Hartford, CT: D.F. Robinson and H.F. Suner, 1834. Hardcover. Bound in full dark brown leather with gilt titles to spines. Wear and rubbing to hinges, corners, and edges of boards. Foxing and occasional spots of soiling throughout. Browning and offsetting to pages with engravings. The family / births/ deaths page between the old and new Testaments is blank. Includes several laid in bookmarks, pressed leaves, two certificates of merit, and a letter dated 1854 from Esther Gates of Votuntown, CT. (She died just 3 years later in 1857.) In her two page letter she describes "the ravage" - an illness that has killed multiple friends and relations in her vicinity. An attractive set despite the noted condition issues. This Bible was obviously treasured for many years. 1440 pages with 6 pages of maps and multiple engravings. This is a large set and may require an additional shipping fee. REL/051320. Very Good.
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Paris: Abbé de la Chau and Abbé Le Blond, 1780 and 1784. Hardcover. These two sumptuous French volumes describe the Duc of Orléans's magnificent collection of pierre gravées - "engraved stones or gems" - that was acquired over the years. This was the collection of Louis Philippe (1725-1785) that was inherited by his son Louis Philippe II (1747-1798), The son had the collection for two years but it was sold to Catherine, Empress of Russia in 1787. The volumes include descriptions of every stone included along with beautiful and intricate engravings of each. Most of the subjects are the Greek and Roman divinities. There are also a number of vignettes and cul de lampes throughout the text. There is also an engraving of the Duc designed by the artist Charles-Nicolas Cochin. The two folio volumes are bound in brown speckled calf skin, with gilt rulings to edges of covers, and gilt titling and ornaments to spine compartments. Leather is scuffed and mottled, and gilt has faded in places, with a skillfully rebacked spine in both volumes. Marbled paper endpapers. All edges gilt. Interior pages are in very good to near fine condition. Volume I, published in 1780, is 303 pages; Volume II, published in 1784, is 215 pages. Small folios measuring 8 x 12.5 inches. ART/122820. Very Good.
[Ipswich, England]: 1905-06. A unique and charming autograph book of a young college woman, filled with handwritten drawings, quotes from various writers and good wishes from friends and acquaintances at the college. The initials N.T.C. are on many of the pages. It is unclear whether these are the initials of the album's owner or a reference to the school they all attend. References to Ipswich and and Burton on Trent place the book as English. The most delightful feature of the autograph book are the 32 illustrations interspersed throughout. There are 12 watercolors, 13 pen and ink drawings, and 6 pencil sketches. They include men and women, flowers, animals, and scenery. The quality of the illustrations varies from basic and naive through competent to a few that are quite accomplished. Bound in brown leather with the word Album in gilt to front cover. Bumping and chipping, with the backstrip still attached but in fairly poor shape. All edges gilt. A few pages have become loose but the book is other wise a lovely example. Measures 5 x 8 inches. [44 pages]. / Very Good.
Easthampton, MA: Abecedary Press, 1990. Hardcover. Number 8 of 10 deluxe copies signed by the artist. This Abecedary Press Production's book was written by Mark P. Carol, as a contemplation inspired by a trip to the Galapagos Islands to view Haley’s Comet. It is a humorous look at contemporary social and sexual values through the guise of rocks (occasionally referred to as the “pet rock turns 30-something.”) Alan James Robinson illustrated the book with two handsome wood engravings and seven line drawings depicting the Galapagos Islands, the Galapagos Tortoise and of course, the Banging Rocks. Alan is a renowned book artist who has been producing fine limited edition books since the 1980s. His work can be found in many institutions nationally and abroad. This engaging deluxe production's book is bound in quarter leather green Moroccan goat with a millimeter leather fore-edge and Japanese Chiri (bark) paper. The book and its set of two actual banging rocks of green Beryl crystals from Connemara, Ireland are “housed” in an elaborate hand crafted cherry dove-tailed jointed wooden box with expansion joints. This geo-stable enclosure was crafted by Allan Wheeler and protects the Banging Rocks, which are of a semi-precious nature. Printed in Centaur & Arrighi types set by Dan Carr at Golgonooza Type Foundry on T.H. Saunders Hotpress Watercolor paper. Printed by master printer H.P. McGrath. Bound in paper over boards by Kim O’Donnell. In fine condition. Book measures 5 x 8 inches. The box is 5.5.x.8.5 x 3 inches. Unpaginated [32 pages]. ARTISTB/071020. Fine.
