willcox Smith. There are eleven full page color illustrations and numerous text illustrations as well. Bound in green cloth with gilt titling to spine and front cover. A circular color plate is moubnted on the front cover. Some bumping and fraying. Hinges are cracked but otherwise the interior is in very good condition. A nice copy of this children's classic. CHIL/062419. Very Good.
London: Cecil Palmer, n.d. . Hardcover. With its large format and beautiful color illustrations on every page, this is one of Jessie M. King’s most desirable books. The stories are charming, and many impart a gentle moral to the children reading them. For many years there was some uncertainty about the identity of the author, “Marion.” Many believed that Jessie M. King was the author because her middle name was Marion. It was finally established by her descendants, however, that the author was Mrs. Alexander (Marion) Gemmel. (B199, Colin White bibliography). The illustrations are exuberant and playful, as befits stories for small children. There are eleven full-page illustrations, with color decorations on each text page. Bound in bright paper covered pictorial boards with title and illustrator in red to front cover and spine. Some wear and rubbing to edges, hinges, and corners but in very good condition with clean, bright interior. Original glassine jacket not present. 56 pages. CHILD/111412. Near Fine.
Ft. Lauderdale, FL: Viewpoint Editions, 2015. Number 2 of 10 copies signed and numbered by the book artist. This handsome and intriguing work is from well-known artist Dorothy "Dot" Krause. In her artist's statement she describes her work: "My work includes large scale mixed media pieces, artist books and book-like objects that bridge between these two forms. It embeds archetypal symbols and fragments of image and text in multiple layers of texture and meaning. It combines the humblest of materials, plaster, tar, wax and pigment, with the latest in technology to evoke the past and herald the future. My art-making is an integrated mode of inquiry that links concept and media in an ongoing dialogue - a visible means of exploring meaning. " "PreScribe" exemplifies her artistic philosophy. This work perhaps offers a statement on the medical and pharmaceutical professions and also the impact of opioid drugs in our current society. As Dot states on the title page, Prescribe "is from the Latin prae +scribere to write previously, to recommend, advise, authorize or order the use of a drug or other remedy." In this portfolio, images are printed on pages from a prescription ledger kept by a pharmacy in the late 1800’s and housed in a black paper over boards box covered with prescription images and lined with red handmade paper. The imagery is taken from work that was produced during an Artist-in-Residency at Harvard’s Countway Library, one of the world’s leading collections of medical history. Photographs of their anatomical specimens, medical artifacts, rare books and manuscripts are incorporated. The processes include prints onto the ledger pages using Pronto, Toray and Solar intaglio and planographic plates and Gocco screens. The title page, introduction and colophon are letterpress printed on Rives BFK tan. The font used for the title is “Ambulance Shotgun” by Guillaume Seguin. Completed at the Jaffe Center for Book Arts, Boca Raton, Florida. The book measures 11.5 x 17.25 inches and is housed in a box 12 x 18” inches. 9 pages + title/introduction and colophon. In fine condition. Fine.
Massachusetts: Viewpoint Editions, 2011. Hardcover. Number 13 of 15 copies. This mystical book by the award winning book artist Dorothy Simpson Krause draws upon her work as a painter, collage-maker, and printmaker. The text is from Samuel Taylor Coleridge's poem "Kubla Kahn or A Vision in a Dream, A Fragment,” composed in 1797 after an opium-induced dream. Krause’s imagery creates a vision of a savage place, with holy and enchanted caverns, walls, towers and a sacred river where "the shadow of the dome of pleasure floated midway on the waves.” These haunting images of submerged architectural passageways, lit from within, reflect the branches of trees and illuminate floating leaves and flowers. Bound in gold and brown Asahi fabric over boards with gold cloth spine. The title and author are stamped in gold on a gold paper label on the front board. Laserprinted with endsheets of mustard gold Lokta paper. Housed in a gold organza bag with gold drawstring ties. In fine condition. About 5 x 7 inches. Unpaginated. PRI/100312. Fine.
London: Hurst and Blackett, 1880. Hardcover. Theater owner and playwright, Augustin Daly's copy, auction number 2055. First edition, uncommon. Bound in three quarter tan leather over marbled paper covered boards with red label "Stage Biography" and green title / author label beneath. This is part of a series of books Daly had bound in a matching style, all labeled "Stage Biography." Rubbing, pulling, and wear to leather. Clean and bright interior. Unopened pages. Top edge gilt with marbled endpapers. Bound by R.W. Smith. Auction record tipped into rear. 317 pages and 16 pages of ads. DRA/031419. Very Good.
Brazil: Ministerio da Educacao e Cultura, 1965. Paperback. Number 12 of 200 copies numbered and signed by the author. An additional 800 unsigned copies were printed. Elephant folio. A collection of 50 poems by Stella Leonardos illustrated with 3 lithographs by Pedro. Portuguese author and painter Antonio Pedro (1909 - 1966) helped introduce Surrealism into Portuguese painting during the 1930s. Bound in white and green paper wrappers with green title to front cover. Minor browning to spine and edges of wrappers and a few small closed tears to edges of wrappers. The interior is clean overall with minor browning to edges of pages. Some light foxing / light soiling to margins of some pages. Small closed tear to margin of one of the prints, which does not effect the image. Includes a postcard on the letterhead of the Brazilian minister of education and culture dated 7/6/65 with a brief handwritten note in Portuguese. Unbound as issued in large folded sheets. 91 pages plus plates, notes, and index. IN PORTUGUESE. POE/010715. Very Good.
