Oakland, CA: Lunation Press, 1992. Hardcover. Number 2 of 45 copies, signed and initialed by the book artist. The late Marylee Bytheriver was a skilled book artist and print maker. Her focus on book arts came later in life. After a twenty-year break between her sophomore and junior years in college, Marylee return to school to complete her B.A. in Book Arts at Mills College, Oakland, California. She graduated with honors in 1991. She established Lunation Press in Oakland where she created books that were a tribute to her creativity and dedication to the environment. Her books can be seen in public collections nationwide including the National Gallery of Art, the Museum of Modern Art, and the San Francisco Museum of Modern Art. This personal work about the effects of color on one's life is excerpted from "The Tyranny of Color," first printed in July 1986 in the monthly "Mendocino Country" journal. After a childhood and early adulthood with wardrobes limited to blue and brown, Marylee writes that she realized that she enjoyed wearing and decorating in bright colors and began to do so. She further realized that "when we surround ourselves with dull dark, neutral colors, we live dull, dark, and neutral lives." This transformation is visually shown by "swatches" of color on the pages to accompany the text. Printed on white Johannot French paper that is collaged with color Moriki papers from Japan (the swatches). The text was composed in Kabel Medium on a Macintosh computer and then transformed into polymer plates. The plates and various rules and ornaments were printed on a Vandercook Proof Press. Bound in red paper covered boards with a blue linen spine. In fine condition. 9 x 9 inches. Unpaginated (about 17 pages). ARTISTSB/071218. Fine.
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Barcelona: Printed at The Folio Club for Sandra March, 2014. Hardcover. Number 83 of 100 copies signed and numbered by Sandra March. Text in Spanish, Catalan, and English. March is a talented young book and installation artist. With this work she draws a metaphorical, graphic, and auditory journey captured by words, illustrations, and sound. Thus the contents comprise the book, two posters, and a CD. She writes that this project has a scientific basis with a therapeutic and artistic impulse, starting on a subconscious level after losing both her sister and her father from heart diseases. The journey goes from a symbolic loss of the heart until its restoration, through a tour of the beautiful and varied morphology of the cardiac systems of thirty-one different animals and the sounds of their heartbeats. The heartbeat sounds are from a jellyfish, starfish, black widow spider, giant tortoise, Nile crocodile, frog, parakeet, and human being among many others There were a number of contributors to this project, including the biologist Francesc Uribe Porta, sound engineer Vicente Rosati, and illustrator Raquel Bullon. Bound in a white cardboard CD case, with posters attached to the back cover by a pink elastic band and CD held on the middle fold of the case. In fine condition. 58 pages. PRI/042715. Fine.
Barcelona: Printed at The Private Space for Sandra March, 2012. One of 100 copies. This collection of booklets is the catalogue for Projecte Antomica, an inventive and thought-provoking project by Spanish book and installation artist, Sandra March. The booklets feature images of chastity belts, anatomical drawings of figures in enticing positions, altered historical paintings to depict dissections of breasts, and much more. One collage of nude self-portraits bears the slogan "My body is your battleground." This is a disturbing but fascinating project. March describes it as a "work that operates somewhere between the old and the new, plays with the imagination, and uses irony to discuss the excessive aestheticism of the current era,demystifying it. It consists of different parts organized around two themes, the representation of the human body and anatomy. The project and the book consist of eight pieces that are numbered and correlated. They allow the project to be considered as a whole or as independent parts. Various media were used in this project, including drawings, computer graphics, photography, and sculpture. The catalogue also includes two additional booklets - the prologue and the documentation. The latter has a bibliography and a physical description of each part of the catalogue. Text is in Spanish, Catalan, and English. In fine condition. The ten booklets are housed in a brown paper envelope that in turn is in a tulle bag. Each piece is 8 x 11 inches. Unpaginated. PRI/120414. Fine.