Philadelphia: 1870. This well-known lithograph is from the work Birds of America by John James Audubon, which has been printed in many editions. This print is from the 7th printing conducted by Audubon and Roe Lockwood in 1870-1871. Lockwood’s involvement has led this edition to commonly be known as the Lockwood edition. Other than the colored backgrounds, which were added to the post-first editions, the main images on these prints are, for the most part, identical to those of the First edition and feature hand coloring. J.T. Bowen was lithographer for the work, which was published in Philadelphia. These are some of the best examples of hand-colored work in America and are highly collectible. They are on fine heavy stock paper measuring 6 7/8 x 10 ½ inches. Double matted in wood frame. #43659. Fine.
Mission, BC: Barbarian Press, 2019. Hardcover. An edition of 130, of which this is one of 50 copies in the regular edition. According to the printer: "Our fascination with [Wagener's] work is a response to the meticulous attention to detail which imbues all his engravings, combined with a ‘democracy of aesthetic’ which allows both realism and abstraction equal weight. In a Parenthesis review of Wagener’s early book with Peter Koch, Zebra Noise with a Flatted Seventh, Simon Brett said ‘No one else I know of is making such avant-garde grand opera in wood-engraved prints.’" Richard Wagener (1944 - ) is a Californian wood engraver known best for his depictions of nature and animals, often juxtaposed against abstract imagery. A specially commissioned frontispiece, new press device, and patterned papers have been created for this edition. Folio. Bound black and red checkered patterned paper with black cloth spine and red and white title label pasted down to spine. Includes over 100 engravings printed from the original wood plates on Zerkall White Smooth paper. Unpaginated. PRI/122719. Fine.
San Diego: Bay Park Press, 2004. Glossy Pictorial Cover. Number 23 of 40 copies. Signed and numbered by the book artists. Founded by Sibyl Rubottom and Jim Machacek in 2000, the press produces artists' books, offers classes, and holds book arts' exhibitions. Their books address a wide range of subjects from the universe to gardening to opera to Yiddish and more. Most are letterpress printed, many have moveable pieces, and all are illustrated. Visiting artists including Carolyn LaFrance and others regularly print books at the press. Books created by Jim and Sibyl at Bay Park Press bear the imprint of False Bay Editions. It is named after False Bay, which was the original name of San Diego's Mission Bay and is located near the press. This engaging accordion book is an alphabetical melange of spice. Various spices are described by definition, quotes, or history, and accompanied by lovely images on tan color pages that were hand-tinted with spice dyes. Some of the pages had an "intoxicating 14 runs through the press." The accordion text pages are encased in stiff paper covers, with the top flap cut out in the shape of leaves. Comes in a burlap drawstring bag with title and press name printed on a label attached by string. In fine condition. 4.5 x5 inches.PRI/073112. Fine.
New Haven: Yale University Press,  - 1991. Hardcover. This monumental bibliography is the essential guide to 19th century American literature. This is the complete set of 10 volumes. The first seven volumes were compiled by Blanck, a noted authority on American literature. Volumes 8 and 9 were edited and completed by Michael Winship, who also compiled the 10th volume, a selective Index of titles, publishers, and dates. The individual volumes are of mixed editions but all were published as part of a matched set with black cloth bindings with title on red cloth spine label. All of the volumes are in very good or better condition. This set may require an extra shipping fee. BOB/111616. Very Good.
London: Printed for Longman, Hurst, Rees, Orme, and Brown, and J. Ridgway, 1816. Hardcover. A collection of over 200 speeches by Edmund Burke (1729 - 1797), an Irish statesman who served in the House of Commons of Parliament for many years. The speeches in this collection address a wide array of topics including the French Revolution, the economy, East India company affairs, exchanging prisoners with America, the American Revolution, Irish trade bills, American Loyalists, the King's illness, abolition of the slave trade, impeachment of Mr. Hastings, and more. Published nearly 20 years after his death, most of the speeches were given between 1767 and 1794. "Delivered as these speeches were, upon great and comprehensive questions, and containing Mr. Burke's opinions upon a variety of subjects that come home 'to the business and bosoms of men,' it is confidently hoped that they will, in their present collected form, be alike conductive to the reputation of the orator and the best interests of society" (introduction). All four volumes are bound in matching three quarter tan leather over marbled paper covered boards with title and volume labels to spines. All have been rebacked and restored using the original spine leather. Despite the restoration, the spine leather is heavily cracked, chipped, browned, and worn; however, the bindings remain tight and secure. One of the four title labels is modern. The interiors are clean overall with occasional spots of foxing. Bookplate of William Robert Bevan to front pastedowns of each volume. Volume I: 457 pages; Volume II: 494 pages; Volume III: 544 pages; Volume IV: 511 pages. ENG/040820. Very Good.
