[Ipswich, England]: 1905-06. A unique and charming autograph book of a young college woman, filled with handwritten drawings, quotes from various writers and good wishes from friends and acquaintances at the college. The initials N.T.C. are on many of the pages. It is unclear whether these are the initials of the album's owner or a reference to the school they all attend. References to Ipswich and and Burton on Trent place the book as English. The most delightful feature of the autograph book are the 32 illustrations interspersed throughout. There are 12 watercolors, 13 pen and ink drawings, and 6 pencil sketches. They include men and women, flowers, animals, and scenery. The quality of the illustrations varies from basic and naive through competent to a few that are quite accomplished. Bound in brown leather with the word Album in gilt to front cover. Bumping and chipping, with the backstrip still attached but in fairly poor shape. All edges gilt. A few pages have become loose but the book is other wise a lovely example. Measures 5 x 8 inches. [44 pages]. / Very Good.
Refine search resultsSkip to search results
London: Kegan Paul, Trench, Trubner & Co., Ltd, 1925. Hardcover. Includes 36 color plates and 48 in text illustrations. "In these days it is unnecessary to say how bold a German publisher must be, to give so many coloured plates, at a time when with us all economic ideas are upside down. I hope this boldness will be rewarded. When we were excavating Ashur the wish became stronger, with every new find of this coloured Assyrian art, one day to convey the discoveries to posterity complete adn as unaltered as possible. Photography alone did not suffice for this; as far as possible every piece was copied in water-colours immediately after being found, and later we took the trouble to take colour photographs with Lumiere plates" (page 77). A folio bound in olive green buckram boards with gilt and leather title label to spine. Bumping to corners, wear to spine ends, wear to edges, minor soiling to boards, and rubbing to spine. Chipping to leather spine label. Bookplate to front pastedown. Evidence of removed library sticker to foot spine and evidence of removed library marking to rear free endpaper. Clean, bright interior aside from occasional light finger smudges to margins and minor browning to margins of plates. Tissue guards are present; however, some have creases and tears. 78 pages of text plus plates to rear. ART/021921. Very Good.
Milan: Giovanni Pirotta, 1818. Hardcover. A beautiful version of this great Italian epic poem that first appeared in 1516. It takes place against the backdrop of the war between Charlemagne and the King of Africa, and has many fantastic and magical elements. It was a big influence on later works of literature, including Spenser's Faerie Queen and Shakespeare's Much Ado. Very good in full leather with repairs made using Japanese paper to both joints. The edges of this tissue are coming loose. A small section of modern leather has been added to the front board where there had been a chip to the original leather. The new leather has been tooled and dyed to blend with the original. Light cracking to leather with minimal board-wear. Despite the noted repairs, this is a nice, attractive copy with strong, tight spine and clean interior. Marbled end pages. Bookplate to front end page. In Italian. Folio. ITA109201. Very Good.
Richmond, VA: Monalisa Bagby, 2019. Hardcover. Number 1 of 10 copies. In this inventive and interesting work, book artist Lisa Bagby describes the importance of the color red in nature for animal, insect, and plant species. She writes that living creatures rely on color for protection, concealment, and sexual selection. The color red is one of the most distinctive. She offers many examples, from tree frogs to cardinals to red faced monkeys to various plants and fungi. She provides information on such phenomena as aposematism - the use of color by reptiles, amphibians, and fish to warn predators that they are toxic, dangerous, painful to attack, and difficult to eat. Red is not the only color used to display toxicity, but it is one of the more effective ones. The artist states: "The natural world as a companion marks my earliest memories and that status has never wavered. With maturity I came to appreciate the physical, psychological and emotional dynamics of the natural world. As a creative person, I can’t help but notice details of texture, scale and, of course, color in the environment. Color is a significant part of the equation that brings the natural world into our focus and may even persuade us to care. Color sharpens our senses and enjoyment of the environment, whether it is a spectacular sunset or the sight of a cherry tree laden with its fruit. It is part of Nature’s strategy for engaging us. My interest in eco-systems lead me to wanting to better understand how color is used in Nature so I began researching the purpose of red in the environment. The result is my handmade book, The Art of Red in Nature. I learned that Red was not dumped from a paint can over the globe and spread indiscriminately. It has been judiciously allocated across nature and each assignment is useful, if not essential, in the Plant and Animal worlds. Everything in nature, including color, is purposeful and this book explores the story of red in Nature. Not only is color, such as red, designed to support life in eco-systems, but red is also available for human beings to discover, in insects or in minerals, to advance our own creative efforts. The art of red in nature is a wonder indeed." Bagby has creatively illustrated her concertina book with cancelled postage stamps of different species, pen and ink drawings with watercolor applied, linoleum block prints, and cartoons. Additional stamps and descriptions are on the reverse pages. Bound in grey cloth with title label affixed to the front cover. With decorated endpapers and a red and white string closure. In fine condition. Measures 6 x 8 inches. ARTISTSB/072120. Fine.