Boston: Ticknor and Fields, 1860. Chicago binder, book, and installation artist Karen Hanmer’s intimate, playful works fragment and layer text and image to intertwine memory, cultural history, and the history of science. Her work weds the ancient art of book binding with the high tech use of the computer to aid her process. The intimate scale and the gestures of exploration required to travel through each piece evoke the experience of looking through an album, a diary, or the belongings of a loved one. However, her works often take the forms of games or puzzles, and many include witty text. Karen Hanmer has created a beautiful and unique leather binding for this classic book about Sir John Franklin’s 1845 expedition that was one of many to search for the elusive Northwest Passage, a sea route through the Arctic connecting the Atlantic and Pacific oceans. Franklin’s two ships, HMS Erebus and HMS Terror, became trapped in sea ice and were abandoned in 1848. None of the 129 man crew survived, and the ships were believed to be lost. The Voyage of the ‘Fox’ in the Arctic Seas is an account of one of numerous expeditions to search for Franklin’s ships and crew. Karen began working on this binding in August of 2014, the same time another expedition to search for Franklin’s ships began. The well-preserved wreckage of HMS Erebus was found on September 7, 2014. The design for her binding was inspired by historic and contemporary photographs, paintings and illustrations of sea ice and Arctic exploration. The book was rebound in full teal goatskin, with white, blue, and green buffalo and calf vellum inlays to both outer and inner covers. The inlays are in various shapes to represent floating ice. There are public domain images of historic shipwrecks injket printed and then laminated behind the vellum inlays. With hand-sewn, French-style headbands and graphite to top edges. The book’s original cloth covers are bound in at front and rear. The book is housed in a green cloth clamshell box with leather title label to spine. The green suede interior of the box has narrow cutout spaces to accommodate the cover’s inlays. In fine condition. Size: 7.75 x 5.25 x 1.5 inches. PRI/061917.
North Adams, MA: Messenger Press, 2004. Hardcover. Number 26 of 40 copies signed and numbered by book artist Valerie Carrigan. She won the Juror's Award for best book in show in 2014 at Pyramid Atlantic's biannual book arts fair. The book was also selected for the juried exhibition of the 100th Anniversary of the Guild of Book Workers. Valerie created this moving and compelling work in tribute to her sister after she died. Powerful close-up black and white images of birds are juxtaposed with text about encounters with birds Valerie experienced. The birds presented in the book - a barred owl, northern flicker, bald eagle, pileated woodpecker, and evening grosbeak - "are messengers, urging us to pay attention to the world around and within us". In the colophon she writes: "Wonder strikes at the soul unexpectedly against a backdrop of the common and everyday. "Messenger" was born of such moments, created for Julie Rae Carrigan who believed all living things have souls." With five loose bird images, each in a paper folder with letterpress text on the front cover. The images began as monotypes and translated to offset lithography. Printed on Arches Hot Press. Text was set in Tiepolo and printed from polymer plates on Mohawk Satin Cover. Housed in a grey silk covered slipcase with bird image inset on top. In fine condition. 11.5 x 14 inches. PRI/040615. Fine.
Stockholm, WI: Midnight Paper Sales, 2005. Hardcover. Number 8 of 50 copies of the deluxe edition, signed by the author. There were also 300 copies issued in the standard edition and 50 copies issued unbound. Includes thirteen entomological identifications of mayfly specimens. For three years fly fisherman (and artist) Gaylord Schanilec became entranced by the mayflies he found fluttering about his favorite fishing spots lining the Mississippi River. He collected countless specimens, which he examined under his microscope and sent to entomologist Clarke Garry for identification. According to the author “to be included in this book, a mayfly had to be of importance to fly fishers – and I also had to catch one.” Each specimen is illustrated with a color wood engraving and described with a scientific and at times poetic set of key characteristics. This deluxe edition is housed in a slipcase with a glass window at the top revealing eight fly fishing flies hand tied by David Lucca. The book is accompanied by a portfolio that contains seven proof sheets and an extra suite of the 13 engravings, each titled and signed. It is bound in full brown leather with a gilt fly on the spine, and the portfolio is bound with leather spine and green paper boards. The wood engravings in the book are printed on Gampi Torinoko paper. The type was composed by hand in Bembo Monotype. The slipcase is edged in matching leather with panels covered in green paper; the glass window is held into place with wood and the base is also wood. Winner of a Judges Choice Award at the 2005 Oxford Fine Press Bookfair and of the Carl Hertzog Award for ‘excellence in book design.’ The vast majority of the 50 deluxe copies have entered institutional collections, with what appears to be fewer than 20 copies in private collections. 88 pages. We are offering this set with an additional suite of progressive proofs which are housed in a blue cloth slipcase. Number 12 of 13 copies, signed by the artist. The proofs show the separate layers of color that were printed on top of each other to form each finished illustration. Progressive proofs for all 13 illustrations are included. [Approximately 50 loose sheets.]. Fine.