Ogdensburg, New York: Caliban Press, 2020. Softcover. Number 10 of 100 copies signed and numbered by the book artist. Mark writes of his new book: "As it thankfully draws to a close, 2020 has been a year of counting. Counting days, counting votes counting covid cases, counting hospital beds, counting death, counting lost jobs...so a book of numbers doesn't seem as strange as it did back in January or even back in 2009 when I first began it. Initially conceived as a way to document a growing collection of wood type which eventually filled some 53 cases with some 75 fonts. Then realizing that there was too much type...for a single volume showing alphabets, figures, punctuation marks, as well as whole words. I decided to devote the first volume to figures - what printers generally call numerals or numbers. Volume 2 is planned to be complete alphabets, with volume 3 for words, phrases, and declarations....Printed on found, left over, and scrap papers that have accumulated at the press over time. In some instances, a lot of time." Includes papers from many countries and everyone's favorite papermill, Papeterie St. Armand in Montreal. Printed with black, silver, and red inks. As always with Mark's books a lovely volvelle is incorporated. In a red spiral binding measuring 9 x 11 inches. The book is accompanied by an inserted guide to volume 1 that describes aspects of type in general as well as more specific descriptions of wood type faces such as gothics, antiques, romans, etc. A beautifully done whimsical yet serious work on type and life. In fine condition. PRI/011821. Fine.
Paris: Chez Favre, . Hardcover. An early French history of the American Revolution, published just two years after the French Revolution ended, by two French citizens and historians. The work inevitably compares the two revolutions. Interesting documents in the Founders Archive at the National Archives show that Jean Chas and Thomas Jefferson exchanged correspondence regarding the book. Chas wrote that he met Jefferson when he was the ambassador to France and showed Jefferson the manuscript for the book, and was now honored to send him a copy. Jefferson wrote back to thank him, saying "It is a happy circumstance for our country that its fortunes interest the eloquent writers of your country and through them find their way to the notice of the world. the scenes through which we have past were worthy of your pen, inasmuch as to they presented to mankind the first example in Modern times of a people asserting successfully the right of self government, and establishing that government among themselves by common consent." Chas and Lebrun dedicated the book to the then First Consul, Napoleon. Bound in contemporary full brown leather with gilt decoration to spine and red spine label. Leather is chipped, torn, abraded and rubbed. The joints have pulled away a bit to reveal the binding cords. Hinges also weak. Interior pages generally clean with inkspot to fore edge, ownership signatures to half title and ffep. Bookplate of William Sheffield, probably the U.S. Representative and Senator from Rhode Island in the mid to late 1800s. Binding good, contents in very good condition. Small octavo. 458 pages plus one page advertisement. AMERH/050621. Very GoodVery Good -.
n.p. Cheloniidae Press, 1979. A stunning black and white print of a majestic bald eagle in flight. This is the last available print of a sold out edition of 50. Signed and dated by renowned artist and printer Alan James Robinson. He founded the Cheloniidae Press, later the Press of the Sea Turtle, in 1979. His books and art have won numerous awards and can be found in many public and private collections. The eagle is shown from the side with his head extended and wings held wide. In fine condition. Image is 17.5 x 23.5 inches; in mat it is 21.5 x 25 inches. ORIGART/072517. Fine.
