Washington DC: Abstract Orange, 2019. Number 6 of 36 copies signed and numbered by the book artist. The book was published on May 31, 2019 in celebration of Walt Whitman's 200th birthday. The book artist writes: "The book explores ideas central to Walt Whitman’s Leaves of Grass including transcendentalism, or the inherent goodness of nature, and realism, depicting familiar things as they are. It captures both the complexity and simplicity of nature by juxtaposing dimensional paper grass texture and a quote about nature and wonder. The book is not a reprinting of all of Whitman’s words, but an art object that encapsulates the feeling of Whitman." Her evocative work is done as a box that opens like a traditional book. The inside front cover and back cover are covered with cream paper that includes quotes from Whitman along with his image. The inside of the box/book are several spiky rows of grass leaves crafted from green paper. The box is covered with green paper with the title, author and press name in a lighter shad of green. In fine condition. Measures 5.25 x 7.25 inches. ARTISTB/120519. Fine.
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London: 1890. An original handwritten letter from Victorian artist Lawrence Alma-Tadema to Lady Leslie. Alma-Tadema (1836-1912) was a Dutch born artist who lived in England from 1870 until his death. He was a very successful painter who was known for his classical subjects. The letter is one-page written on letterhead 17 Grove End Road, St. John's Wood, N.W. dated 27/3/90 to Lady Leslie thanking her for her kind letter and would considered it a "special favor" if she would come to his studio next Monday the 31st a little before 3pm and talk about her thoughts, "your friend Alma Tadema." The letter is matted and in a custom frame measuring 16.5 x 25.5 inches along with a collage of reproduced paintings and the artist's portrait. The 16 line letter measures 4 x 6 inches and appears to be in very good condition. AUTOLET/092419. Very Good.
San Francisco: The Book Club of California, 1982. Hardcover. One of 650 copies but also a unique copy with a commissioned custom binding by Constance K. Wozny, a well known hand bookbinder whose studio is in Eastwood, Kentucky. She studied with several prominent hand bookbinders and is a member of the Guild of Bookworkers and the Hand Bookbinders of California. Signed and dated (2011) by her on colophon. Laid in is a holograph note in pencil: " Of all the bindings I did - this is one of my favorites thank you Connie." This beautiful binding is in full-grain Indian red goat leather, with titles stamped in black on front cover, and a wraparound flower pot design composed of decorative onlays in orange, yellow, and ochre calf. The leather covers wrap around and serve as the front and rear pastedowns. Red paper free front and rear endpapers. The top edges are speckled red and brown. Housed in an orange custom clamshell box designed by the binder with title and author blindstamped on spine. Book and box in fine condition. Juan Bautista Alvarado (1809 - 1882), a Californian, led a coup to seize Monterey and declared himself governor. He declared independence for California, but ultimately was persuaded to rejoin Mexico and served as Governor of Las Californias from 1837 - 1842. This book includes a biographical introduction to Alvarado's life; and a translation of his autobiography and his account of events in California prior to Don Luis Antonio Arguello's governorship. 38 pages plus three page bibliography. PRI/041619. Fine.
1870. This well-known lithograph is from the work Birds of America by John James Audubon, which has been printed in many editions. This print is from the 7th printing conducted by Audubon and Roe Lockwood in 1870-1871. Lockwood’s involvement has led this edition to commonly be known as the Lockwood edition. Other than the colored backgrounds, which were added to the post-first editions, the main images on these prints are, for the most part, identical to those of the First edition and feature hand coloring. J.T. Bowen was lithographer for the work, which was published in Philadelphia. These are some of the best examples of hand-colored work in America and are highly collectible. They are on fine heavy stock paper measuring 6 7/8 x 10 ½ inches. Double matted in wood frame. #43662. Fine.
