Washington DC: Abstract Orange, 2019. Number 6 of 36 copies signed and numbered by the book artist. The book was published on May 31, 2019 in celebration of Walt Whitman's 200th birthday. The book artist writes: "The book explores ideas central to Walt Whitman’s Leaves of Grass including transcendentalism, or the inherent goodness of nature, and realism, depicting familiar things as they are. It captures both the complexity and simplicity of nature by juxtaposing dimensional paper grass texture and a quote about nature and wonder. The book is not a reprinting of all of Whitman’s words, but an art object that encapsulates the feeling of Whitman." Her evocative work is done as a box that opens like a traditional book. The inside front cover and back cover are covered with cream paper that includes quotes from Whitman along with his image. The inside of the box/book are several spiky rows of grass leaves crafted from green paper. The box is covered with green paper with the title, author and press name in a lighter shad of green. In fine condition. Measures 5.25 x 7.25 inches. ARTISTB/120519. Fine.
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Oregon: Artistically Declined Press, 2013. Hardcover. One of 20 copies signed by the poet, Hosho McCreesh who describes himself as a drunken poet. From reviews: "In the footsteps of Charles Bukowski comes Hosho McCreesh’s magnum opus of drunk poetry. Mammoth in size and scope, A Deep & Gorgeous Thirst is unlike any of McCreesh’s previous collections. Because writing and drinking go hand in hand, it may seem an impossible challenge for a poet to offer new perspective of this well-worn, symbiotic relationship. But McCreesh does, and in this brilliant collection he uses subject matter that might feel old and tired in the hands of a less capable poet and turns out exciting and irresistible poems. A perfect elegy to the illusions and delusions of alcohol." This is from the edition of 20 described by the press as "The DrunkSkull Flask Clamshell." It includes a handmade hardback book housed in a clamshell box custom-made by Bill Roberts of Bottle of Smoke Press. Hidden within the clamshell is the coup de grace - an 8 ounce black flask, engraved with the book's DrunkSkull logo, which is housed in a wood insert, along with some pieces of promotional ephemera that include two letterpress broadsides of unpublished drunk poems signed by McCreesh, a ticket also signed, and a third unpublished broadside hand written and painted by the poet. Hidden under the flash is a patch, a sticker, and a removeable tattoo - all featuring the DrunkSkull logo. The text of the book is printed offset and is bound in grey paper boards with black spine label and skull logo on the front cover. On the back cover is printed: "glister like remnant embers of all you've burned away in your mad and drunken joy." The clamshell box has a black cloth spine and grey paper covering the front and rear panels. The front panel features a reproduction of the book's cover and the spine panel has a matching grey paper title label. Box is 10 x 7 x 3 inches. In fine condition. 359 pages plus acknowledgments and colophon. ARTISTSBOOK/042016. Fine.
Riverside, CA: Bo Press Miniature Books, 2017. Hardcover. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. Unnumbered limited edition. Signed by the well-known book artist, Pat Sweet. This is another inventive and lovely miniature book by Pat. It received the Annual Distinguished Book Award at the 2018 annual conclave of the Miniature Book Society. She writes of her book: "I saw this morning morning's minion . . ." The kestrel Hopkins saw that May morning in 1877 became one of the most beautiful and breathtaking sonnets of the 19th century. Hopkins, a great technical poet and the creator of the poetical device known as "sprung rhythm", was inspired by the sight of the hovering bird to a mystical connection with something beyond and above nature, The poem is dedicated "To Christ our Lord. " She continues: "I've tried to justice to the complexity and delight of the poem by using a complicated little dos à dos à dos binding, with the poem in the middle. The two outer folds open to reveal a pop-up pair of fold-out wings, their colors taken from the American kestrel. The book is bound in paper printed with a blue sky with fleecy clouds. The book is enclosed in a slipcase bound in the same paper." In fine condition. 2.75 x 1.75 inches; slipcase is 3x 1.75 x .75 inches. 32 pages. ARTISTSBOOK/012418. Fine.