London: Richard Bentley, 1839. Hardcover. Theater owner and playwright, Augustin Daly's copy, auction record 21. Includes seven extra portraits, including a proof portrait of Mrs. Bannister and a mezzotint portrait of Charles Bannister, after a painting by R. Dighton. English actor and theater manager, Bannister (1760 -1836) was considered to be the best low comedian of his day. Later in his life, he managed the Theatre Royal, Drury Lane in Covent Garden. Bound in three quarter tan leather over marbled paper covered boards with red label "Stage Biography" and green title / author label beneath. This is part of a series of books Daly had bound in a matching style, all labeled "Stage Biography." Rubbing, pulling, and wear to leather. Clean interiors overall with occasional spots of soiling to margins and foxing to first few pages of both volumes. Top edge gilt with marbled endpapers. Bound by R.W. Smith. Auction record laid into front of first volume. Volume I: 399 pages; Volume II: 368 pages. DRA/031419. Very Good.
Mission, BC: Barbarian Press, 2013. Simon Brett. Hardcover. Endgrain Editions Four. Limited to 120 copies in the regular edition. This is the first addition to the Endgrain Editions since 2003, and it is a major return to the series. It is a celebration of the work of Simon Brett documenting his fifty plus years as an engraver. Simon is acknowledged as one of the masters of wood engraving of the past half-century. With 134 engravings printed from the wood, an introduction by the artist, and a chronological catalogue of the more than 1,000 engravings Simon has so far engraved, this is a major work of 250 pages, and is certain to be an important reference on Simon’s work as well as being a splendid book from this important private press. Text printed in Joanna with Fry’s Ornamented for display in green and black on Zerkall Cream laid with engravings printed on Zerkall White Smooth. Bound in quarter green cloth with paper patterned boards and title label to spine. In fine condition. PRI/062014. Fine.
New Orleans: 1939. Hardcover. First Edition. Red leatherette boards with gilt title to spine and front cover. Ex-library with stamp to title page, and pen marking on front free endpaper. Occasional pencil check marks and underlined words, but clean overall. Browning to margins and short closed tears / chips to edges of a few pages. Bumped corners and rolled spine. There is a one inch closed tear to the cloth on the rear hinge. A few interior splits to binding, but all pages remain bound. Minor repairs to interior hinges. An uncommon book. 605 pages plus index. REL/061820. Very Good.
Newcastle, England: J.G. Foster, 1860. Hardcover. Scarce. Thomas Bell (1785-1860) was a prominent land valuer and surveyor who also served as a commissioner and arbitrator for lands in districts of northern England. He is best remembered, however, as an extraordinary book collector, "bringing together one of the largest and most valuable collections of books, papers, and engravings ever formed in the North of England particularly in matters of local interest"(from obituary reprinted in catalogue). The auction sale lasted fifteen days. On the front free endpaper, there is an interesting later handwritten transcript of notes originally written by John Gray Bell, son of Thomas, about his father's library. He described a good-sized library that was shelved round with filled bookcases buried by other bookcases, also filled and then buried as well. The door of the room would only open slightly ajar and one had to sidle in one at a time along a narrow round pathway. A woman wearing a crinoline could not enter at all. The catalog was published in paper wrappers. This copy has been rebound with covers in blue cloth with a black and gilt spine label. Original wrappers bound in. Some bumping and fading. Browning to wrapper cover and browning to to untrimmed edges and to some page margins, not affecting text. Very good condition. 276 pages. BOB/042415. Very Good.