. An original drawing by Aubrey Beardsley. Beardsley (1872-1898) is the best known illustrator from the British 1890s. He lived a tragically short time, dying of tuberculosis at the age of 25. This lovely major work, the epitome of Beardsley’s style of art nouveau, is for the spine of the binding cases of Sir Thomas Malory, Le morte Darthur, published by J. M. Dent, 1893-94, Beardsley’s first important commission. The book's title (spelled incorrectly as “La Morte Darthur”), author, publisher, and date are included in the design, which is in fact drawn on four separate pieces of paper that have been adhered together. Malory's Le Morte Darthur, published by Dent has been described as incomparable. The same can be said of Aubrey Beardsley's beautiful and remarkable designs (a term he preferred to "illustrations"). Beardsley was only 20 years old when Dent commissioned him to do all of the designs for this work. It was a leap of faith by Dent in taking a chance on an unproven artist. The illustrations were done during 1892-1894 for the initial issue in parts, beginning in June 1893. The design is done in ink on paper with pencil under-drawing showing the change from the initial position of the leaves, on four separate pieces of paper, the title and top border inset above the ornamental panel ; 27 x 6.7 cm. Framed. In fine condition. Provenance: J. M. Dent. Exhibited: “Burne-Jones, The Pre-Raphaelites, and their Century,” Peter Nahum, London, 1989, 165 (listed in catalogue vol. I, p. 166-167, reproduced. vol. 2, pl. 124); “Beautiful Decadence,” Japan, 1998, 7 (reproduced in catalogue). Literature: Ian Fletcher, Aubrey Beardsley, 1987, p. 128-129; A. E. Gallatin, Aubrey Beardsley: Catalogue and Bibliography, 1945, p. 33; Mark Samuels Lasner, A Selective Checklist of the Published Work of Aubrey Beardsley, 1995. ORIG/011116.
North Hill PA: Bird and Bull Press, 1982. Hardcover. Number 311 of 350 copies. Edward Gordon Craig (1872-1966) was the son of famed actress Ellen Terry and stage designer Edward William Godwin. Gordon in turn became a well known actor, director, and stage designer. Early in his career as an actor, he also became interested in graphic design and wood cuts, studying under well-known artists of the day. This diary, written when he was sixty, recounts a difficult period in Craig's life, when he was experiencing health and money worries. As Franklin notes in his prologue, this was a low period for Craig and was also for Europe, as Hitler was rising in power. The text was composed in Baskerville types and printed on mouldmade Bugrbotton paper and bound in brown quarter leather by Gray Parrot. Red leather spine label with title, and boards in yellow and white striped paper. In fine condition. 154 pages. PRI/070711. Fine.
London: Elliott Stock, 1884. Hardcover. First Edition. Inscribed by the author to his friend Margaret Muir (known as Meta). This was Birrell’s first book of essays and brought him success as a writer. Birrell was a politican who served for several years as Secretary of Ireland. There is an interesting hand written sentence on the first page of the last chapter titled “Falstaff.” It says “It ain’t mine/A.B.” In very good condition in the original green cloth with gilt title and small rectangle gilt design to front cover. Spine faded and some bumping to spine and corners. Interior pages are clean with slight pulling away of rear hinge. A nice copy of this relatively scarce book. 234 pages. LIT/032111. Very Good.
London: Longmans, Green, and Co., 1878. Hardcover. First Edition. Lady Anna Brassey (1839 - 1887) recorded several of the celebrated voyages that she and her family made together around the world on their yacht, “The Sunbeam.” This was the first of the several volumes she published about their travels. It was a huge bestseller, running into many editions and translations. It provides a lively and detailed account of their journey around the world in 1876-77. In addition to vividly describing their journey, the book describes life aboard her yacht, which carried over forty people, including the family, the crew, friends, and a complete domestic staff. An uncommon book to find in the original cloth, it is bound in dark grey cloth with gilt title and author to spine and front cover, and gilt illustrations to front and back. Cloth is chipped and faded but still quite attractive. Some soiling to preliminary pages and tear to front map but otherwise in very good condition. With two fold-outs and 118 wood engraved illustrations after drawings by the Hon. A.Y. Bingham. With ownership signature of George R. Clayton. 504 pages. TRA/081715. Very Good.
London: Printed for Longman, Hurst, Rees, Orme, and Brown, and J. Ridgway, 1816. Hardcover. A collection of over 200 speeches by Edmund Burke (1729 - 1797), an Irish statesman who served in the House of Commons of Parliament for many years. The speeches in this collection address a wide array of topics including the French Revolution, the economy, East India company affairs, exchanging prisoners with America, the American Revolution, Irish trade bills, American Loyalists, the King's illness, abolition of the slave trade, impeachment of Mr. Hastings, and more. Published nearly 20 years after his death, most of the speeches were given between 1767 and 1794. "Delivered as these speeches were, upon great and comprehensive questions, and containing Mr. Burke's opinions upon a variety of subjects that come home 'to the business and bosoms of men,' it is confidently hoped that they will, in their present collected form, be alike conductive to the reputation of the orator and the best interests of society" (introduction). All four volumes are bound in matching three quarter tan leather over marbled paper covered boards with title and volume labels to spines. All have been rebacked and restored using the original spine leather. Despite the restoration, the spine leather is heavily cracked, chipped, browned, and worn; however, the bindings remain tight and secure. One of the four title labels is modern. The interiors are clean overall with occasional spots of foxing. Bookplate of William Robert Bevan to front pastedowns of each volume. Volume I: 457 pages; Volume II: 494 pages; Volume III: 544 pages; Volume IV: 511 pages. ENG/040820. Very Good.