New Haven: Meredith Miller, 2017. Number 23 of 25 copies signed by the artist. This interesting book of seemingly abstract black and white photographs reflects on the history and meaning of books in a totally new and inventive way. Meredith Miller describes her book as follows: "In my role at Yale's Beinecke Rare Book and Manuscript Library, I capture hundreds of images of the pages of each individual book every single day. As they are photographed, the books often shed bits and pieces of their bindings and flecks from their brittle pages. I started documenting these bits and pieces within the course of my regular work day. At the end of a session, after I have photographed a book, I capture what remains on the bed of the copy stand before I sweep it up and dispose of the residue. These bits and pieces from rare and seminal works are at once precious and incidental. The resulting photographs leave the imagination open to both the presence and the absence of the object and in the process create abstract illusions." Each of the photos includes the name of the book from which the bits and pieces creating the image are from. Photographer and artist Meredith Miller received her undergraduate degree in Visual Art from the University of Chicago before earning an MFA in photography from Yale School of Art. Meredith’s work has been exhibited in group exhibitions throughout New England as well as in New York and in California. Her photographs are included in the collections of the Danforth Museum of Art and the Yale Art Gallery. Meredith currently works as a photographer at Yale’s Beinecke Rare Book and Manuscript Library and teaches at Fairfield University, Southern Connecticut State University, and Yale School of Art where she was appointed lecturer in photography in 2013. Bound in black paper covers with title and author in silver to front cover. Each copy includes a small envelope affixed to the rear inside cover that holds a bit or piece. In fine condition. 8.5 x 8.5 inches. 58 pages. PRI/100118.
Hopewell, NJ: Sans Serif Studio, 2015. Paperback. Limited to 150 unnumbered copies. An artist and a professor of art, Nell Battle Booker Sonnemann became deeply interested in fiber, fabric, and appliqué during the last three decades of her life. She was particularly intrigued by appliqué techniques used in Third and Fourth World countries, but found that little scholarship and very few photos documenting this area of study existed. She took it upon herself to investigate further, to travel around the world, and to commission others to travel for her when her health began to fail. This collection of twelve journals include photographs, research, and anecdotes from her (and her friends') travels into the Canadian arctic, Syria, Egypt, the Peruvian Amazon, India, Indonesia, Finland, Bhutan, Tibet, Bangladesh, Mongolia, Panama, Japan, Senegal, Nigeria, and Palestine. The introductory booklet includes three essays: a background on the project and how Nell came to it, a biography and remembrance of Nell, and an essay by Nell herself. She writes: "My search was an adventure, and from the beginning the joy in telling the story has been at odds with my sense of duty to my graduate training in bibliography and research. Now I know that, for better or worse, 'Wings of a Ragtag Quest' has been just this - playing - and that is what it wants to be." All twelve volumes are bound in side-stapled illustrated paper wrappers and are housed in a grey box. Digitally printed. Each copy has a different piece of cloth appliqué extending out of the box. The box measures 10 x 7 x 4 inches and is titled in printed cloth on one side. ARTB/010218. Fine.