Toronto: Cheshire Cat Press, 2015. Number 16 of 66 copies signed and numbered by the publisher, Andy Malcolm, the writer of the introduction, Edward Wakeling, and the printer, George A. Walker. The press calls this fine production their Sesquicentennial Edition of Alice's Adventures in Wonderland. Edward Wakeling, who wrote the introduction, is an internationally known authority on Carroll. Wakeling writes in his introduction: Harry Furniss was born in Wexford, Ireland on March 26, 1854. He was a prolific artist and illustrator, best remembered for his humorous illustrations published in Punch, to which he contributed over 2,600 drawings from 1880 to 1894. Furniss was eleven years old when Alice’s Adventures in Wonderland was published. He regretted not being old enough to illustrate the Alice book for himself. He was delighted when Carroll singled him out to illustrate the Sylvie and Bruno books. Carroll recognized Furniss’s ability to draw both character likenesses and grotesques; an essential ingredient for his new book. Sylvie and Bruno was nothing like Alice’s Adventures. Furniss said that this was a bitter disappointment to him. Inwardly, he nursed the ambition to do his own illustrated version of Alice. When the copyright ran out in 1907, he drew twenty illustrations for the book. But few people have seen Alice as illustrated by Harry Furniss. The illustrations first appeared in three installments of The Children’s Encyclopaedia edited by Arthur Mee in 1908. This edition offers for the first time enlarged, high resolution copies of the original Furniss art. The portfolio of loose illustration leaves is made available for sale as a hand printed folio. The polymer plates of the illustrations were made from high resolution scans; sixteen of these images are from the original drawings from the archives of the Fales Library in New York City. Printed on Arches Velin Cream French 100% rag archival paper with Janson type. The portfolio is housed in a clam shell box made from the finest quality materials, with red cloth covers and a gilt illustration of the white rabbit on the top cover and gilt title on spine. In fine condition. Paper sheets measure 11 x 15 inches. PRI/111519. Fine.
Martinez, CA: Lucy Childs, 2019. A unique embroidered artists’ book. Lucy’s exquisite embroidered books are inspired by her “exploration of the history, craft, and culture of early American and British sewing samplers, made mostly by young girls to learn the practical craft of sewing but also to learn letters and spelling. Many old and antique samplers included text or images in memory of family members who had died.” Lucy’s beautiful and painstakingly created books are a fitting tribute to and continuation of the craft she honors. Her unique books can be found in several artists’ book collections. This beautiful work evokes the feel and mood of its inspiration - the windy day on a quiet island. (Text appearing inside card under “A Blustery Windy Day on Quiet Island” accordion book.) Blustery windy days on Quiet Island are those in-between days where being outside is fine, but if you’re biking, use your hat’s chin strap and remember strong winds will push you over. Before you leave the house, secure your screen door. (Unlatched screendoors entertain by blowing and flappping in cacophonous time.) Quiet Island is within the sweep of the North Atlantic Drift of the Gulf Stream and inside the arm of land which keeps away the hurricanes that hit most everywhere else nearby. A few hundred or so people live on this island. Houses are basic, cars are shared, the libraries are popular, and people bake a lot. And they brew too, because while they're quiet, they're social. Many have relatives who visit, and some bring friends with them, particularly for the varied (and some invented) holidays." The embroidery is stitched in blue, green, brown, and yellow threads on white linen cloth. The borders are stitched with intricate white designs. There are two covers. The inner cover is tan linen with a small cross on each side. The outer cover is blue felt with the title and border stitching in yellow thread. The folded book measures 6 x 11 inches. Unfolded the book is 22 inches. In fine condition. ARTS/031419. Fine.
London: Grant Richards, 1900. Hardcover. First Edition. Presentation copy from Clodd, inscribed to the book's publisher Grant Richards, the nephew of Grant Allen. This memoir celebrates the life of Canadian science fiction author Charles Grant Blairfindle Allen (1848 - 1899). After teaching in grade school for several years, he became a professor of moral philosophy in Jamaica, where he developed his evolutionary system of philosophy. His literary career began with non-fiction essays on popular science, and he later went on to write nearly 30 fiction novels. He is considered to be a pioneer of the science fiction and detective fiction genres. Bound in original dark brown cloth boards with gilt title to spine. Minor sunning to spine, small chip to foot of spine, and a few spots to boards. Offsetting to endpapers, else clean. 222 pages. LIT/052115. Very Good.
London: Richard Bentley, 1852. Hardcover. 8vo. THE FIRST EDITION of Collins's scarce second novel. This is Collins's second full length novel and his first set in contemporary times. This novel of first love, intrigue, and betrayal was considered "sensational" by many, and it had mixed reviews, with some referring to it as "revolting." In his dedication he writes that he "has not hesitated to violate the conventionalities of sentimental fiction." In later editions, he did shorten the text and tone down the violence. "In Basil, he found his true métier as an expert in mystery, suspense, and crime" (Oxford Companion to English Literature). Three volumes bound in two. Bound in three quarter tan calf with marbled paper covered boards, with red leather labels with gilt titles to the spines of both volumes. There is some rubbing and scuffing to leather. Gilt tooling to compartments on spine, some of which has been rubbed. Full marbled edges and marbled end pages. These books remain quite attractive, though there is minor rubbing to the leather along the joints and minor bumping to the corners. There is minor foxing to the first and last few pages of both volumes but otherwise the interior is very bright and clean. LIT/092906. Very Good.