London: Longmans, Green, and Co., 1878. Hardcover. First Edition. Lady Anna Brassey (1839 - 1887) recorded several of the celebrated voyages that she and her family made together around the world on their yacht, “The Sunbeam.” This was the first of the several volumes she published about their travels. It was a huge bestseller, running into many editions and translations. It provides a lively and detailed account of their journey around the world in 1876-77. In addition to vividly describing their journey, the book describes life aboard her yacht, which carried over forty people, including the family, the crew, friends, and a complete domestic staff. An uncommon book to find in the original cloth, it is bound in dark grey cloth with gilt title and author to spine and front cover, and gilt illustrations to front and back. Cloth is chipped and faded but still quite attractive. Some soiling to preliminary pages and tear to front map but otherwise in very good condition. With two fold-outs and 118 wood engraved illustrations after drawings by the Hon. A.Y. Bingham. With ownership signature of George R. Clayton. 504 pages. TRA/081715. Very Good.
Paris: n.p., n.d. Portfolio. This is a scarce portfolio of beautiful color plates that showcase the breadth and beauty of French decorative arts at the beginning of the 20th century. The arts range from textiles, ceramics, bindings, ironworks, enamel, house designs and much more. The artists include LeFebvre, Magnew, Guimard, Mucha, Jambon, Lepere, Boulez among many others. There were 60 plates issued with this edition. Plates one and nine are missing, but there are two plates each for plates 4 and 55, each with a different design. The plates are generally in very good condition, with spotting and/or aging to some. The loose plates, preface, and list of plates are housed in a folio portfolio with grey paper boards and brown linen spine with gilt title to front board. Spine is split about two inches along front cover, chipping and bumping and ties missing. DEC/100812. Very Good.
Northampton MA: Cheloniidae Press, n.d. State Proof signed by the artist. A stunning original print, never published and the only copy ever printed, created by renowned artist and printer Alan James Robinson. He founded the Cheloniidae Press, later the Press of the Sea Turtle, in 1979. His books and art have won numerous awards and can be found in many public and private collections. The image depicts an owl flying in the dark of night. Most of the surface is a profound black, with the hunting owl visible by moonlight. The print is 17.5 x 23 inches and measures 22 x 27 inches with the mat. In fine condition.ORIGART/072017.
Northampton MA: Cheloniidae Press, 1978. State Proof. One of only a few copies printed for Robinson's Masters Thesis Show in 1978. With title, state proof, and signature in pencil on the lower margin. This striking black and white print of Robinson in turtle armor and with an image of a turtle and its skeleton next to him anticipates his founding of the Cheloniidae Press the following year. Cheloniidae is the name given to a family of Sea Turtle species. Robinson is shown in profile up to his shoulders and his turtle armor on his head and body given him the air of a Renaissance man. The turtle images are meticulously and realistically depicted. Image is 17.5 x 23 inches on heavy paper measuring 21 x 27 inches. In fine condition. ORIGART/073117. Fine.
Toronto: Cheshire Cat Press, 2015. Number 16 of 66 copies signed and numbered by the publisher, Andy Malcolm, the writer of the introduction, Edward Wakeling, and the printer, George A. Walker. The press calls this fine production their Sesquicentennial Edition of Alice's Adventures in Wonderland. Edward Wakeling, who wrote the introduction, is an internationally known authority on Carroll. Wakeling writes in his introduction: Harry Furniss was born in Wexford, Ireland on March 26, 1854. He was a prolific artist and illustrator, best remembered for his humorous illustrations published in Punch, to which he contributed over 2,600 drawings from 1880 to 1894. Furniss was eleven years old when Alice’s Adventures in Wonderland was published. He regretted not being old enough to illustrate the Alice book for himself. He was delighted when Carroll singled him out to illustrate the Sylvie and Bruno books. Carroll recognized Furniss’s ability to draw both character likenesses and grotesques; an essential ingredient for his new book. Sylvie and Bruno was nothing like Alice’s Adventures. Furniss said that this was a bitter disappointment to him. Inwardly, he nursed the ambition to do his own illustrated version of Alice. When the copyright ran out in 1907, he drew twenty illustrations for the book. But few people have seen Alice as illustrated by Harry Furniss. The illustrations first appeared in three installments of The Children’s Encyclopaedia edited by Arthur Mee in 1908. This edition offers for the first time enlarged, high resolution copies of the original Furniss art. The portfolio of loose illustration leaves is made available for sale as a hand printed folio. The polymer plates of the illustrations were made from high resolution scans; sixteen of these images are from the original drawings from the archives of the Fales Library in New York City. Printed on Arches Velin Cream French 100% rag archival paper with Janson type. The portfolio is housed in a clam shell box made from the finest quality materials, with red cloth covers and a gilt illustration of the white rabbit on the top cover and gilt title on spine. In fine condition. Paper sheets measure 11 x 15 inches. PRI/111519. Fine.
