Washington DC: Library Fellows, The National Museum of Women in the Arts, 1992. Hardcover. Number 4 of 20 copies. Signed and numbered by the artist with an original drawing in a separate portfolio. Audrey Flack (1931-) is an important American artist who is nationally recognized and whose works are in major collections throughout the world. She is known as a pioneer in Photorealism and has also been inspired by Baroque art. This book is the third volume in the artists' book series published by the Library Fellows of The National Museum of Women in the Arts. The sketchbook records Flack's travels from 1985-89, which included trips to Paris, Las Vegas, and Fort Lauderdale. The terra cotta pencil sketches that fill the sketchbook are beautifully rendered and often intimate. They are reproduced to scale. The book and the portfolio for the illustration are bound in a green, black and orange marbled cloth. Save for light creases on the free endpapers the book is in fine condition. The original drawing is a portrait from a Baroque sculpture and measures 4 x 6 inches. Both are housed in a brown cloth box with black leather title label affixed to a strip of the marbled cloth used for the binding. A lovely copy of this now rare book. Unpaginated. ARTISTS/102612. Fine.
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Glenview, IL: Karen Hanmer, 1999. Number 4 of 20 copies. Signed and numbered by the book artist. Karen's artist-made books are physical manifestations of personal essays intertwining history, culture, politics, science and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. She exhibits widely, and her work is included in collections ranging from Tate Britain and the Library of Congress to UCLA and Graceland (from artist's statement). In this amusing book, Karen utilizes the flag book structure originated by Hedi Kyle to juxtapose and contrast two staples of western art history, "Mona Lisa" and "Waterloo," a poker dogs painting by Cassius Coolidge. Partial images of each work alternate as the flag images are turned. When the book is completely open the full poker dogs picture is seen. The images are reproduced with pigment inkjet prints. The book is 8 x 4.5 inches closed and 8 x 19 inches when open. Housed in archival storage case with Velcro closures. In fine condition. ARTISTSB/070618. Fine.
Barcelona: Printed at The Private Space for Sandra March, 2012. One of 100 copies. This collection of booklets is the catalogue for Projecte Antomica, an inventive and thought-provoking project by Spanish book and installation artist, Sandra March. The booklets feature images of chastity belts, anatomical drawings of figures in enticing positions, altered historical paintings to depict dissections of breasts, and much more. One collage of nude self-portraits bears the slogan "My body is your battleground." This is a disturbing but fascinating project. March describes it as a "work that operates somewhere between the old and the new, plays with the imagination, and uses irony to discuss the excessive aestheticism of the current era,demystifying it. It consists of different parts organized around two themes, the representation of the human body and anatomy. The project and the book consist of eight pieces that are numbered and correlated. They allow the project to be considered as a whole or as independent parts. Various media were used in this project, including drawings, computer graphics, photography, and sculpture. The catalogue also includes two additional booklets - the prologue and the documentation. The latter has a bibliography and a physical description of each part of the catalogue. Text is in Spanish, Catalan, and English. In fine condition. The ten booklets are housed in a brown paper envelope that in turn is in a tulle bag. Each piece is 8 x 11 inches. Unpaginated. PRI/120414. Fine.
Paris: 1937. Paperback. Number 158 of 500 copies, the first 200 of which were reserved for the writers of the book. This remarkable deluxe collection of writings and art about Paris was commissioned by the city of Paris to celebrate their hosting the World’s Fair of 1937. The volume includes original prose, poetry, and illustrations by the leading writers and artists of France. There are thirty-one sections on various quarters, neighborhoods, gardens, avenues and boulevards, each with a short piece written by an eminent writer and engravings by two notable artists. For each section there is a full-page illustration by an artist associated with the area and a smaller one on the first page of the section by the other artist. Among the writers are Paul Valery, Raymond Escholier, Colette, Paul Claudel, Abel Bonnard, and Jules Romains. The participating artists are equally impressive, and include Matisse, Andre Derain, Raoul Dufy, Marie Laurencin, Pierre Bonnard, Edouard Vuillard, Jean Laboureur, and Andre Lhote. Each section is a separate folder with the full-page illustration of the following section as its last page. The folders are encased in a paper wrapper with the title and a color illustration on its cover. The entire production is housed in a chemise of dark blue paper covered boards with a red leather spine label which fits into a blue paper and linen slipcase. The slipcase is in very good condition with a few chips and bumps. The contents are also in very good condition; however, pages 286-288 are missing. They included the full-page illustration by Gabriel Belot and Renefer for “Les Musees.” Page 277, the first page of “Les Eglises de Paris” has a repaired tear. Still, a splendid collection of French art and prose commemorating Paris on the eve of the Second World War. 294 pages plus table of illustrations. ART/012412. Very Good.