Vermont: Bridge Press, 2001. LIMITED. Hardcover. 138/500 c. SIGNED BY ARTIST/AUTHOR. Compilation of reproductions of Cohen's beautiful and powerful black and white etchings and engravings from books and broadsides. His uses a variety of intaglio techniques in his printmaking including mezzotint, drypoint, and double printing. The results are rich and often haunting. Black cloth boards. Bembo type on Mohawk Superfine paper. Printed by The Stinehour Press. 75 pp. BOB/042707. Very Good Plus.
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Glenview, IL: Karen Hanmer, 2016. Number 34 of an open edition. For centuries paper has served as a quick, elegant, and economical covering material for books. Renowned book artist and teacher Karen Hanmer has created this set of ten model paper bindings to offer instruction to experienced and would-be binders. She writes: "These models and accompanying instructions will introduce beginners to the basic tools, techniques and materials of bookbinding. Experienced practitioners will discover how features from multiple bindings can be combined to create a new, custom structure to meet the requirements of any project. All of these structures can be made in a sparsely-equipped studio with minimal specialized tools or equipment.The paper bindings are mostly non-adhesive, mostly unsupported sewing: three folded paper cases, supported and unsupported laced cases, long stitch, chain stitch with decorative guards, double-pamphlet in tipped wrapper, multi-section pamphlet, German stiffened paper binding with double-fan adhesive text block. They are in a variety of colors and patterns. The set also includes a 140 page hand-bound b&w laser-printed manual: a skill-building guide to bookbinding techniques, tools, and materials with a glossary and an extensive bibliography (many of the resources available online). Chapters on tools and supplies, ergonomics, signature preparation, end sheets, sewing and working with case-weight papers precede complete instructions for crafting ten different paper binding structures. Each process is illustrated with numerous b&w photographs and diagrams. The instructions for each structure are also provided as PDFs on digital media for classroom distribution." Each model is approximately 6.5 x 4.5 inches; manual is 9 x 6 inches. All housed in a beige cloth covered clamshell box with paper title label on spine. These models are a valuable reference for libraries, book arts programs, or for anyone who is interested in learning more about the structural aspects of the book. In fine condition. ARTISTSB/102517.
Wantage, England: Black Swan Press, . Chicago binder, book, and installation artist Karen Hanmer’s intimate, playful works fragment and layer text and image to intertwine memory, cultural history, and the history of science. Her work weds the ancient art of book binding with the high tech use of the computer to aid her process. The intimate scale and the gestures of exploration required to travel through each piece evoke the experience of looking through an album, a diary, or the belongings of a loved one. However, her works often take the forms of games or puzzles, and many include witty text. A splendidly crafted unique designer binding by well-known book artist and bookbinder Karen Hanmer. The text is a reproduction of an early 20th century manual on bookbinding tools and techniques, which Karen has altered by adding multiple full page pop-ups based on illustrations found within the manual. The editor, Paul N. Hasluck (1854 – 1931) was one of the first authors to write in the do-it-yourself genre. Born in Australia, he wrote mainly technical manuals ranging in subject from beekeeping to taxidermy to motorcycle construction to bookbinding. Karen’s binding design is inspired by the text’s charming vintage illustrations, originally published in 1902, many of which feature disembodied hands performing common binding tasks. Karen has created an exquisite binding in full teal goatskin with laced-in boards, titled in blind and tooled with acrylic pochoir. It features several goatskin onlays with illustrations from the text printed directly onto the leather. Includes hand sewn silk headbands, three speckled edges, and marbled endpapers by Pamela Smith. The pop-up illustrations were scanned from the text and inkjet printed onto Mohawk Superfine cover, then hand cut into pop-ups, and sewn into each signature. Housed in a green cloth clamshell box with gilt and leather title label to spine. In fine condition. Book Size: 8.5 x 5.5 x 2 inches; Box is 9.5 x 6.25 x 2 inches. (#31261).
Berkeley: Codex Foundation, 2013. Hardcover. Book Art Object is primarily a record of the third biennial Codex Book Fair and Symposium: "The Fate of the Art," held at Berkeley, California, 2011. The event showcased contemporary artist books, fine press and fine art editions produced by the world's most esteemed printers, designers, book artists, and artisans. Showcases 300 books by 140 artists / printers and presents a selection of the papers delivered at the 2009 an 2011 symposium lectures including Paul van Capelleveen, Antoine Coron, Ron King, Juan Pascoe, and Richard Ovenden. Includes 1133 color images. New in white cloth boards with red title to front cover and spine. In new white dust jacket with red title to spine and front cover. 521 pages. BOB/022515. Fine / Fine.