London: Richard Bentley, 1852. Hardcover. 8vo. THE FIRST EDITION of Collins's scarce second novel. This is Collins's second full length novel and his first set in contemporary times. This novel of first love, intrigue, and betrayal was considered "sensational" by many, and it had mixed reviews, with some referring to it as "revolting." In his dedication he writes that he "has not hesitated to violate the conventionalities of sentimental fiction." In later editions, he did shorten the text and tone down the violence. "In Basil, he found his true métier as an expert in mystery, suspense, and crime" (Oxford Companion to English Literature). Three volumes bound in two. Bound in three quarter tan calf with marbled paper covered boards, with red leather labels with gilt titles to the spines of both volumes. There is some rubbing and scuffing to leather. Gilt tooling to compartments on spine, some of which has been rubbed. Full marbled edges and marbled end pages. These books remain quite attractive, though there is minor rubbing to the leather along the joints and minor bumping to the corners. There is minor foxing to the first and last few pages of both volumes but otherwise the interior is very bright and clean. LIT/092906. Very Good.
New York: Béatrice Coron, 2008. Number 3 of four copies. An intriguing paper cutout book that depicts over a dozen legs and feet of various people walking. It exemplifies Coron's philosophy of creating her books as described below. Made of handcut black Arches paper. It measures 6 x 44 inches when extended. Housed in a silver box with a black spine and image of a shoe on the cover. In fine condition. French born Béatrice Coron is a renowned artist whose work includes book arts, fine art, and public art. Her work can be found in major museum collections, libraries, as well as private collections. Her books are fascinating creations made through cutting images in paper or Tyvek. Christina Favretto, Head of Special Collections at the University of Miami describes her work in Coron's "artfragments" portfolio: "There is a palpable joy in the work of Béatrice Coron, the kind of joy we felt as children in unwrapping a particularly enticing holiday gift. But...for Béatrice the gift is a sheet of Tyvek...or paper, and the stories to be unearthed and unleashed within and through the medium." Coron describes her book work: "For the last 20 years, I have been exploring visual storytelling in artist books, paper cutting and public art. Collecting memories from individuals and communities, I stage narrative allegories in silhouette to create a dialogue with the viewer in playful fantasies. These visual chronicles record archetypal stories that transcend time and space. I have been fascinated by the relation of people to their space and the sense of belonging. Using papercutting where everything is cut from a single piece of Tyvek, the profusion of individual stories makes a coherent whole world." [From her website] ARTISTSB/082120. Fine.
London: Elkin Mathews, 1891. Crane, Walter. Hardcover. Number 121 of 150 copies of the copies for America. 350 copies were published for England. This lovely and scarce volume is Crane's only book of poetry. It includes 39 black and white designs by Crane that were engraved by Emery Walker, W. Boutall, or Arthur Leverett. Bound by Putnam's & Sons in three quarter brown leather and cream paper boards, with Art Nouveau style gilt design and title to spine. Very light rubbing to joints and edges of covers otherwise very good. Some spotting to paper boards, including a very small red mark on back board. Interior text and illustrations are bright and clean except for some mild aging to some margins and the fore edge. White ribbon bookmark. Leather on interior pastedowns have left brown offset to ffep. t.e.g. Previous owners signature in ink, inscription by original owner and embossed owner stamp on ffep. These do not detract from the delightful contents. 163 pages +1 page ad. POE/043008.
[United House of Prayer], 1968. Hardcover. First Edition of this scarce book on the founding and growth of the United House of Prayer for All People between January 1960 and August 1967. The church was founded by Bishop C. M. Grace, known to his followers as Sweet Daddy Grace. After a brief chapter on Sweet Daddy Grace, the book's primary focus is on The Most Honorable Bishop W. McCollough, his successor. McCollough became known as Sweet Daddy McCollough after his rise to leadership. His accomplishments and the spread of the church throughout the country are documented, and there are photos of him over time as well as pictures of the many churches founded in various cities. Bound in black cloth with title to spine and front board. Lettering slightly faded. Slight bumping and very small goudge to cloth on back cover, but in very good condition. Interior pages are clean and bright except for residue from paper clips on table of contents page and rear pastedown, and a few remnants from item glued to corner of page 94. 100 pages. REL/072412. Very Good.