London: Richard Bentley, 1841. Hardcover. Theater owner and playwright, Augustin Daly's copy, auction number 2610. First Edition. Includes two frontispiece portraits and two additional inserted portraits. These volumes detail the lives of George Colman the Elder (1734 - 1794) and George Colman the Younger (1762 - 1836). Both were playwrights and owners of the Haymarket Theatre in London. Bound in three quarter tan leather over marbled paper covered boards with red label "Stage Biography" and green title / author label beneath. This is part of a series of books Daly had bound in a matching style, all labeled "Stage Biography." Rubbing, pulling, and wear to leather. Foxing to first and last few pages including frontispieces. Occasional spots of foxing to margins, but clean overall. Top edge gilt with marbled endpapers. Bound by R.W. Smith. Auction record tipped into rear of first volume. Volume I: 432 pages; Volume II: 454 pages. DRA/031419. Very Good.
Glasgow: Frederick W. Wilson and Brother, 1888. Paperback. First Edition. 300 copies printed. SCARCE PRESENTATION COPY of Davidson’s fourth book, inscribed “To Mrs. John A. Cramb with kind regards from John Davidson.” John Davidson (1857-1909) was a Scottish poet, playwright, and novelist. His chief talent was as a poet, and his work influenced early Modernists such as T.S. Eliot and Wallace Stevens. Due to personal and financial problems, Davidson ultimately committed suicide. The recipient and her husband, a student, were among Davidson’s closest friends when he attended Edinburgh University. They followed Davidson to London in the early 1890s hoping also for successful literary careers. In the end, John Cramb returned to academic life, becoming professor of Modern History at Queen’s College, London. Cramb had a crucial influence on Davidson’s later works (in particular The Testaments of John Davidson) through his book, The Origins and Destiny of Imperial Britain (1900). In the original parchment wrappers, which are browned and lightly soiled, but otherwise in very good condition. Interior pages are clean and bright, with very light rippling caused by tight signatures. Enclosed in red cloth folder, which is inserted into a red cloth slipcase with quarter leather spine. Gilt title, author, date, and “presentation copy” to spine. 82 pages including publishers catalogue. DRA/051111. Very Good in Wraps.
1743. A leaf from A Natural History of Birds. Edward's friend and mentor Mark Catesby taught him the technique of engraving, which made it possible for him to engrave his own drawings, the results of which can be found in his natural historical works. He added to the hand colored compositions of his illustration engravings by including insects, especiallly butterflies. Print method is Engraving by Copper Plate with original hand coloring on laid paper, measuring 290 x 220 mm. or approximately 11 1/2 x 8 1/2 inches. Archivally matted. #49123. Very Good.
Malvern East, Victoria Australia: Electio Editions, 2011. Softcover. Number 29 of 40 copies of which 31 were for sale. The is the second book in the Alan Loney's Electio Edition "alphabeta series". Alan Loney (1940 - ) is a well known writer, poet, editor, publisher and letterpress printer. His work has been published by University and private presses in New Zealand, Australia and North America.His own presses have printed and published many of New Zealand's most noted poets. He has also produced books himself, and in collaboration with artists and printmakers in New Zealand and overseas. His partner Miriam Morris enjoys a dual career as a visual artist and professional musician. For this book Morris contributes two original pen and acrylic drawings, each one unique in each copy. Marion May Campbell is better known as a contemporary Australian artist, but the book's prospectus describes her as also a poet of brilliance, sensitivity and skill. Bound in hand stitiched tan paper covers with title in yellow and author and artist names in red. Designed and printed by Lone with Dante and Libra types printed on damped BFK Rives paper. Housed in a bright yellow clamshell box and accompanied by the prospectus. In fine condition. Measures 5 x 9.25 inches. Unpaginated. PRI/022020. Fine.