Barcelona: Carla Busquets, 2018. Number 4 of 10 copies. Signed and numbered by the artist on the back of the last leaf. The images in this limited edition book are taken from a unique version of the work that had eight original ink drawings on four folios mounted on five wooden dowels. The piano hinge structure is based on innovations by renowned book artist Hedi Kyle. Formerly a conservator in the UK, Canada, and Spain, Busquets, a skilled young paper artist, opened her own studio, la Frivé, last year where she hosts workshops for paper artists of all ages in addition to practicing her craft. In her artist's statement Busquets says: "I mostly work with paper. I love the versatility of the material, how easy it is to manipulate and also the skill required to turn it into delicate work... I use drawing and paper to explore the boundaries of book structures to to create a story. Imagining a picture that goes beyond the illustration with mobile and tri-dimensional parts as in pop-up books gives me new possibilities to transport the spectator." In this marvelous work Busquets depicts the fearsome Kraken, a legendary creature that resembled a giant squid and was known for destroying ships. Here its massive tentacles rise from the churning waves as it approaches a doomed ship. Digitally printed and handcut and mounted. Housed in original custom box covered with paste paper. Size: 17cm x 15 cm x 4 cm. In fine condition. ARTB/031720. Fine.
New York: Caliban Press, 2013. Paper. Number 39 of 48 copies. Initialed by printer. Mark McMurray founded the Caliban Press in 1985 after studying letterpress printing with the Red Ozier Press and bookbinding with Timothy Ely. Mark is the special collections librarian at St. Lawrence University, where he also teaches courses in book history and printing. This inventive and moving production joins Buddhist and Tibetan sutras – Sanskrit for an aphorism, saying, or collection of same – with contemporary environmental themes. The sayings are from sources that include Indian and Tibetan sutras, American authors, and the Adirondack Mountains region and are printed with metal and wood types on a variety of beautiful handmade papers. Many of the papers were dyed, dipped, and/or floated in an indigo dye bath. Includes a volvelle made from area maps, an ecoprint by Velma Bolyard, and a mountain paperscape. Housed in a stiff paper box with bone clasps. With colophon and table of contents and order. Pages are about 4.25 x 14 inches. Unpaginated. ARTISTS/100813. Fine in Fine Box.
Easthampton MA: Cheloniidae Press, 2014. Hardcover. Number 15 of 150 copies. Signed and numbered by the book artist Alan James Robinson. This wildflower alphabet book is the first book issued by Alan’s highly regarded Cheloniidae Press in several years, and the first produced using the Giclee printing process, which he calls a “new direction” in our ever changing world. It is intended to be the first in a series of Natural History Abecedary Editions. There is also a Fine Art edition of Wildflowers with twenty-eight original watercolors. The illustrations for this Giclee edition are printed from the artwork created for the Fine Art watercolor edition. The illustrations in this edition show the lovely renditions of a flower, often accompanied by a butterfly or other insect, for each letter of the alphabet. Each page is headed by a calligraphic letter in red, designed originally by Master Calligrapher Suzanne Moore for the press’s A Fowl Alphabet in 1986. This accordion style book is bound in pale yellow cloth with the title in gilt to the front cover. It is housed in a green cloth slipcase with the title in gilt to the spine. In fine condition. 8.5 x 5 inches. Unpaginated. PRI/071817. Fine.
Northampton MA: Cheloniidae Press, . Artist's Proof IV. Signed, titled, and numbered by Robinson. According to the artist this was an unpublished print with only two ever printed. It was created by renowned artist and printer Alan James Robinson. He founded the Cheloniidae Press, later the Press of the Sea Turtle, in 1979. His books and art have won numerous awards and can be found in many public and private collections. This striking black and white print depicts a loggerhead turtle looking down from over it as it transitions from water to sand. It appears to be emerging from the dark, moving toward light. Printed on a sheet of fine heavy paper measuring 21 x 28 inches. The image is 17.5 x 23.25 inches. In fine condition. PRINTS/080817. Fine.
