Charlottesville, VA: Virginia Arts of the Book Center, 2014. Number 15 of 20 copies. (20 additional copies were created and exchanged between the participants). This remarkable collaborative artists' book tells the tragic stories of the 1911 Triangle Shirtwaist factory fire in New York City and the 2012 Tazreen Fashions Factory fire in Bangladesh through the powerful assemblage in a "sewing box" of artifacts and mementos ostensibly collected over three generations that document the two tragedies. From the introduction: "In creating the contents of this box, we decided we would create a story to convey some of our own notions about greed and the value of a human life, about women's changing roles at home and in the workplace and about the increasing distance between consumers and producers. ... We named our primary character Rosie ... Rosie, her sister Kate, niece Rose, grandniece Rachel, and great-grandniece Katya, and other associated with them are composites of other historical and invented characters. 'Notions' is best read through the objects and the stories we've imagined that gather around them. It is framed like a quilt--an assemblage of many small pieces that stitched together tell a human story about workers here and elsewhere, now and in the past, who sew the clothes we wear. It is also an artists' book that expresses some of our own notions about how and why we make art, and how and why we use art to explore our humanity and comment on the human condition." The 23 objects in the sewing box, each by different artists, include postcards, an embroidered shirtwaist collar, a jar of buttons with modern label, reprints of historic news articles about the fire, letterpress printed cards, a paper doll, quilted lace, a vintage photo, a sewing booklet, and numberous other art objects. The sewing box itself has a pair of scissors and an empty thread spool laid in along with the art objects. It is a Kraft papier mache box painted with red acrylic, wrapped with a giclée-printed band of advertising art, and lined with sewing pattern tissue; original art on lid is letterpress printed. It also includes a small book describing the history of the tragedies and each of the items in the collection inside the box. In fine condition. Box is 12 inches in diameter and 6 inches high.Detailed list of the 23 items:Postcard from Rosie's fiancé - an antique postcard image giclée printed on Arches watercolor paper, hand-tinted with watercolors, and letterpress printed on back by Yolanda Merrill; Rosie's ruined piecework - white cotton shirtwaist collar, machine-stitched, with hand-embroidered inscription by Lotta Helleberg and Dorothy SmithRosie's charm string and button jar - buttons strung, knotted and saved in jam jar with original label art and Dickens quotation handset and letterpress printed by Janet Eden and Frank RiccioSmocking for Mrs. Vanderbilt - cotton embroidery floss on muslin) by Barbara Payne"Sewn in my own heart's blood" (letterpress printing on newsprint with hand-sewn embellishment by Dorothy SmithSmoldering fire - reprint of historic New York Times article accompanied by song lyrics typed on manual typewriter by Barbara Payne and Laura SprungRachel's yarn card - letterpress printed card with vintage yarn by Janet EdenLue's letter to Rachel - original letter reproduced on old book paper, vintage photo enclosed with letter by Rachel SingelBetsy McCall moves forward - vintage Betsy McCall paper doll enclosed in a cardstock folder imprinted with an original story and art) by Dorothy Smith and Cecilia SorochinMill migration postcards - letterpress printed duotone images on Crane's 90# Pearl White Wove and Rives Lightweight papers by Kristin Adolfson and Lotta HellebergDéjà vu: 9/11 and 1911 - reprint of a newsletter chronicling the experiences of former Peace Corps volunteers teaching in New York City public schools during 9/11 by Michael SwanbergSomething old, something new - hand-quilted pieces of lace sewn onto a card; original art and calligraphy letterpress printed by Cecilia SorochinTarzeen redirect - digital printing of designs and original artwork) by Garrett Queen and Lana LambertTazreen button card - letterpress printing with watercolor by Angie HoganMourning our loss - recreated historic newspaper articles printed on hand-stained paper with decoupage roses and black lace embellishment by Cecilia Sorochin"Plus change" mourning card - digital printing of graphic elements, including photo by Donna KnoellRosie's needle book - letterpress needle book with tea stains, hand sewing, and a hidden message by Kevin McFaddenKate's matchbox catch all - letterpress printed labels on die-cut matchboxes by Bonnie Bernstein and Yolanda MerrillConscience pin cube - letterpress-printed labels on papered boxes with ball head pins by Bonnie BernsteinRed Threads care instructions - color-printed on canvas and machine-stitched in red thread by Bonnie BernsteinOld Wavy hang tag - letterpress printed on on Crane's 100% cotton paper by Kristin AdolfsonMayn Rue Platz/My resting place - letterpress printed cabinet and card with photograph and music CD by Bonnie Bernstein, Stacey Evans, Nancy KoberLives beyond measure - a timeline charting family and labor history printed on canvas with aluminum embellishments in the form of a measuring tape) by Nancy Kober.