New York: Whitney Museum of American Art, 1989. 1 of 140 copies. Signed by the author and the book artist. This scarce and intriguing limited edition work was produced to benefit the Library of the Whitney Museum of Art. "Heat" is a classic short story by the renowned and prolific writer Joyce Carol Oates. "It tells the story of the murder of eleven-year-old identical twins, Rhea and Rhoda Kunkel, through the eyes of a childhood friend who is now an adult. Oates weaves the story together like bursts of heat on a sultry day. The story begins with a reference to the “rippling” heat of the summer day as the girls ride their bicycles toward Whipple’s Ice. In the next scene, the twins are in matching white caskets in a funeral parlor. Again, reference is made to the heat. In a narrative that borders on stream of consciousness, Oates introduces the girls, the narrator, and Roger Whipple. The child narrator describes the girls as inseparable, full of life, and drawing energy and power from each other. She describes their lives and their death with the innocence of a child’s perceptions."[Enotes.com] The book's production is inventive and fitting for the story. It was produced and edited by May Castleberry of the Whitney and Leslie Miller of the Greenfell Press. The work's two volumes resemble a young person''s diaries. They are bound in white leather with gilt title and ruling to the front covers and closed by a gold clasp. The text was handwritten by Robert Gober and printed on Saunders paper. It was handbound at Booklab in Austin. Gober's illustrations for the endpapers are lithographs printed at Derriere L'Etoile Studios in New York. The volumes are housed in a custom purple cloth clamshell box. The volumes are fine in a near fine box.
Paris: 1937. Paperback. Number 158 of 500 copies, the first 200 of which were reserved for the writers of the book. This remarkable deluxe collection of writings and art about Paris was commissioned by the city of Paris to celebrate their hosting the World’s Fair of 1937. The volume includes original prose, poetry, and illustrations by the leading writers and artists of France. There are thirty-one sections on various quarters, neighborhoods, gardens, avenues and boulevards, each with a short piece written by an eminent writer and engravings by two notable artists. For each section there is a full-page illustration by an artist associated with the area and a smaller one on the first page of the section by the other artist. Among the writers are Paul Valery, Raymond Escholier, Colette, Paul Claudel, Abel Bonnard, and Jules Romains. The participating artists are equally impressive, and include Matisse, Andre Derain, Raoul Dufy, Marie Laurencin, Pierre Bonnard, Edouard Vuillard, Jean Laboureur, and Andre Lhote. Each section is a separate folder with the full-page illustration of the following section as its last page. The folders are encased in a paper wrapper with the title and a color illustration on its cover. The entire production is housed in a chemise of dark blue paper covered boards with a red leather spine label which fits into a blue paper and linen slipcase. The slipcase is in very good condition with a few chips and bumps. The contents are also in very good condition; however, pages 286-288 are missing. They included the full-page illustration by Gabriel Belot and Renefer for “Les Musees.” Page 277, the first page of “Les Eglises de Paris” has a repaired tear. Still, a splendid collection of French art and prose commemorating Paris on the eve of the Second World War. 294 pages plus table of illustrations. ART/012412. Very Good.
Washington DC: 2017. Hardcover. Number 5 of 10 copies. Initialed and numbered by the book artist. Jennaway Pearson is a printmaker and book artist residing in Washington, DC. She teaches at American University and George Washington University. Her work is held in institutional and private collections across the US including the Museum for Women in the Arts, the Library of Congress, and UCLA. In this provocative work, Jennaway explores the meaning of “champion” by connecting figure skater Tonya Harding with the goddess Juno, protector of women. Despite being a record-breaking skater, Harding was a victim of her family, a demanding sporting organization, a tragic marriage, and an insatiable tabloid culture. Pearson suggests that Harding, like many women, would have benefited from the protection of Juno, whom the Romans saw as presiding over all aspects of a woman’s life. The book begins with three pages of text printed as handwritten script on yellow tablet sheets. It offers a sympathetic telling of Harding's life, drawing from an early documentary and a later media reports. This is followed by striking images representing both her life and the themes of the book. The text and images are each in a gathering with a cover sheet with two white squares and black numbers representing skating competition scores. The book was supported by a grant from the College Book Arts Association. Bound in black cloth with title in blue script on front cover. In a coptic-style stitched binding. The book is entirely screen printed on Arches 88 and Rives BFK papers. Housed in a black cloth slipcase with title on front. In fine condition. Measures 11.5 x 13.25 inches. Fine.