London: Cassell and Co., and John Lane The Bodley Head, 1934. Hardcover. First Edition. An interesting and unusual presentation copy from the editor to Clementine Churchill, wife of Winston: "To Mrs. Churchill, these poems from the day when Fanny's First Play was written; and in memory of the pleasure of seeing it in her company. August 11, 1935 Desmond Flower." The inscription makes reference to Fanny's First Play, written anonymously in 1911 by G. Bernard Shaw. Desmond Flower (1907-1997) was a publisher, collector, and writer. He joined his father's publishing house, Cassell, and remained there until it was sold in 1966 following his father's death. Cassell's was the publisher for many major writers, but Flower's most important writer was Winston Churchill, editing and publishing his History of English Speaking People and the History of the Second World War. Bound in publisher's original green cloth with title and author in gilt to spine. Binding and text in near fine condition. In original dust jacket which is torn and tattered, and now protected by a mylar cover. 297 pages. POE/052913. Near Fine / Chipped and Torn.
Foolscap Press, 2016. Hardcover. Number 16 of 100 copies. The Snails is a short story by Patricia Highsmith (author of The Talented Mr. Ripley) about giant snails with huge teeth that inhabit a remote island. When an out-of-shape professor decides to visit the island in hopes of capturing one of the snails in order to secure fame for himself, his plans go awry. A seemingly peculiar topic for a story, it was perfect for Highsmith who kept snails as pets and was known to take them to parties on leaves of lettuce in her handbag. The book is housed in a brick red cloth box with a cast-paper sculpture of a snail shell to the top cover. The book is bound in tan cloth with an illustration of a snail pasted down to the front cover. Within the folds of the accordion structure binding are smaller gatherings of pages, which include the text. Illustrations of snails roaming the island and encountering the professor are printed on the larger pages. An interesting structure, as is frequent with books issued by the Foolscap Press. Letterpress printed from polymer plates. In fine condition. Unpaginated. [44 pages] PRI/022217. Fine.
Leipzig und Wien: Franz Deuticke, 1911. Hardcover. Third Edition. This is Freud’s greatest work and one of the most influential books of the twentieth century. First published in 1899, the book introduced Freud’s theory of the unconscious with respect to dream interpretation, his theories of psychoanalysis, and the subconscious. Its influence has extended far outside the field of psychiatry into culture and literature. Very good in brown cloth with marbled paper covered boards and gilt title to spine. Minor fraying and wear to spine ends, joints, and edges of boards. The interior hinges have been repaired with green binder’s tape. A crack is visible to the gutter between the colophon and last page. Light foxing and previous owner’s signature in pen on the half title page. 414 pages. PSYCH/051512. Very Good.
London: Henry J. Glaisher, 1909. Paperback. Inscribed: "To R.P.K., from D.J. F. March 19, 1912." Frontispiece portrait from a drawing by Dorothy Newill. Includes a poem inspired by Max Beerbohm's caricatures. Scarce volume by a minor but interesting modernist poet. Bound in original cream wraps. Title and author in red on front cover. Some soiling, chipping and small tears along spine. Foxing to endpapers. Very good condition. 48 pages. POE/061512. Very Good in Wraps.
London: A. Bettersworth and C. Hitch, W. Innys and R. Manby, J. and P. Knapton, 1738. Hardcover. Scarce second edition of this important book on architectural drawing. The work explained how to draw the Classical orders and related details and was used well into the 19th century. James Gibbs (1682 –1754) was one of Britain's most influential architects. Born in Scotland, he trained as an architect in Rome, and practiced mainly in England. He is an important figure whose work spanned the transition between English Baroque architecture and Georgian architecture heavily influenced by Andrea Palladio. Among his most important works are St Martin-in-the-Fields, the cylindrical, domed Radcliffe Camera at Oxford University, and the Senate House at Cambridge University. His architectural style did incorporate Palladian elements, as well as forms from Italian Baroque and Inigo Jones, but was most strongly influenced by the work of Sir Christopher Wren, who was an early supporter of Gibbs. Overall, Gibbs was an individual who formed his own style independently of current fashions. Architectural historian John Summerson describes his work as the fulfillment of Wren's architectural ideas, which were not fully developed in his own buildings. Despite the influence of his books, Gibbs, as a stylistic outsider, had little effect on the later direction of British architecture, which saw the rise of Neoclassicism shortly after his death [Wikipedia]. Folio volume bound in brown leather with red title label to spine. Leather is rubbed and bumped, and spine is chipped. Pastedowns are stained and free endpapers are torn. Interior pages are clean but there is light dampstaining throughout along the upper and lower right of the pages. The drawings are affected but the stains do not detract from their legibility and usefulness. With 40 text pages and sixty-four numbered plates. Bookplate of James Jackson affixed to front pastedown. Very good minus. Very Good -.