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Washington DC: Abstract Orange Press, 2016. Hardcover. Number 9 of 20 copies signed and numbered by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist who founded and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This beautifully designed book is in the special collections at the Library of Congress. It is one of a series of books that Lauren has done using her handmade type to explore letters, numbers, and shapes. In this accordion style book she has printed her hand carved letters of the alphabet in a bold orange. There is one letter to a page. They have been carved our of linoblock, pine, basswood, and plywood. Printed on Lettra 220 paper and bound in orange Mulberry paper with debossed titles in gilded orange on front cover and spine. In fine condition. Measures 5.25 x 7 inches. ARTISTSB/082018. Fine.
Washington DC: Abstract Orange Press, 2017. Hardcover. Number 11 of 20 copies signed and numbered by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This boldly designed book is one of a series of books that Lauren has done using her handmade wooden type to explore letters, numbers, and shapes. In this accordion style book she has printed her hand carved wood numbers from 1 to 0 in various bright colors either on a single page or on a fold-out page. Bound in dark blue cloth with title in orange on front cover and spine. In fine condition. Measures 5.25 x 7 inches. In a protective stiff plastic case. ARTISTSB/082018. Fine.
Washington DC: Abstract Orange Press, 2018. Hardcover. Number 11 of 20 copies signed and numbered by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This striking book is one of a series of books that Lauren has done using her handmade wooden type to explore letters, numbers, and shapes. This accordion style book juxtaposes a shape as a white space on a blue, grey, or orange background on one page with the shape in that color on a white background on the facing page. Shapes include a circle, square, triangle, arrow, heart, star, and hand. Bound in grey cloth with orange title on front cover and spine. In fine condition. Measures 5.25 x 7 inches. In a protective stiff plastic case. ARTISTSB/082018. Fine.
Cedar Falls IA: Islam Aly, 2017. Number 4 of 30 copies, signed and numbered by the artist. Islam Aly is an Egyptian-born book artist and teacher based in Iowa. His books explore the possibilities of historical bindings in contemporary book art practice. They have appeared in international exhibitions in the United States and abroad, and in private and public collections. In his artist’s statement he writes: “When I make a historical book structure, I go through a learning process. I learn the history as well as the different physical aspects of the binding such as how a book form is constructed in a specific sequence. I learn about the use of different materials such as paper, wood, leather and dyes. I learn to make choices in selecting and replacing traditional materials that I don’t have access to. I use these different experiences to enhance my work in making artists’ books and to use historical and cultural references from these structures in the actual content. In essence, I wish to explore new ways to use the rich structures of historical books in contemporary artists’ book practice and incorporate contemporary content into strictly historical structures.” Unleash is bound in a late Coptic style with laser engraved wooden boards and leather wrapping bands capped with engraved wooden pieces in the shapes of an angel and human head. The interior pages are laser cut with words about being confined, imprisoned, and restrained. All of the words fill the reader with a negative connotation suggestive of oppression, despite the lack of context. Then an angel appears. With each turn of the page, the angel makes a path through the words and breaks them apart until it is able to free itself from the book. The resulting negative space left behind forms the shape of a human face. A powerful statement about how restraint and confinement can be broken apart to restore humanity - or perhaps to force the reader to think compassionately of people who are currently held as prisoners (both literally and through societal, political, or religious decrees). Size: 3 x 6 x 2 inches.
