Riverside, CA: Bo Press Miniature Books, 2015. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. This book is from a small open edition signed by the book artist. According to Pat Sweet: "The list makes heartbreaking reading, and I'm not sure which I resent more: the loss of books through active human malevolence, or through stupid human thoughtlessness. Each has its place here, along with forgetfulness, carelessness, accident, embarrassment, and spite. Lord Byron's memoirs being ceremonially burned in John Murray's office fireplace, Sylvia Plath's Double Exposure, which may or may not be in the Ted Hughes archives, frozen until 2022., Clisson et Eugenie, Napoleon's novella, scattered across Europe, and the massive Yongle Encyclopedia, victim of budget cuts. And all the lost books of the Greece, Rome, Timbuktu, the Bible . . ." The book is printed on Mohawk Superfine paper, and bound in the same Mohawk paper (a different shade) and in mottled brown Indian pinto lokta paper. Includes 28 illustrations. 78 pages. Size: 2 3/4 x 1 7/8 inches. ARTB/060619.
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Vermont: Bridge Press, 2001. LIMITED. Hardcover. 138/500 c. SIGNED BY ARTIST/AUTHOR. Compilation of reproductions of Cohen's beautiful and powerful black and white etchings and engravings from books and broadsides. His uses a variety of intaglio techniques in his printmaking including mezzotint, drypoint, and double printing. The results are rich and often haunting. Black cloth boards. Bembo type on Mohawk Superfine paper. Printed by The Stinehour Press. 75 pp. BOB/042707. Very Good Plus.
Glenview, IL: Karen Hanmer, 2013. Hardcover. This is a set of twelve binding models using leather and various papers and sewing supports, wooden boards, museum board. This reference set of twelve binding models is based on book artist Karen Hanmer's popular workshop "Biblio Tech: Reverse engineering historical and modern binding structures." The models remain uncovered and only partially completed so methods of board attachment, sewing, spine lining, and end sheet construction are visible. The set is accompanied by a forty-five page illustrated guidebook outlining key structural features of each binding, and providing numerous references for further study. The hand-bound booklet is sewn in three signatures and presented in a German stiffened paper binding. These models are a valuable reference for libraries, book arts programs, or for anyone who is interested in learning more about the engineering aspects of the book. Structures include: Tacketing of a thick single signature into a leather wrapper, Ethiopian Binding, Medieval Binding, Laced-on boards Binding, Colonial American Scaleboard Binding, Early Nineteenth Century Publishers Boarded Binding, German Case Binding with double fan adhesive text block, Split Board Binding, Simplified Binding, Crossed Structure Binding, Sewn Boards Binding, and Non-Adhesive Paper Case. Each binding is approximately 5 x 3.25 x .5” inches. Housed in a white cloth covered clamshell box. ARTB/10/25/17. Fine.
Wantage, England: Black Swan Press, . Chicago binder, book, and installation artist Karen Hanmer’s intimate, playful works fragment and layer text and image to intertwine memory, cultural history, and the history of science. Her work weds the ancient art of book binding with the high tech use of the computer to aid her process. The intimate scale and the gestures of exploration required to travel through each piece evoke the experience of looking through an album, a diary, or the belongings of a loved one. However, her works often take the forms of games or puzzles, and many include witty text. A splendidly crafted unique designer binding by well-known book artist and bookbinder Karen Hanmer. The text is a reproduction of an early 20th century manual on bookbinding tools and techniques, which Karen has altered by adding multiple full page pop-ups based on illustrations found within the manual. The editor, Paul N. Hasluck (1854 – 1931) was one of the first authors to write in the do-it-yourself genre. Born in Australia, he wrote mainly technical manuals ranging in subject from beekeeping to taxidermy to motorcycle construction to bookbinding. Karen’s binding design is inspired by the text’s charming vintage illustrations, originally published in 1902, many of which feature disembodied hands performing common binding tasks. Karen has created an exquisite binding in full teal goatskin with laced-in boards, titled in blind and tooled with acrylic pochoir. It features several goatskin onlays with illustrations from the text printed directly onto the leather. Includes hand sewn silk headbands, three speckled edges, and marbled endpapers by Pamela Smith. The pop-up illustrations were scanned from the text and inkjet printed onto Mohawk Superfine cover, then hand cut into pop-ups, and sewn into each signature. Housed in a green cloth clamshell box with gilt and leather title label to spine. In fine condition. Book Size: 8.5 x 5.5 x 2 inches; Box is 9.5 x 6.25 x 2 inches. (#31261).
Berkeley: Codex Foundation, 2013. Hardcover. Book Art Object is primarily a record of the third biennial Codex Book Fair and Symposium: "The Fate of the Art," held at Berkeley, California, 2011. The event showcased contemporary artist books, fine press and fine art editions produced by the world's most esteemed printers, designers, book artists, and artisans. Showcases 300 books by 140 artists / printers and presents a selection of the papers delivered at the 2009 an 2011 symposium lectures including Paul van Capelleveen, Antoine Coron, Ron King, Juan Pascoe, and Richard Ovenden. Includes 1133 color images. New in white cloth boards with red title to front cover and spine. In new white dust jacket with red title to spine and front cover. 521 pages. BOB/022515. Fine / Fine.