New York: American Art Association, 1900. Hardcover. SCARCE. American auction catalog for part of Augustin Daly's enormous collection. An auction in 1880 disposed of much of his collection but this auction still includes several thousand items. There were many autographs as well as manuscripts and books. Augustin Daly (1838 –1899) was one of the most influential men in American theatre during his lifetime. Drama critic, theatre manager, playwright, and adapter, he became the first recognized stage director in America. He was dramatic critic for several New York papers from 1859, and he adapted or wrote a number of plays, Under the Gaslight (1867) being his first success. In 1869 he became the manager of the Fifth Avenue Theatre on 24th St. and in 1873 the Fifth Avenue Theatre on 28th. In 1879 he rebuilt and opened Daly's Theatre at Broadway and 30th Street in New York, and, in 1893, Daly's Theatre in London. Daly formed a permanent company in New York and opened Daly's Theatre in New York in 1879 and a second one in London in 1893. At Daly’s Theatre he assembled a company of players headed by well-known actress Ada Rehan. Some of the best actors of the time owed their training and early successes to him, including John Drew Jr., Maurice Barrymore, Maude Adams, Mrs. Gilbert, Tyrone Power, and Isadora Duncan. Bound in three quarter brown morocco over marbled paper covered boards. Gilt title and raised bands to spine. Top edge gilt with marbled endpapers. Minor wear to edges of boards and corners. Rubbing to boards. Bookplate of Franklin Johnston to front endpaper. Frontispiece portrait of Daly. Pencil annotation on free endpaper says that this was the copy of Douglas Taylor. In very good condition. Measures 8 x 10.5 inches. 381 pages plus 23 page listing of prices realized. BOB/060220. Very Good.
London: Leonard Smithers, 1896. Hardcover. First Edition. Includes six illustrations engraved on wood by Charles Conder. Stonehill and others state that this is the rare primary binding; copies are more commonly found in blue cloth. Very good plus in original yellow cloth boards with black title to spine and front board. Minor bumping to spine ends and bottom corners of boards. Slight darkening to spine. A few spots of foxing to early and late pages, otherwise the interior is clean. Housed in a half-morocco slipcase with purple cloth boards. The case is titled in gilt with gilt decoration and raised bands. Some discoloration, light soiling, and minor rubbing to case. The Artist and the Book 62; Nelson Smithers 1896. 12; Stonehill 51. 107 pages. LIT/052110. Very Good Plus.
Pasadena, CA: Deeply Game Productions, 2012. Hardcover. Number 1 of 7 copies. Signed and numbered by the book artist. Sara Press is a photographer, printer, and book artist whose work addresses science, nature, and the intricacies of our culture. This is a suite of four etchings by Ms. Press that depict contemporary mixed-martial-arts fighters. The accompanying text has been appropriated from a panther / bear fight advertising poster from the 1850s. The text describing animal fights is juxtaposed with the prints of human fighters to make an important statement on violence. The typeface is designed by Dan Mayer. Letterpress printed on a Vandercook No. 3 Proof Press. The loose prints and text pages are housed in a solid maple box with title burnt into the lid. This book was made in California and East Coast humidity has caused the box lid to warp a little along the edges. Unpaginated. ARTISTSBOOKS/030613. Near Fine.
Edinburgh and London: Ballantyne, Hanson, & Co, circa 1910. Twenty six numbered volumes plus 2 volume set of life and works plus 2 volume set of Our Mutual Friend, all in matching publisher's bindings. Bound in full olive green cloth boards with paper title labels to spines. Minor wear to edges of boards and spine ends of all volumes. Wear / chipping / browning to title labels. Minor dampstaining to corners of boards of some volumes; although interior pages seem to be free from staining. Some volumes have minor soiling and/or discoloration to covers. Each volume contains illustrations - most in black and white with a few in color. Occasional smudge marks, occasional tear to a page in the margin (from opening the pages), and sporadic spots of foxing - but overall, very clean and bright interiors. Rippling to some of the illustrations, which are printed on a different paper stock. Signature of previous owner in pen to front free endpapers of most volumes. All bindings remain strong. This set will require an extra shipping fee. LIT/010318.