Oregon: Artistically Declined Press, 2013. Hardcover. One of 20 copies signed by the poet, Hosho McCreesh who describes himself as a drunken poet. From reviews: "In the footsteps of Charles Bukowski comes Hosho McCreesh’s magnum opus of drunk poetry. Mammoth in size and scope, A Deep & Gorgeous Thirst is unlike any of McCreesh’s previous collections. Because writing and drinking go hand in hand, it may seem an impossible challenge for a poet to offer new perspective of this well-worn, symbiotic relationship. But McCreesh does, and in this brilliant collection he uses subject matter that might feel old and tired in the hands of a less capable poet and turns out exciting and irresistible poems. A perfect elegy to the illusions and delusions of alcohol." This is from the edition of 20 described by the press as "The DrunkSkull Flask Clamshell." It includes a handmade hardback book housed in a clamshell box custom-made by Bill Roberts of Bottle of Smoke Press. Hidden within the clamshell is the coup de grace - an 8 ounce black flask, engraved with the book's DrunkSkull logo, which is housed in a wood insert, along with some pieces of promotional ephemera that include two letterpress broadsides of unpublished drunk poems signed by McCreesh, a ticket also signed, and a third unpublished broadside hand written and painted by the poet. Hidden under the flash is a patch, a sticker, and a removeable tattoo - all featuring the DrunkSkull logo. The text of the book is printed offset and is bound in grey paper boards with black spine label and skull logo on the front cover. On the back cover is printed: "glister like remnant embers of all you've burned away in your mad and drunken joy." The clamshell box has a black cloth spine and grey paper covering the front and rear panels. The front panel features a reproduction of the book's cover and the spine panel has a matching grey paper title label. Box is 10 x 7 x 3 inches. In fine condition. 359 pages plus acknowledgments and colophon. ARTISTSBOOK/042016. Fine.
San Diego: Bay Park Press, 2006. Hardcover. Number 10 of 10 copies. This is a charming and beautifully produced book by Carolyn LaFrance, a San Diego architect who is affiliated with the gallery at the Bay Park Press. Maxine is Carolyn’s beloved feline friend and companion, and the book describes a day in Maxine’s life through text and illustrations. Maxine begins her story: “Sun’s up, I get to go out. Yes, yes, I know, ‘Be careful,’ the howling creatures may still be about. What, you think I don’t know that? What I need to know is, who has been in my yard? Mr. Smushy-face? Walter? Or that grey and white bruiser? ...” Each page includes a hand-colored intaglio print of Maxine at various moments in her day (11 prints altogether). The text is Bernhard Modern type on lovely Fabriano Rosapina Bianco paper. Oblong folio bound in grey linen with black spine. Paw prints decorate the front cover and endpapers. Housed in a black portfolio with a grey cloth square label illustrated with paw prints affixed to front and cream ribbon closure. In fine condition. Unpaginated. PRI/072012. Fine.
San Diego: Bay Park Press, 2006. Hardcover. Founded by Sibyl Rubottom and Jim Machacek in 2000, the Bay Park Press produces artists’ books, offers classes, and holds book arts exhibitions. Their books address a wide range of subjects from the universe to gardening to opera to Yiddish and more. Most are letterpress printed, many have moveable pieces, and all are illustrated.Number 3 of 10 copies. In her colophon, Sibyl Rubottom gives her love and thanks “to the father I never knew who named me Sibyl hoping I would be shrewd in business. That did not occur, but I did end up making books.” This beautiful book is about five ancient Sibyls, including how they were depicted in Western art. These Sibyls are the Cumean, Delphic, Erythraean, Persian, and the Libyan. They offered prophecies, often through the use of leaves, as being from the thoughts of the gods. There is a brief description of each, accompanied by an intaglio leaf print and a reproduction of each Sibyl from the work of Michelangelo (four plates) or Velasquez (one plate). Each Sibyl is presented within a fold-out page with the description on the facing page and the plate and illustration inside the fold. Bound in red cloth with green spine, with title and author on front cover. The book was printed on Dutch etching paper in Bodoni, Bernard Modern, Albertus, and Patatino types. There are eight intaglio prints, each signed by the book artist. Housed in a brown paper covered case lined with the same red cloth as the book covers. This splendid production captures the mystery and beauty of the Sibyls legends. In fine condition. Unpaginated. ARTISTSBOOKS/080112. Fine.