1799. This is a leaf from Histoire Naturelle de Oiseaux d'Afrique, Levaillant's most important work. This is a comprehensive description of the birds of South America based upon his own personal experiences. Many of the birds that Levaillant claimed to have inhabited Africa later were proven not to be native to the continent. Print method is Engraving and hand colored on paper, measuring 345 x 260mm. or approximately 16 x 10 1/4 inches. Archivally matted. #48222. Very Good.
Eugene, OR: Susan Lowdermilk, 2002. Hardcover. One of 35 copies. Susan Lowdermilk is a book artist and printmaker working in traditional processes such as woodcut, wood engraving and intaglio etching as well as digital media. Her artist’s books involve movable parts, pop-ups and LED circuitry. She is a professor at Lane Community College in Eugene, Oregon, teaching courses in printmaking, artist books and graphic design. Her work has been collected by over 60 public institutions including, the Getty Museum, the Library of Congress and the New York Public Library. Her artist’s books are represented in galleries throughout the United States. She earned her Master’s of Fine Art from the University of Oregon. This inventive book uses a six panel Jacob's ladder structure with the panels connected by black ribbon. Images of rock, paper, and scissors appear in each panel and are printed from black and grey woodcuts. The panel backgrounds are carved to imitate wood grain. Housed in a grey and black chemise. In fine condition. 4 x 4 inches closed. ARTISTSB/073118. Fine.
London: Burns & Oates, 1919. Hardcover. Scarce first edition of an anthology of verse by Lucas. 12mo. Bound in brown linen with title, author and ornament in gilt to front cover. Slight bumping and fading but very good. Interior pages also very good, with gift inscription on ffep and an annotation in red ink on page 17 noting that a line of verse could be a motto for a sundial. 34 pages plus 4 pages of praise of the writings of Lucas and Alice Meynell. Accompanied by five short ALs from Lucas. Four were written between June - December1904 to Mr. Shorter asking for information and also inquiring about the possibility of submitting verse to "The Sphere." This would be Clement Shorter, the journalist and author who founded "The Sphere" and later "The Tatler." The fifth was to a friend in 1922 to congratulate her on the birth of her baby. Collection also includes fair copies of a few of her poems. POE/090613. Very Good.
Edinburgh and London: T.N. Foulis, 1908. Hardcover. Scarce First Edition. 1 of 500 copies. William Sharp (1855 - 1905) wrote numerous essays and biographies (including of Rossetti, Shelley, and Browning), although he is best known for the novels and plays that he wrote under the pseudonym "Fiona Macleod." This is a presentation copy, inscribed: "To Alice Egerton with friendly greetings from the author's wife Elizabeth, October 1919, 'It is loveliness I seek: not lovely things.' F.M'" Laid in is a program for the performance of the play at the Village Hall Chislehurst, Saturday June 29. Bound in original linen backed brown paper boards with spine label and title and author in gilt on front cover. Boards are bumped and slightly soiled but still very nice. Offsetting to endpapers otherwise in very good condition. 53 pages. DRA/061313. Very Good.
[The Hague] a la Haye: Pierre de Hondt, 1758-1759. Hardcover. This remarkable "Historical Dictionary," offers critical and literary memoirs about the life and works of various distinguished persons, particularly in the republic of letters, This book was done as a complementary work to the famous early 18th century dictionary of Pierre Bayle. Prosper Marchand (1678-1756) was a Huguenot refugee who became a bookseller, bibliographer, and publisher in the Netherlands. Marchand died before the manuscript was complete, but he had commissioned his friend and executor, Jean Nicolas Sebastien Allamand, to review and publish it. Allamand spent four years putting Marchand's notes in order. They were mostly written on confused and scattered scraps of paper. In his introduction, Allamand describes all the pains he had to take to restore these notes and to supplement the omissions of Marchand. The result is this monumental bound folio with two painstakingly printed volumes on on seemingly everyone and everything literary. Printed in double columns with numerous shoulder footnotes on most pages. At the end of Volume II are an alphabetical list of articles, a table of subjects, and a catalog of books published by Pierre de Hondt. Bound in three quarter brown leather with decorated brown paper boards. Six raised bands to spine with brown leather title label in second compartment. Chipping and small tears to leather as well as to paper covers. Interior pages show light aging but are otherwise clean and bright. Offsetting on free endpapers from leather borders on pastedowns. Previous owner bookplate to front pastedowns and small stamp on title page of volume I "Holstein-Holsteinborg." In very good condition. Volume I: 330 pages plus publisher catalog; Volume II: 328 pages plus lists and publisher catalog. FRE/042415. Very Good.