Bronx, NY: Plotzing Press, 2008. Number 4 of 35 copies, signed by the artist. According to the artist: This book “is based on the game Rock, Paper, Scissors. I use this game as a metaphor for the simple but complicated logic of the games children and adults play. I asked friends and neighbors about this game in their home countries. Many times they remembered striking details of the game from their childhood. Often, they had some variation on the game, but with the same rules, like elephant, human, ant from India or general, gun, surrender from Burma. During the cold war era The RAND corporation [was] financed by the U.S. government [to] set up a think tank for devising mathematical calculations for trying to decide the outcome of a nuclear war with the Soviet Union. The beginning for this theory was called “Game Theory,” devised by John, Von Neumann. Today the threat of nuclear proliferation persists among neighboring countries. Something they all share from history is their own version of Rock, Paper, Scissors. This book is a meditation on the logic of the games we play at every level. This can be the kid who uses Rock, Paper, and Scissors to decide who will go first. Game Theory ends with thoughtful provoking questions for the logic nations decide for peace or war with their neighbors.” Bound in the accordion structure with cream paper covered boards titled in black on the front cover. A cream colored dust jacket printed with a strategy board game’s checkered pattern covers the book. The book is housed in a paper covered slipcase with printed checkerboard pattern that matches the jacket. Letterpress printed in Times and Palatino type with drypoint, mezzotint, white ground, soft ground, and etched images on Vellum Coventry paper. A graduate from SUNY College, Tammy now lives and works in the Mott Haven section of the South Bronx, New York. She studied with Antonio Frasoni and printed at Robert Blackburn’s Printmaking workshop before establishing her own studio. Her work has been exhibited around the world and is held in several institutional collections including Yale University, the Library of Congress, and Duke University. She has won several awards including the BRIO Award from the Bronx Council on the Arts. In fine condition. Unpaginated. Size: approximately 6 x 6.5 x 3.75 inches.
Glen Echo, MD: Popular Kinetics Press, 2014. Hardcover. Number 9 of 25 copies, signed by the artist. "Land Forms and Air Currents is my most ambitious work to date. This accordion book travels across time and space, through beautiful layered landscapes accompanied by spare, image-filled poems. Stretching over 250 inches in length when fully opened, it incorporates scanned images of my original watercolors with floating pop-up additions. This limited edition of twenty-five copies is the culmination of 3 years of work." (Carol Barton). This is a fanciful, sometimes poignant collection of poetry about volcanoes, hills, storms, caves, the earth, and more. "The coastline dances along the main highway, sometimes following the road's straight-line lead, then moving in and away in a jitterbug step, twice dipping under a stretch of bridge - a tango flourish. On a map the shore's edge is a fixed line. But in reality she's a ballerina, gliding, then rising on her toes with the tide" is illustrated with a somber watercolor of a road and a pop-up spiral representing the undulating coastline. Bound in tan cloth boards with colored paper pastedowns to front cover and spine. Bound in an accordion structure, the book can either be read as a traditional codex or expanded to its full length with all pages viewed at the same time. Archivally printed in full color after the original watercolor and gouache illustrations on acid-free Strathmore paper. Includes eleven pop ups. Carol Barton is a book artist, curator, and teacher who has published several editions and has organized both local and national shows. Her work is exhibited internationally and is in numerous collections, including the Library of Congress, the Museum of Modern Art, and the Victoria and Albert Museum in London. She has been on the faculty of the University of the Arts in Philadelphia and Corcoran School of Art and Design in Washington, DC. She has also had several international residencies. Her workbooks on paper engineering, "The Pocket Paper Engineer" series, have garnered numerous awards for their effective instruction on how to design and construct pop-up sculptural pages. Size: 8 x 12 x 1.5 inches closed. In fine condition. ARTISTSB/071018. Fine.