London: George, Allen and Unwin, 1920. Hardcover. First edition, second state. HANDWRITTEN SIGNED POSTCARD FROM AUTHOR LAID IN. This is the author’s first novel, published in London before the US edition. Based on his experience in WWI, the novel sets the stage for Dos Passos’s Three Soldiers (which brought him international attention). The laid in postcard dated 6/15/59 reads “Shall be delighted to inscribe the book if you’ll send it to me here. Have you tried the Gotham Book Mart ... or one of the big London secondhand book stores - it was published there by Allen & Unwin in 1920 (?). The only copy I have is the Philosophical Library reprint ... Cordial Regards John Dos Passos.” The original envelope addressed to John S. Mayfield is also laid in. Very good in blue cloth boards with black title to spine and front board. Fading to spine although the title remains bright. Offsetting to first and last couple of pages and remnants a sticker on the rear pastedown; otherwise the interior is very clean. In very good condition. 128 pages. LIT/051011. Very Good.
Copper Plate Engraving by George Edwards, with original hand coloring on laid paper. Edwards spent most of his life observing and depicting indigenous and non-indigenous species of birds. Many of his drawings were done on commission for the Royal Society and Royal College of Physicians. Edwards is credited with collaborating on the scientific naming and description of about 300 species of birds. The framed print measures 11 1/2 x 8 1/2 inches. #49238. Very Good.
London: Richard Standfast, 1698. Hardcover. A unique copy of a first edition Restoration comedy from the personal library of actor and theater manager John Philip Kemble. The volume is initialed, collated, and pronounced perfect on the title page in ink by Kemble along with the date. John Philip Kemble (1757 - 1823) was an important English actor who also achieved fame as the manager of the Drury Lane and Covent Garden theaters. He was also known for assembling a theatrical library that was unrivaled. After he retired in 1819 he sold his collection of 4000 plays and forty volumes of playbills to Cavendish, the 6th Duke of Devonshire. The Devonshire collection is now part of the Huntington Library in San Marino, California. The remainder of Kemble's library was auctioned by Evans in Pall Mall over ten days beginning January 21, 1821 (from the Oxford Dictionary of National Biography). George Farquhar (1677 - 1707) was an Irish playwright of real comic power who wrote for the English stage at the beginning of the 18th century. He stood out from his contemporaries for originality of dialogue and a stage sense that doubtless stemmed from his experience as an actor. His early plays were primarily spirited variations on a theme: young men have their fling for four acts and reform, unconvincingly, in the fifth. The plays have freshness, however, as well as wit and a lively human sympathy (Encyclopedia Britannica). For this copy each individual page has been meticulously framed on slightly larger sheets of contemporary white paper. It has been beautifully bound by Riviere and Son in full tan calf with gold tooling and lettering. The spines have five raised bands with gilt decorated compartments and there are two leather labels, one with the play's title and author, and the other stating "J.P. Kemble's Copy." With gilt dentelles, marbled endpapers, and all edges gilt, with a few splash marks on cover otherwise in near fine condition. The pages of the play are browned with occasional spots of foxing and soiling but text is completely legible. In very good condition. Measures 6.5 x 9 inches. 54 pages. DRAMA/012121. Near Fine.
Freeville, NY: Carol Schwartzott, 2007. Hard Cover. Number 24 of 25 copies signed and numbered by the book artist. This is a particularly beautiful version of the famous Rubaiyat. In her artist's statement Schwartzott writes that as a collector of Rubaiyats she began to toy with creating her own version in 2006. "The book is divided into seven segments, each separated by a divider of hand-marbled Japanese paper. The first contains the title page and introduction and the last an artist's statement, bibliography and colophon. The remaining five are dedicated to the seventy-five quatrains of FitzGerald's first edition. Each contains a vellum window, reminiscent of a Persian archway that opens to reveal my version of a miniature painting." Bound in light blue Japanese cloth with an intricate wood cut out to front board. The pristine interior was laser printed with archival ink onto Mohawk Via vellum and Moab Entrada paper. The prints were then finished with color pencil, paint, gold and silver leaf. Housed in clamshell box covered in the same cloth as the book. In fine condition. Unpaginated. ARTB/120219. Fine.