Israel: Even Hoshen, 2009. Someck, Ronny. Hardcover. Numbered and signed by the author and printer. A collection of five poems by Ronny Someck about ballet with two hand-colored illustrations. Someck is an Israeli poet, musician, and artist who has won multiple awards for his poetry including the Prime Minister's Award, the Hans Berghhuis prize for poetry, and the Yehuda Amichai Award for Hebrew poetry. He is internationally renowned with poems published in over thirty-five languages and ten books of poetry published in English. The Even Hoshen press was founded in 1994 by Uzi Agassi, who was later joined by his son Ido. Their work is letterpress printed on high quality paper with hand made bindings and illustrations. Pointe Shoes is a dos-a-dos structure printed in both English and Hebrew. It is bound in black cloth boards with inset cloth ballet slippers to both boards and decorative pink and black ribbons to spine. The center of both signatures features four black and pink flourishes. Printed on Grandee paper and handset in Alt-Mediaval and Margalit type. Housed in a black cloth slipcase. A fine production. Unpaginated. [18 pages.] PRI/032713. Fine.
Freeville, NY: Carol Schwartzott, 2007. Hard Cover. Number 24 of 25 copies signed and numbered by the book artist. This is a particularly beautiful version of the famous Rubaiyat. In her artist's statement Schwartzott writes that as a collector of Rubaiyats she began to toy with creating her own version in 2006. "The book is divided into seven segments, each separated by a divider of hand-marbled Japanese paper. The first contains the title page and introduction and the last an artist's statement, bibliography and colophon. The remaining five are dedicated to the seventy-five quatrains of FitzGerald's first edition. Each contains a vellum window, reminiscent of a Persian archway that opens to reveal my version of a miniature painting." Bound in light blue Japanese cloth with an intricate wood cut out to front board. The pristine interior was laser printed with archival ink onto Mohawk Via vellum and Moab Entrada paper. The prints were then finished with color pencil, paint, gold and silver leaf. Housed in clamshell box covered in the same cloth as the book. In fine condition. Unpaginated. ARTB/120219. Fine.
Portland, OR: Anne Greenwood, 2016. Number 2 of 12 copies in the special edition portfolio signed and numbered by the book artist. There were also 138 copies of the chapbook. This beautiful and complex work was inspired by the poetry of the Portland poet and seamstress Hazel Hall (1886-1924) and pays homage to her to writings and resilience. She survived either scarlet fever or a fall at the age of 12 and used a wheelchair for the rest of her short life. The poems are republished by permission from The Collected Poems of Hazel Hall. From the colophon: "The special edition portfolio is made of crinoline; it is machine sewn, hand-dyed in fustic, and pressure-printed with machine-stitched text from poems originally written by Hall and then pieced together by Anne Greenwood. The chapbook cover is machine-stitching on crinoline; the under print is pressure-printed, hand-stitched embroidery with pochoir and the book is hand-bound using the pamphlet stitch. The decorations are hand-stitched embroidery sigils by Greenwood and Shannon Ayuyu pressure printed on washi paper. The tapestry is made of crinoline hand-dyed in madder, fustic, cochineal and indigo, with hand stitching and pochoir. The applique: the moon is pressure-printed, found, hand-made doily, and the poem Loneliness is written by Hall and printed with a polymer plate. The machine-stitched texts are cut-ups of Hazel Hall’s poetry made by Shannon Ayuyu and Anne Greenwood. The printing is all by Clare Carpenter (2016) in Portland, Oregon." Anne Greenwood is a well-known artist who has exhibited widely and whose works can be found in museum and library collections around the country. She was born on the high Dakota Plains and was led to an art degree by her artist grandmother. In 1990 she moved to Portland, Oregon and began her career as an artist and horticulturalist. Anne’s artwork explores an interest in folk art and speaks of her kinship with the natural world and how this influences her connection to daily life. In 2002, Anne set up a textiles studio integrating handwork, book arts, and textiles into an interdisciplinary practice. From Anne's artist's statement: "My artistic practice navigates an infinite network of connections: narrating the simple and complex, physical and ephemeral, past and present, within the context of place, history, and transformation. I form relationships that expand and fortify admiration and reverence, leading to the discovery of new truths about the world around us." When the tapestry is folded the work measures 8 x 12.25 inches. In fine condition. ARTISTB/031819. Fine.