Middletown, CT: Robin Price, Publisher, 2007. Hardcover. Number 49 of 86 copies. Robin Price has designed, printed, and published books for over twenty-five years. Her works can be found in university and public library collections throughout North America and Europe. This book is particularly personal, as well as complex and mysterious. Ms. Price says that “Text excerpts from 86 books significant to me - mostly other artist’s books - were gathered using formulas based on the number 43, which was my age at the genesis of the project.” In her announcement for this book, she says that simple formulas, using modular arithmetic with the number 43, were applied to categories such as page number, paragraph, sentence, line of poetry, etc. The text is grouped by subject matter into sixteen page spreads. Titles of spreads include “Water,” “Counting,” and “Flora.” Paper maps from locations along the 43rd parallels are bound in an accordion that structurally supports the main text, which is printed on graph paper and also hinged together as an accordion. A Legend Card and supplemental Annotated Bibliography are included. The unusual double-layer accordion is housed in an olive green cloth covered clamshell box with a river section printed in blue, and a map-paper spine label. The book was co-designed and co-produced with Daniel E. Kelm at the Wide Awake Garage. The typefaces are handset ATF Garamond and Kabel. Six colors are printed letterpress. All additional printing within the structure is also letterpress, except for the laser-printed text sheets of the 32-page bibliography. 11.75 x 8 x 1.5 inches, opens to 20 feet wide; 32 pages with supplemental 32 page booklet. ARTISTSBOOKS/012011. Fine.
New York: Purgatory Pie Press, 2012. Hardcover. Number 18 of 60 copies. A beautifully crafted datebook for 2013. Each binding is unique with different colors of leather and threads. Bound in full orange leather with a black leather tie. The interior is printed in week-at-a-glance format on repurposed nautical charts with wood type that is over 100 years old. The datebooks are a tradition for the Purgatory Pie Press - they have been producing limited edition datebooks since 1980! The leather is slightly discolored on the bottom edge of the rear cover. Designed by Esther K Smith, hand-set by Dikko Faust, and printed on a Vandercook 4 letterpress. Fine.
New York: Purgatory Pie Press, 2010. Paperback. Number 70 of 150. Each card was set and printed by Dikko Faust. A collection of 12 postcards contained in a box labeled "Elongated Postcards." The designers include: Elizabeth Duffy, Mike Topp, Marc Nasdor, Bryan C. Baker, Rosamond S. King, Jessi Nebraska Gifford, Eve Eisenstadt, Kit Kennedy, Jeffrey Cyphers Wright, Dikko Faust, and anonymous. Each card is signed by the printed and designer. Each card is printed on a different type of paper. Some designs are typographic, one is printed on velvet, one is embossed, most are humorous, all are interesting. Housed in a white cardstock envelope with a velcro closure. [12 pages.] PRI/010213. Fine.
New York City: Purgatory Pie Press, 2013. Hardcover. Number 54 of 75 copies. Signed by the printer, Dikko Faust. A geometric story from a wood block pattern. Fine in black paper boards with white spine panel and black title to spine. A square window is cut from the front board to reveal an image on the first page. Accordion binding with illustrations printed in black and red. [10 pages.] PRI/062113. Fine.
New York: Purgatory Pie Press, 1986. Hardcover. Number 87 of 200 copies. Signed by author, designer, and printer. An unusual "first novel" by Holly Anderson, this work is about Lily Lou, who suffers from a mysterious ailment causing recurrent vomiting. Her malady suddenly ends when she loses her virginity. The book is supposedly presented in the author's writing class, so the text of the novel, the classroom instructor's comments, and others are printed in different types, including Folio Bold, Optima, and Weiss Roman. Printed on Rosapina paper with Amora endsheets and Rives de lin paper covers.In glossy cream paper dust jacket with illustrative design in red and green, and the author's photos on the front flap. In fine condition. 6 x 12 inches. PRI/010213. Fine.
New York: Purgatory Pie Press, 1983. Hardcover. Number 75 of 85 copies bound into hard covers. 95 additional copies were issued in wraps. Signed by the author, printer (Dikko Faust), and designer (Esther K. Smith). An inventive collection of eight tales in which portions of the story have been replaced by lines of color allowing the reader to make up their own stories utilizing the given words. A vibrant book printed in red, yellow, green, blue, and black. Fine in yellow paper covered boards with red title to spine and front cover. Printed at the Center for Book Arts on Lana Laid all rag with red Kozo endsheets. Unpaginated. [24 pages.] PRI/010212. Fine.