San Diego: Bay Park Press, 2010. Hardcover. Number 4 of 10 copies. Book artist Sibyl Rubottom grew up on Long Island Sound where Esther Williams was her hero. She grew up watching her movies trying "to relive the fabulous water ballet sequences." As an adult her love of water continued and she began swimming in La Jolla Cove near her home and later in an olympic sized outdoor pool in Mission Valley. She dedicates this book to La Jolla Cove, one of her regular swimming spots when the water is warm enough. Illustrated with six etchings and three unique oil paintings on mylar. Printed on Fabriano Rosapina Bianco paper using letterpress and intaglio prints, some with chine colle. Set in Bernhard Modern. Oblong folio. Housed in a blue clamshell box. Unpaginated. Fine.
San Diego: Bay Park Press / False Bay Editions, 2009. Number 12 of 20 copies. An exquisite production fr. Hardcover. Number 12 of 20 copies. Founded by Sibyl Rubottom and Jim Machacek in 2000, the Bay Park Press produces artists' books, offers classes, and holds book arts' exhibitions. Their books address a wide range of subjects from the universe to gardening to opera to Yiddish and more. Most are letterpress printed, many have moveable pieces, and all are illustrated. This is an exquisite work from Sibyl Rubottom and Jim Machacek. It was inspired by Sibyl’s interest in all things botanical and Jim’s family heritage. The result is what they hoped for - "a riotous colorscape for your senses” - with rich and luminous colors and beautiful illustrations. It includes 14 unbound folded folio sized leaves that are housed in a folding case. Twelve of the leaves are dedicated to different types of gardens, each in a different color, with designs and writings to reflect that garden. The gardens are: Japanese, butterfly, desert, night, orchid, primordial, mystical, rose, water, Eros, secret, and herb. Each features a poem or prose by such writers as John Milton, Rumi, Homer, Lord Byron, Robert Frost, Oscar Wilde, Frances Hodgson Burnett, and Ralph Waldo Emerson. The two other folded leaves are for the title and for the colophon. Printed on Fabriano Rosapina Blanco paper in Venus, Edwardian Script, and Palatino typefaces using letterpress, monoprint, and intaglio techniques. Housed in a custom box in brown cloth lined with handmade paper. The covers open from the middle with a title label on one side and a small metal rectangle with wooden peg closure on the other. In fine condition. Unpaginated. [56 pages.] ARTISTSBOOKS/081612. Fine.
Baltimore: Beeline Books, 2009. Hardcover. Fine in paper covered boards with blue title to front cover. This book features a humorous essay by the artist about her summer custom of accompanying her husband to Arundel Golf Park where she often sketches and observes the golfers. It is bound in a triptych format and appropriately features a digital reproduction of a colored pencil drawing of the golf course which was completed on site. Unpaginated. [6 pages.] ARTB/122809. Fine.