Toronto: Cheshire Cat Press, 2018. Hardcover. Number 13 of 42 copies signed by the printers and the author of the introduction. This is a delightful new edition of Lewis Carroll's famous poem, The Hunting of the Snark. It was produced by a writer, artist, and book designer and printers who are ardent and well-known Carroll admirers. The Cheshire Press was formed by book designer and printer George Walker in 1991. The press began when he and two colleagues produced new editions of Alice's Adventures in Wonderland and Through the Looking Glass. Edward Wakeling, who wrote the introduction, is an internationally known authority on Carroll. In addition to writing a recent biography of him, Wakeling also created a comprehensive catalogue raisonne of over 1000 photographs taken by amateur photographer Carroll. Byron W. Sewell is a prolific illustrator, author and bibliographer of works associated with Lewis Carroll. For this edition of Snark, Sewell created new illustrations inspired by contemporary carte-de-visit photographs that were so popular in Victorian England. He has one for each character in the poem, adapting images from actual photographs. They are ideal depictions for this fantastic nonsense poem by Lewis Carroll, written when he was forty-four years old. Bound in maroon cloth with title in gilt to spine and on cover label. Handprinted in New Caledonia type on Bfk Rives Cream paper. The printing was completed by George Walker and Andy Malcolm, and the book design and layout were by Walker. An original print inscribed and signed by Sewell is inserted in a sleeve on the front pastedown. Housed in a slipcase in the same maroon cloth with gilt title on cover. In fine condition. 6.5 x 10 inches. 72 pages. PRI/010319. Fine.
Toronto: Cheshire Cat Press, 2018. Hardcover. Number 15 of 42 copies signed by the printers and the author of the introduction. This is a delightful new edition of Lewis Carroll's famous poem, The Hunting of the Snark. It was produced by a writer, artist, and book designer and printers who are ardent and well-known Carroll admirers. The Cheshire Press was formed by book designer and printer George Walker in 1991. The press began when he and two colleagues produced new editions of Alice's Adventures in Wonderland and Through the Looking Glass. Edward Wakeling, who wrote the introduction, is an internationally known authority on Carroll. In addition to writing a recent biography of him, Wakeling also created a comprehensive catalogue raisonne of over 1000 photographs taken by amateur photographer Carroll. Byron W. Sewell is a prolific illustrator, author and bibliographer of works associated with Lewis Carroll. For this edition of Snark, Sewell created new illustrations inspired by contemporary carte-de-visit photographs that were so popular in Victorian England. He has one for each character in the poem, adapting images from actual photographs. They are ideal depictions for this fantastic nonsense poem by Lewis Carroll, written when he was forty-four years old. Bound in maroon cloth with title in gilt to spine and on cover label. Handprinted in New Caledonia type on Bfk Rives Cream paper. The printing was completed by George Walker and Andy Malcolm, and the book design and layout were by Walker. An original print inscribed and signed by Sewell is inserted in a sleeve on the front pastedown. Housed in a slipcase in the same maroon cloth with gilt title on cover. In fine condition. 6.5 x 10 inches. 72 pages. PRI/010319. Fine.
Toronto: Cheshire Cat Press, 2018. Hardcover. Number 20 of 42 copies signed by the printer, illustrator, and the author of the introduction. The illustrator writes: "This edition in your hand is one of three interations of The Hunting of the Snark published by Cheshire Cat Press, all of them very different in concept while sharing the same aesthetic, inflecting the narrative in different ways without in the least altering Lewis Carroll's original text." The Cheshire Press was formed by book designer and printer George Walker in 1991. The press began when he and two colleagues produced new editions of Alice's Adventures in Wonderland and Through the Looking Glass. For this edition of Snark, Malcolm created new illustrations inspired by contemporary carte-de-visit photographs that were so popular in Victorian England. He has one for each character in the poem, adapting images from actual photographs. He chose images that to him bring to life the imagined crew men on the hunt for the snark. They are ideal depictions for this fantastical nonsense poem by Carroll, written when he was forty-four years old. Bound in dark blue cloth with title in gilt to spine and on cover label. With "The Snark Map" inserted in a sleeve on the front pastedown. Handprinted in New Caledonia type on Velin Rives paper. Housed in a slipcase in the same blue cloth with gilt title on cover. In fine condition. 6.5 x 10 inches. 71 pages. PRI/111519. Fine.
