San Francisco: Deeply Game Publications, 2012. Hardcover. Number 45 of 55 copies. Signed by the author and book artists. Book artist Sara Press collaborated with Andrew Rottner to create this exquisite tribute to printing’s golden age. "The story, by Christina Lauritsen, mis-remembers H.C. Andersen’s classic tale of the same name, transforming it into a story of revelation and madness. The visual progression of the book mirrors the plot, pitting the beauty of the decorative arts against the intense and unpredictable messiness of human experience. This book confronts the inevitability of loss and bows to intellectual freedom and its attendant risks." [artists' statement]. The book is printed in Garamond and Bembo types on Moab Entrada paper. It features two 26 inch wide foldouts with illustrations by Rottner. The striking cover is done from a cut-marbled-paper and brocade. The book measures 7 x 9 inches. It is unpaginated. Deeply Game Productions creates and distributes the art works of Sara Press and her collaborators. Sara L. Press is a photographer, printmaker and book artist based in the San Francisco Bay Area. Many of her projects examine peculiar areas of overlap between nature and culture (for example: dog fighting, feral children, and our co-evolution with snakes). Sara has also wrestled with the relationship between creativity and the scientific method. Recently, Sara has turned to constructions of masculinity and femininity in our culture (such as human bloodsports and altered fairy-tales). Her work can be seen in public collections around the country and are also in many library and private collections. A lovely book in fine condition. PRI/021919. Fine.
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Freeville, NY: Carol Schwartzott, 2007. Hard Cover. Number 24 of 25 copies signed and numbered by the book artist. This is a particularly beautiful version of the famous Rubaiyat. In her artist's statement Schwartzott writes that as a collector of Rubaiyats she began to toy with creating her own version in 2006. "The book is divided into seven segments, each separated by a divider of hand-marbled Japanese paper. The first contains the title page and introduction and the last an artist's statement, bibliography and colophon. The remaining five are dedicated to the seventy-five quatrains of FitzGerald's first edition. Each contains a vellum window, reminiscent of a Persian archway that opens to reveal my version of a miniature painting." Bound in light blue Japanese cloth with an intricate wood cut out to front board. The pristine interior was laser printed with archival ink onto Mohawk Via vellum and Moab Entrada paper. The prints were then finished with color pencil, paint, gold and silver leaf. Housed in clamshell box covered in the same cloth as the book. In fine condition. Unpaginated. ARTB/120219. Fine.
New York: Whitney Museum of American Art, 1989. 1 of 140 copies. Signed by the author and the book artist. This scarce and intriguing limited edition work was produced to benefit the Library of the Whitney Museum of Art. "Heat" is a classic short story by the renowned and prolific writer Joyce Carol Oates. "It tells the story of the murder of eleven-year-old identical twins, Rhea and Rhoda Kunkel, through the eyes of a childhood friend who is now an adult. Oates weaves the story together like bursts of heat on a sultry day. The story begins with a reference to the “rippling” heat of the summer day as the girls ride their bicycles toward Whipple’s Ice. In the next scene, the twins are in matching white caskets in a funeral parlor. Again, reference is made to the heat. In a narrative that borders on stream of consciousness, Oates introduces the girls, the narrator, and Roger Whipple. The child narrator describes the girls as inseparable, full of life, and drawing energy and power from each other. She describes their lives and their death with the innocence of a child’s perceptions."[Enotes.com] The book's production is inventive and fitting for the story. It was produced and edited by May Castleberry of the Whitney and Leslie Miller of the Greenfell Press. The work's two volumes resemble a young person''s diaries. They are bound in white leather with gilt title and ruling to the front covers and closed by a gold clasp. The text was handwritten by Robert Gober and printed on Saunders paper. It was handbound at Booklab in Austin. Gober's illustrations for the endpapers are lithographs printed at Derriere L'Etoile Studios in New York. The volumes are housed in a custom purple cloth clamshell box. The volumes are fine in a near fine box.