Wien: k/haus, 2001. Hardcover. An Austrian artists' book packaged with an engineer's compass and a four lens action camera, all housed in a custom fitted green tupperware box. This two book set appears to have been issued to document an exhibition of design with work from design students at the University of Applied Arts, Vienna and the Royal College of Art, London. The "exhibit is made up of work-in-progress responses to some of the major issues raised around contemporary theory dealing with globalization and new technologies. Each has interpreted this project according to their own understanding of the imperatives of design in contemporary culture and, in this way, the project aims to open up an increasing vital debate around the nature and role of practice in the twenty-first century" (Vorwort / Foreword). The books include "Global Tools," bound with white cloth spine and white paper covered boards titled in black on front and "Think Tank," which is side-stapled in black paper wrappers with white title to front. Both books include photographic illustrations of the design projects with descriptions of the pieces (some in German and some in English). Sample project proposals include the Phrenology Hat, which changes shape according to your mood; the Audio Tooth Implant, which acts as an "electronic third ear"; Step N' Charge, which is a mat that can generate and store energy by being stepped on; and much more. Finger smudges to covers and minor rubbing, else clean and bright. 35 mm film for the action camera is not included; however, there are manufacturers directions in English for both the engineer's compass and camera. There is also a card for the tupperware container laid in with text in German. Most text in "Global Tools" is in German with some in English. The text in "Think Tank" is mostly in English with some German. All items are housed in a light green tupperware lunchbox that has been custom fitted with yellow foam. Empty plastic label on front of box and light wear / soiling. "Think Tank" is 61 pages; "Global Tools" is 197 pages. Size of box: about 11 x 9 x 3 inches. ARTB/050319. Very Good.
Seattle: Marquand Editions, 2017. Number 23 of 50 copies signed by Reiko, Marquand, and Birnbaum. There were also five lettered hors de commerce. This splendid production honors the achievements of Reiko Sudo, considered one of the great textile designers of our time, the renowned "weaver of new ideas." Sudo and Ed Marquand of Marquand Editions worked together to design and produce this artists' book that offers an in-depth exploration of Sudo's textiles, techniques, materials and more. Over 140 distinct textiles are represented in four bento box-style book-objects: they include three scarves, a notebook of cloth samples and collages assembled by Sudo. The first box has two booklets, one with Sudo's autobiography and the other a detailed guide to the boxes including the colophon, and three beautiful scarves. Box two has the textile collages that demonstrate techniques and materials. Box three is the Nuno Compendium - a notebook of cloth samples. Box four contains tools and raw materials she uses in her practice. Each of the boxes is covered by lovely examples of Nuno textiles. The top box also has a fabric lid. Reiko Sudo is co-founder, current CEO, and design director of Nuno Corporation of Tokyo, universally recognized as one of the world’s most innovative textile companies. Her company takes the techniques, materials and aesthetics of traditional textiles and reinterprets them with cutting-edge technologies. Sudo and her design team, together with the company’s skilled weavers and dyers, have greatly broadened the parameters of contemporary design in the industry, experimenting with an eclectic array of materials, ranging from silk, cotton and polyester to hand-made paper and aluminum, and finishing methods that include salt-shrinking, rust-dyeing and caustic burning. The results are distinctive, intriguing and indisputably remarkable. Her works are represented in the permanent collections of many institutions, including the Museum of Modern Art; the Victoria & Albert Museum; and the Tokyo National Museum of Modern Art Craft Gallery [Nuno website]. Boxes measure 1.25 x 10.25 x 10.5 inches. In fine condition. ARTB/041919. Fine.
Riverside, CA: Bo Press Miniature Books, 2010. Hardcover. This is a short story by Prue Batten, an Australian award winning writer of fantasy and historical fiction. Pat Sweet, the book artist writes of Prue: "The Gisborne and Eirie novels are a wonderful source of design inspiration, and their author has generously allowed the Bo Press to produce miniatures based on the world they describe. Prue and I also collaborate on other projects." This story is set in Prue's fantasy world of Eirie and involves love at first sight, betrayal, beautiful costumes, tall dark strangers, and magic." Pat Sweet published this book in three editions, the deluxe, the trade, and this, the fine binding edition. It is bound in a specially printed blush-pink striped paper overlaid with a half binding of antique black lace, with a tiny gold mask on the spine. With six illustrations. In fine condition. Measures 2.25 x 1.50 inches. Unpaginated. [46 pages] ARTISTSBOOK/021518. Fine.