Toronto: Cheshire Cat Press, 2017. Number 19 of 42 copies. Signed by the printers and the author of the introduction, who are ardent and well-known Carroll admirers. The Cheshire Cat Press was formed by book designer and printer George Walker in 1991. The press began when he and two colleagues produced new editions of Alice's Adventures in Wonderland and Through the Looking Glass. Edward Wakeling, who wrote the introduction, is an internationally known authority on Carroll. From the prospectus: "Here finally is a book collecting all the Alice associated images into one volume. In this book is the work of the other PUNCH illustrators who were influenced by John Tenniel’s pictures for Lewis Carroll’s Alice. Oh yes we include Tenniel too! Through the many decades that Punch existed (1841-2002), references to the Alice books have been a common feature. Now you can have them all in one volume. The images are printed by hand directly from polymer plates made by Boxcar Press, except Alice Reigns Supreme (page 27) which is printed photo-mechanically. The plates were created from high resolution scans made directly from the original PUNCH publications. Printed on 115 gsm Rives Lightweight Buff 100% rag paper using a Vandercook Sp15 letterpress." Bound in green cloth with gilt title to spine and gilt ruling and Punch figure to front cover. Punch figure repetitive design to endpapers. Housed in a green cloth slipcase. In fine condition. 10 x 13 inches. 57 pages. PRI/010819.
1888. A leaf from La Monde Illustree, founded by Henri de Girardin, in 1829. Girardin employed Chevalier , who adopted the nickname Gavarny, and later Gavarni. From 1830 to 1837 Gavarni designed the most feminine and vital of fashion plates. Many of his pieces also featured charming drawings of children. La Mode Illustree was published weekly on Sundays, with illustrations and descriptions of Victorian fashions and the latest must have accessories. There was always a fashion plate. Print method is lithograph on woven, not heavy stock, hand colored, measuring 365 x 265 mm. or approximately 14 3/8 x 10 3/8 inches. Archivally matted. #44952. Fine.
Martinez, CA: Lucy Childs, 2020. Cloth. A unique embroidered artists’ book with a murder mystery theme. Lucy’s exquisite embroidered books are inspired by her “exploration of the history, craft, and culture of early American and British sewing samplers, made mostly by young girls to learn the practical craft of sewing but also to learn letters and spelling. Many old and antique samplers included text or images in memory of family members who had died.” Lucy’s beautiful and painstakingly created books are a fitting tribute to and continuation of the craft she honors. Her previous unique books can be found in several artists’ book collections. Although this book is not precisely a memorial to Louisa, it does document her mysterious death. The book is held in a grey wool folded covering with a poignant scene of a cross in the ground under a willow tree on its top. The interior folds of the grey covering are of a knife dripping blood on one side and a peaceful lake on the other. The grey wool covering opens to the folds of the interior panels. They are covered in pale blue cloths with an elaborate letter "L" on one side and a cross on the other. The interior panels are meticulous and intricate embroidered tableaux of what may have happened to Louisa. The first panel asks "Whatever Happened to Louisa." The words are framed with flowers and decorative stitching. The second panel has a garden scene with what appears to be two knives flying through the air. The third panel has two cross shapes: the first is a tatted insert and the second includes an embroidered floor plan of a home interior with ominous foot prints leading upstairs to a bedroom. The fourth inner panel is embroidered with a lake scene that has a mysterious object near one shore. Is it a boat or is it a coffin? The words “And flights of angels sing thee to thy rest” are stitched along the lake’s other bank. The hand embroidery throughout uses cotton, silk, rayon, and polyester threads of various colors. Lucy's gorgeous artist's book is housed in a grey cloth box with a stitched blue label of a boat and a cross. The folded book measures 3.5 x 4.5 inches. it unfolds to 3.5 x 18.25 inches. The grey wool covering is 4 x 5 inches folded and 4.5 x 19 inches unfolded.The box is 4.75 x 6 x 2 inches. In fine condition. ARTISTSBOOK/042320. Fine.
London: Richard Bentley, 1852. Hardcover. 8vo. THE FIRST EDITION of Collins's scarce second novel. This is Collins's second full length novel and his first set in contemporary times. This novel of first love, intrigue, and betrayal was considered "sensational" by many, and it had mixed reviews, with some referring to it as "revolting." In his dedication he writes that he "has not hesitated to violate the conventionalities of sentimental fiction." In later editions, he did shorten the text and tone down the violence. "In Basil, he found his true métier as an expert in mystery, suspense, and crime" (Oxford Companion to English Literature). Three volumes bound in two. Bound in three quarter tan calf with marbled paper covered boards, with red leather labels with gilt titles to the spines of both volumes. There is some rubbing and scuffing to leather. Gilt tooling to compartments on spine, some of which has been rubbed. Full marbled edges and marbled end pages. These books remain quite attractive, though there is minor rubbing to the leather along the joints and minor bumping to the corners. There is minor foxing to the first and last few pages of both volumes but otherwise the interior is very bright and clean. LIT/092906. Very Good.