New York: Purgatory Pie Press, 1994. Number 100. Signed by the book artists. An old record that has been re-produced by the Purgatory Pie Press with a new label printed on both sides: "Roberta 'N' Rob Smith - Lame!" and "Roberta 'N' Rob Smith - Worse!" This "random re-issue" pokes fun at bad records with lots of typos, slogans, and gimmicks. The words 'Lame / Stale' and 'Worse / Fukt-Fi' have been scratched into the record. The record sleeve is printed with information about the fictitious Roberta N Bob fan club and is also signed by them. The plastic bag that covers the sleeve has several stickers which further emphasize the poor record quality "30 years after ... New British Infestation", "This record waz wuns mor popular than it is NOW", etc. The label, sleeve, and stickers are letterpress printed. PRI/010213. Fine.
New York: Purgatory Pie Press, 2003. Paperback. Limited Edition. Written, illustrated, and printed with linocuts by Georgia Luna Smith Faust. The Purgatory Pie Press is run by Dikko Faust and Esther K. Smith in New York City. This book was created by their daughter. A do-si-do binding featuring a poem and a short story - one about a magical walk through New York City and the other about a ride on the subway. Bound in stiff green paper wrappers with red cowboy boot linocut on front cover and brown hands linocut on the rear cover. The interior includes a pop-up illustration of a flying cowboy boot. Letterpress printed. PRI/122812. Fine.
New York: Purgatory Pie Press, 2004. Paperback. Number 172 of 200 copies. Each page features a linoleum cut of a different character including G-Squirt, Drip Nose, Jolly Notso, Scrubby, and more. The face of each member is depicted in a cartoonish, grotesque style. The verso forms a different book - Team Evil - with an additional set of grotesque characters. Fine in off white paper wrappers with yellow illustration and red title to front panel. Unpaginated. [8 pages]. PRI/010212. Fine.
New York: Purgatory Pie Press, 2005. Paperback. Number 167 of 200 copies. Signed by book Gifford, Esther Smith, and Dikko Faust. Jessie Nebraska Gifford conceived of this work, which utilizes MRI scans of her brain and spine, taken as part of her diagnosis with Multiple Sclerosis. The book is done with one sheet of folded dark blue green paper with cut-outs and the images in silver. In near fine condition. PRI/121312. Near Fine.
New York: Purgatory Pie Press, 2001. Number 41 of 100 copies. This inventive work by book artist Susan Happersett is based on the Mobius strip, discovered by German mathematician August Mobius. A Mobius strip can be described as a single loop of paper with one twist. It has only one side and one edge. Susan calls hers a single surface Moebius strip folded to reveal two distinct chiaroscuro faces. - with two faces, two sides, and oneendless surface! Her six inch strip is pleated, with black symbols on one side of the pleat and white ones on the other. The accompanying brochure claims that the Happersett Accordion, invented by the eminent pataphysic authority, is a topological transgression in typography that creases the time-space continuum, and is a non-Euclidean prescription for reality-based inflammation and an antidote to time related illnesses. Brochure and strip are letterpress printed and housed in a black slip box with title and mobius based design in silver. Signed on box by book artist, typesetter, and printer. In fine condition. PRI/120312. Fine.
New York: Purgatory Pie Press, 2004. Slipcased. Number 71 of 100 copies. An inventive and interesting work from the Purgatory Pie Press, designed by Esther Smith and typeset and printed by Dikko Faust. The book compiles quotes on infinity from such figures as Aristotle, Georg Cantor, Einstein, and Dan Quayle. The book is done in accordian style with cutouts on dark blue paper, with the writings and designs in gold and orange. It is covered in lovely orange silk and housed in a stiff blue paper slipcase. In fine condition. 2 x 9 inches. PRI/010213. Fine.