Riverside, CA: Bo Press Miniature Books, 20102016. Hardcover. Signed by the book artist. This is a story by Prue Batten, an Australian award winning writer of fantasy and historical fiction. In this lovely story-within-a-story by Batten, a medieval troubadour tells his master's young son a legend of Occitan: A queen suspected of sorcery and shape-changing and how she was vindicated. The story is loosely based on the legend of Pedauque that has been part of the Occitan legend for centuries. The tale has ten illustrations with historiated initials drawn from medieval manuscripts. Pat writes that this is the sixth book that she and Prue have published together, and she has marked the event with an illustration opposite the title page with a Latin motto including both our names. The beautiful binding is an embroidered fabric of gold, turquoise, and dark blue, with a twisted ribbon spine that echoes the illustrations inside. In fine condition. Measures 2.75 x 2.25 inches. 45 pages. ARTISTSBOOK/021518. Fine.
Riverside, CA: Bo Press Miniature Books, 2017. Hardcover. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. Unnumbered limited edition. Signed by the well-known book artist, Pat Sweet. This is another inventive and lovely miniature book by Pat. It received the Annual Distinguished Book Award at the 2018 annual conclave of the Miniature Book Society. She writes of her book: "I saw this morning morning's minion . . ." The kestrel Hopkins saw that May morning in 1877 became one of the most beautiful and breathtaking sonnets of the 19th century. Hopkins, a great technical poet and the creator of the poetical device known as "sprung rhythm", was inspired by the sight of the hovering bird to a mystical connection with something beyond and above nature, The poem is dedicated "To Christ our Lord. " She continues: "I've tried to justice to the complexity and delight of the poem by using a complicated little dos à dos à dos binding, with the poem in the middle. The two outer folds open to reveal a pop-up pair of fold-out wings, their colors taken from the American kestrel. The book is bound in paper printed with a blue sky with fleecy clouds. The book is enclosed in a slipcase bound in the same paper." In fine condition. 2.75 x 1.75 inches; slipcase is 3x 1.75 x .75 inches. 32 pages. ARTISTSBOOK/012418. Fine.
Riverside, CA: Bo Press Miniature Books, 2011. Hardcover. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. One of 50 copies. Signed and numbered by book artist Pat Sweet. A charming and inventive miniature pop-up book that Includes 8 circus act pop-ups, a removable souvenir program, several reproductions of advertising posters, a complete program, a list of performers, and the performers themselves (tucked away in tiny envelopes inside the back cover). "Brave Hercule performs the Dangerous High Dive into but a thimbleful of water! The Dauntless Afrit puts three gigantic wild roaches through their paces, controlling the fierce insects with only a hair-thin whip and his own iron will! In the breathless finale, the beautiful Madame Zenobia performs UPSIDE DOWN upon the high wire, a full inch above the tanbark! Come one, come all! The greatest show on earth that will fit in your pocket!" (book artist). Bound in gold on black Japanese paper with printed paper title labels to spine and boards. In matching slipcase. 34 pages. 2 1/8 x 1 5/8 inches, slipcase is 2 3/8 x 1 7/8 inches. We hesitate to call this book darling, but it is and is in fine condition. ARTISTSBOOK/121416. Fine.
Riverside, CA: Bo Press Miniature Books, 2008. Hardcover. A tiny book of cocktails that have attained classic status - some old, some new. Manhattan (rye), martini (gin), Jack Rose (applejack), pina colada (rum), and every other classy drink you'll ever have to tell a young and inexperienced bartender how to make.Bound in shiny embossed orange alligator paper which makes it easy to find in the bottom of your purse to settle bar arguments, with decorative endpapers and a paper title pasted on the front. Size: 1 3/8: x 1 1/4" inches. 58 pages, 5 illustrations, 34 recipes. Fine.