[New Jersey]: [1862, 1867]. A handwritten notebook containing a compilation of Columbian College faculty member and president George Whitefield Samson’s theological lectures delivered in October 1862, transcribed by Leonidas Coyle (1840-1906) while he was attending the college. Samson (1819-1896) served as president of Columbian College, later George Washington University, during the critical years of the Civil War. He was also the pastor at DC’s E Street Baptist Church. Samson was a noted author of several books and monographs on theology and spiritualism. It appears that the lectures were compiled into this volume later as Coyle signs and dates the free endpaper in December 1867. He also labels the book with his name and the name Princeton Theological Seminary - probably written in the book when Coyle was a tutor at the Seminary. He became the pastor of the First Presbyterian Church of Bridgeton, New Jersey. He was born in Washington DC and died there at the age of 64 while visiting his sisters. His home in Bridgeton is now a bed and breakfast. The transcribed lectures were first written on the recto side of 6 x 7.5 inch notepaper, then turned over and upside down to continue on the verso. There is also a four-page insert written on 4 x 5 yellow paper. The lectures are written in a fine hand primarily in ink but with a few pages also in pencil. On a few pages a different person has written in large blue pencil the name of the book of the Bible discussed in that lecture. Otherwise the pages are in very good condition save for the free endpapers, which have offsetting in the front and glue stains in the rear including on the title page. There are also a few pencil drawings by Coyle, who was an amateur artist/cartoonist. The book’s binding is not in good condition. The boards are detached and the marbled paper covers are chipped, worn, and bumped; the leather spine is mostly worn away, exposing the signatures. Still an interesting piece of Americana. Unpaginated [86 pages plus 4 page insert]. REL/071117.
(New York): [printed for author], (1893). Hardcover. FIRST EDITION, SCARCE. A Milestone in the history of American Literature. Crane's first novel. One of only about 35 known copies. Crane had 1,100 copies printed but only two were sold through Bretano's. Bound in paper wrappers, which have been expertly restored. The original front wrapper has been backed and the missing areas have been filled in. The spine and rear wrapper are modern, but have colored to match the original front wrapper. The edges of the first few pages are chipped and several corners are clipped. There are a few spots of foxing to the interior, but otherwise it remains very clean. Housed in a modern clamshell box with rounded leather spine titled in gilt. 163 pages. LIT/030614. Very Good.
[United House of Prayer], 1968. Hardcover. First Edition of this scarce book on the founding and growth of the United House of Prayer for All People between January 1960 and August 1967. The church was founded by Bishop C. M. Grace, known to his followers as Sweet Daddy Grace. After a brief chapter on Sweet Daddy Grace, the book's primary focus is on The Most Honorable Bishop W. McCollough, his successor. McCollough became known as Sweet Daddy McCollough after his rise to leadership. His accomplishments and the spread of the church throughout the country are documented, and there are photos of him over time as well as pictures of the many churches founded in various cities. Bound in black cloth with title to spine and front board. Lettering slightly faded. Slight bumping and very small goudge to cloth on back cover, but in very good condition. Interior pages are clean and bright except for residue from paper clips on table of contents page and rear pastedown, and a few remnants from item glued to corner of page 94. 100 pages. REL/072412. Very Good.
Lincoln Mint, 1972. A limited edition silver collector's plate created by Salvador Dali expressly for the reproduction of this precious metal plate. Each plate is numbered. The plate is resting on dark blue satin and is housed in a white leatherette clamshell box with Dali's signature in silver on the top. In fine condition. In a white paper shipping box. DEC/120312. Fine.
London: Grant Richards, 1904. Hardcover. First Edition. Interesting presentation copy from the author to Lyster Ryle, the manager of the Imperial Theatre, where the play was first produced in 1901: “To Lyster Ryle with kind regards from John Davidson ‘Now, a truce to your reproaches.’” This line was said by the character Don Caesar in the first act. Bound in original red cloth with title and author in gilt on spine and front cover. Lightly bumped corners but in very good condition. Some scattered foxing and offsetting to endpapers but otherwise very nice. 111 pages plus 3 pages of ads. DRA/121911. Very Good.