Minneapolis: Indulgence Press, 2007. Hardcover. 1 of 26 deluxe lettered copies. This is Letter W. Signed by author and book artist. This book contains 31 previously unpublished poems by the highly regarded poet Michael Dennis Browne. The poems are short and intended to elicit larger thoughts by the reader. Inspired by his love of music, Schilling designed the book to create a meditative environment through the placement of poems and photographs on the page. The book structure acts as a composition around the lines of text to float the poems along the way. The deluxe edition of 26 copies is printed by letterpress in Reykjavik and Philosophia type on MacGregor & Vinzani handmade paper. The pages are French folded and include cyanotype photographic prints; they are sewn with exposed cords laced into red oak boards. The book is housed in a clamshell box bound with blue goatskin and indigo dyed handmade paper. In fine condition. 60 pages. PRI/111512. Fine.
Minneapolis: Indulgence Press, 2012. Portfolio. Number 7 of 10 copies. Signed and numbered by poet and illustrator. This is one of several books produced by Wilber "Chip" Schilling, owner of the Indulgence Press, in collaboration with author-artist Thomas Rose. In this book they created a beautiful and mysterious work that combines Rose's haunting photographs with the poetry of Lo Ch'ing, a noted modern poet from China. In his foreword, Rose states that "art deals with primary intention and those aspects of objects and space that are unavailable to logic. His images are constructed from various sources including shadows and reflections. They are illusions, reflections in glass. Lo Ch'ing's poems give these images...depth and richness." The pairings of the photographs and poems are open-ended and ambiguous, allowing for conjecture as to how the images and text meet. The eight photographic prints are originals by Rose, and Lo Ch’ing wrote the interpretive poems for this book, with his original brushwork and translations. They were printed letterpress from plates by Schilling. Each image is printed in color on a fine woven paper. Each poem is printed in Chinese and English along with the striking black brushwork on a light and semi-transparent paper that slightly reveals the image beneath. The elephant folio sized sheets are housed in a green and black cloth portfolio with diagonal boards that fasten with a black bone closure. A stunning production from the noted Indulgence Press in fine condition. PRI/121312. Fine.
(London): Sadie Coles HQ, (1997). Paperback. Number 29 of 50 copies. Signed by both authors on title page in pencil. A collection of fifty love poems by English artists Thomson (1966) and Lowe (1967), who are known best for their humorous and sometimes offensive installations pieces. Their work often involves recreating elements from historical artworks by using everyday objects such as cigarettes or whiskey bottles to make statements about popular English culture. Fitting with their visual art, these poems are terse, crude, and very funny. They poke fun at the seriousness of the love poetry genre with verses like: "Tonight I want you more, than any other, it's crazy I know, after you left me for, me brother." The poems are printed in black ink on fine paper and are housed in a black paper covered box titled in silver on the front panel. Unpaginated. [51 pages.] ARTB/081914. Fine.
Montreal: Cecile Cote, 2011. Hardcover. Chicago binder, book, and installation artist Karen Hanmer’s intimate, playful works fragment and layer text and image to intertwine memory, cultural history, and the history of science. Her work weds the ancient art of book binding with the high tech use of the computer to aid her process. The intimate scale and the gestures of exploration required to travel through each piece evoke the experience of looking through an album, a diary, or the belongings of a loved one. However, her works often take the forms of games or puzzles, and many include witty text. Number 57 of 75 copies. Signed and numbered by the poet Vigneault and illustrator Imiolek. Gilles Vigneault (1928 - ) is a Quebecois poet, publisher and singer-songwriter, and Quebec nationalist and sovereigntist. This finely bound book was part of 2013 exhibition organized by Les Amis de la Reliure d’Art du Canada, the Canadian chapter of ARA, an international organization devoted to promoting art bookbinding. Each of the exhibitors created a unique binding for La Couleur du Vent. The design of Karen’s binding makes reference to repeated motifs from Nastassja Imiolek’s illustrations. Bound in full yellow goatskin that is sewn onto flattened cords and laced into boards. With hand-titling and tooling in 23 kt. gold and red and black foils. Doublures and endpapers of red Cave paper. Hand-sewn headbands and three edges rough gilt. Housed in a red cloth clamshell box with leather title label to spine. A beautiful production in fine condition. Unpaginated. Size: 10.25 x 6.75 x .75 inches. PRI/061917. Fine.