Riverside, CA: Bo Press Miniature Books, 2015. Hardcover. Mary Roberts Rinehart and others of the "Golden Age" of mystery writing became known as the "Had I But Known" school for their use of this useful bit of prolepsis: a foreshadowing device that allows a work-around for the strictures of first-person narration. I've collected examples from all eras of literature and placed them each on their own page, like little jewels of purple prose. ~ "Had I but known that Saacho was his father, I woulf have poured a deluge of my blood to save one drop of his." The Spanish Friar, by John Dryden ~ "Ah,had I but known:: the agony! the deceit! You cannot possibly imagine the trials, the letters, the steps, this strange fantasy exacts. I have seen only a few Academicians, but already my nerves are completely upset." The Letters of Charles Baudelaire to his Mother ~"In a state of suffocating agitation the mistress gasped forth the words, "Had I but known: Freiscutz! Presciosa! I'll turn every soul into the streets!" - The Spectator, Volume 38 Carl Maria von WeberA choice collection ('though I say it myself), printed in Garamond Premier Pro on Monarch Superfine paper, and bound in a Japanese chiyogami paper printed with a stormy sea and turbulent waves, a fitting backdrop for a young woman in a lacy nightgown fleeing a dark castle with a single light in the tower window . . . Size: 2" x 2 1/2" inches. 100 pages, 7 illustrations. Fine.
Riverside CA: Bo Press Miniature Books, . Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. "Catalog #305 from 1889" with Price List laid in. This inventive book is purportedly an actual catalog from Nightengale & Sons business. From the book artist: "The history of the Nightengale company began in the late16th century, when they supplied Dr. John Dee and Edward Kelley with 'shew-stones' or crystal balls. The company flourished during the European alchemy boom of the late16th and early 17th century, and expanded into optical tools and occult mathematical devices as alchemy gave way to modern chemistry and the beginnings of Mad Science. In the 19th century, they achieved, if not fame, at least notoriety, as purveyors of a line of monster abatement equipment.. They also began courting collectors of antique metaphysical artifacts, and at one point had almost cornered the market in rare editions of C'thuliana. After the turn of the 20th century, Enoch Nightengale, then president of the company, became so concerned about the advent of modern rationalism that Nightengale's catalogues became difficult to come by, passing from hand to hand among the adept, with word-of-mouth their only advertising. The 1889 catalogue is the last to have achieved a general circulation, and even copies of this edition are increasingly difficult to come by. To have discovered a copy with the laid-in price list is very unusual indeed. Traces of Nightengale's continued existence occasionally turn up. Some printed items bearing their name have come to light from the Infernal Regions (see Welcome To Hell!), and their label is sometimes found on the Vampire Hunter Kits of Bo Press Miniature Books. It is to be hoped that a company as old and storied as Nightengale's is still around in some nearby dimension, ready to supply . . .the explorer of uncanny places, magimetician, philosopher, alchemist, monster hunter, or wizard." This copy is bound in Nightengale's distinctive white-on-black skeleton paper and is printed on Mohawn superfine paper. In fine condition. 80 pages 2.5 x 2 inches. PRI/121416.
Riverside, CA: Bo Press Miniature Books, 2018. Hardcover. Limited to 10 copies. "When Duke Albert V of Bavaria commissioned his court painter, Hans Mielich, to make an inventory of the jewels belonging to him and his wife Anna in 1552, he may not have expected the over-the-top manuscript Meilich finally produced two years later. The jewelry wasn't the half of it. The 110 gouche on paper paintings showed the back and front of each piece of jewelry, life-sized, and each was surrounded by a different elaborate frame. The manuscript is a riot of cartouches, strapwork, acanthus, foliage, flowers, grotesques, and caryatids, and yet each jewel shines forth as an individual masterpiece. The book remained in the private ducal and electoral Chamber of Artifacts for almost three centuries—long after the originals of the jewelry depicted had been lost. Only in 1843 was the work presented to the Bavarian State Library by King Ludwig I. I have tried, in my presentation of the Jewel Book, to reproduce in miniature some sense of the outrageous Renaissance ostentation that makes the original such a brilliant and worldly example of wretched excess. My favorite page is the frontispiece of the Duke and Duchess playing chess, as though their real pursuits were intellectual, surrounded by their bored courtiers and a couple of puppies. This miniature copy of the Jewel Book of Anna of Bavaria is limited to ten copies. It is set on OldStyle1 and Palatino Linotype, and printed on Monarch Superfine paper with a Canon Pro-100 inkjet printer. The book is bound in gilded snakeskin with a beaded and embellished front panel of celadon snakeskin. The tri-fold box is bound in a gold on black Indian silkscreened paper with a raised rectangle on the front bound in a textured Japanese metallic gold paper. The interior of the box is lined in a Japanese chiyogami feather print. A small pocket on the front of the box holds a booklet containing information on the Jewel Book and its patrons. Both are of the same gold paper" (Pat Sweet). The book is 2 5/8" x 2" and the box is 3" x 2 3/8" x 1" 136 pages. ARTB/060719. Fine.
Riverside, CA: Bo Press Miniature Books, 2019. Hardcover. "The greatest value of a picture is when it forces us to notice what we never expected to see." John TukeyThe process of transferring knowledge from one person's brain to another's has traditionally been done by speech or reading, but often showing is better than telling. Pictorial representation of information can tell much more than a simple picture. The data visualization (as we now call it) in this book conveys vast amounts of information with the earliest histograms, bar charts, scatter plots, circle graphs, movables, and organizational charts. The book also contains fold-outs, volvelles, maps, and anatomical flip-books, all of them charming as well as informative.The book is half-bound in a soft black leather and an absolutely stunning marbled paper by Jemma Lewis. The book is digitally printed on Monarch Superfine paper. Size: 2 5/8" x 2 1/8", 64 pages. ARTB/060719. Fine.
Riverside, CA: Bo Press Miniature Books, 2017. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. This is a charming miniature trunk holding the personal library of a lady explorer. The trunk is of varnished but unstained cherry wood with cream kid hinges and handles with polished brass closures and feet. The contents of the trunk include: a roll of maps; a secretaire containing letters, telegrams, a journal ,a book of field notes, and a copy of the P&O Steamer Co. timetables. There is a copy of "Aglaia"magazine, the "Journal Of The Healthy And Artistic Dress Union, " and histories and biographies of several notable women explorers, including Gertrude Bell's The Desert and the Town, Edith Durham's High Albania, Iand sabella Bird's Among the Tibetans. The books and magazine are blank inside. In fine condition. The closed trunk is: 2.5 inches wide by 1 inch tall by 1 inch deep. ARTB/012418.
Riverside, CA: Bo Press Miniature Books, 2015. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. This book is from a small open edition signed by the book artist. According to Pat Sweet: "The list makes heartbreaking reading, and I'm not sure which I resent more: the loss of books through active human malevolence, or through stupid human thoughtlessness. Each has its place here, along with forgetfulness, carelessness, accident, embarrassment, and spite. Lord Byron's memoirs being ceremonially burned in John Murray's office fireplace, Sylvia Plath's Double Exposure, which may or may not be in the Ted Hughes archives, frozen until 2022., Clisson et Eugenie, Napoleon's novella, scattered across Europe, and the massive Yongle Encyclopedia, victim of budget cuts. And all the lost books of the Greece, Rome, Timbuktu, the Bible . . ." The book is printed on Mohawk Superfine paper, and bound in the same Mohawk paper (a different shade) and in mottled brown Indian pinto lokta paper. Includes 28 illustrations. 78 pages. Size: 2 3/4 x 1 7/8 inches. ARTB/060619.
Riverside, CA: Bo Press Miniature Books, 2009. Hardcover. A collection of lost or forgotten places to make an explorer's heart beat faster: They range from the real (Petra) to the mythical (Shamballa) to the debatable (Troy) to the unexpected (Napoleon, Arkansas). Cities disappear for a variety of reasons: changing trade routes, sinking water tables, earthquake, fire, flood and war. Some accidents of history can cause a once mighty metropolis to disappear from human memory as thoroughly as drifting sand or creeping vines can erase it from view. This little book is bound in cream, tan, and silver French marbled paper, with a spine of gray kid leather with raised bands. Bound into the book is a fold-out graph comparing the cities lifespans.The book has decorative endpapers and a paper title pasted to the front. 68 pages, 26 maps, plus a fold-out graph measuring 1.5 x 8.25 inches. Book size: 1 5/8 inches x 1 1/8 inch. Fine.