Easthampton, MA: Abecedary Press, 1990. Hardcover. Number 8 of 10 deluxe copies signed by the artist. This Abecedary Press Production's book was written by Mark P. Carol, as a contemplation inspired by a trip to the Galapagos Islands to view Haley’s Comet. It is a humorous look at contemporary social and sexual values through the guise of rocks (occasionally referred to as the “pet rock turns 30-something.”) Alan James Robinson illustrated the book with two handsome wood engravings and seven line drawings depicting the Galapagos Islands, the Galapagos Tortoise and of course, the Banging Rocks. Alan is a renowned book artist who has been producing fine limited edition books since the 1980s. His work can be found in many institutions nationally and abroad. This engaging deluxe production's book is bound in quarter leather green Moroccan goat with a millimeter leather fore-edge and Japanese Chiri (bark) paper. The book and its set of two actual banging rocks of green Beryl crystals from Connemara, Ireland are “housed” in an elaborate hand crafted cherry dove-tailed jointed wooden box with expansion joints. This geo-stable enclosure was crafted by Allan Wheeler and protects the Banging Rocks, which are of a semi-precious nature. Printed in Centaur & Arrighi types set by Dan Carr at Golgonooza Type Foundry on T.H. Saunders Hotpress Watercolor paper. Printed by master printer H.P. McGrath. Bound in paper over boards by Kim O’Donnell. In fine condition. Book measures 5 x 8 inches. The box is 5.5.x.8.5 x 3 inches. Unpaginated [32 pages]. ARTISTB/071020. Fine.
Refine search resultsSkip to search results
Washington DC: Abstract Orange Press, 2016. Number 47 of 300 copies signed and number by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist who founded and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This is a miniature alphabet book printed with letters that were hand carved in wood by the artist. Each letter is a differently designed capital letter printed in orange. Done in an accordion structure and bound in orange cloth boards with gilt title to spine and front cover. Size: 2 x 1.75 inches. [30 pages.]. Fine.
Washington DC: Abstract Orange Press, 2016. Number 48 of 300 copies signed and number by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist who founded and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This is a miniature alphabet book printed with letters that were hand carved in wood by the artist. Each letter is a differently designed capital letter printed in orange. Done in an accordion structure and bound in orange cloth boards with gilt title to spine and front cover. Size: 2 x 1.75 inches. [30 pages.]. Fine.
Washington DC: Abstract Orange Press, 2016. Hardcover. Number 14 of 20 copies signed and numbered by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist who founded and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This beautifully designed book is in the special collections at the Library of Congress. It is one of a series of books that Lauren has done using her handmade type to explore letters, numbers, and shapes. In this accordion style book she has printed her hand carved letters of the alphabet in a bold orange. There is one letter to a page. They have been carved our of linoblock, pine, basswood, and plywood. Printed on Lettra 220 paper and bound in orange Mulberry paper with debossed titles in gilded orange on front cover and spine. In fine condition. Measures 5.25 x 7 inches. ARTISTSB/082018. Fine.
Washington DC: Abstract Orange Press, 2017. Hardcover. Number 11 of 20 copies signed and numbered by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This boldly designed book is one of a series of books that Lauren has done using her handmade wooden type to explore letters, numbers, and shapes. In this accordion style book she has printed her hand carved wood numbers from 1 to 0 in various bright colors either on a single page or on a fold-out page. Bound in dark blue cloth with title in orange on front cover and spine. In fine condition. Measures 5.25 x 7 inches. In a protective stiff plastic case. ARTISTSB/082018. Fine.
Washington DC: Abstract Orange Press, 2018. Hardcover. Number 11 of 20 copies signed and numbered by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This striking book is one of a series of books that Lauren has done using her handmade wooden type to explore letters, numbers, and shapes. This accordion style book juxtaposes a shape as a white space on a blue, grey, or orange background on one page with the shape in that color on a white background on the facing page. Shapes include a circle, square, triangle, arrow, heart, star, and hand. Bound in grey cloth with orange title on front cover and spine. In fine condition. Measures 5.25 x 7 inches. In a protective stiff plastic case. ARTISTSB/082018. Fine.
Minneapolis: Angel Bomb Press, 2020. Number 47 of 125 copies signed and numbered by the book artist, Todd Thyberg. He writes in the colophon that the book took over two years to write, create, and print. He states: "This experiential read was conceived as an ode to H.P. Lovecraft, whose books I had discovered and read profusely as a teenager growing up in a small town in rural North Dakota....I knew I wanted to be a writer, to breathe life into stories that transported the reader to realms unknown. H.P. Lovecraft gifted the world with a style of cosmic horror and weird fiction that was previously unknown. In homage, Todd created a mythical and mystical expedition to the steppes of Siberia to find the temple and artifacts of a mysterious people that supposedly once inhabited this barren and forbidding land. He says, "In the winter of ‘18, I rented a cabin in the woods of Wisconsin and sequestered myself for a week, sketching, researching and writing down plot points. I took an historic event that fascinates me and turned it on its head, spinning it into the world of old gods and monsters that thrilled me as a kid. I wanted to celebrate and honor the creepy cosmic horror that made Lovecraft’s work so unique. One of the men on the expedition is required to document their findings. Odd diagrams and even odder structures are found and recorded for the archives at Miskatonic University. What is it that they find? What happens to the expedition when they find it?" It’s all hidden within. But be forewarned! Many who have seen the contents of The Miskatonic Papers have died horrible deaths or gone completely insane! The valiant quest for knowledge may lead you down a path that branches into dark corners of the night, filled with arcane shadows. Never travel there alone and be cautious where you step. If you hear a wet, rustling noise behind you, you had best run screaming. After exploring Todd's remarkable and complex production, the reader will indeed understand Todd's warning! The work comes in a foil-stamped grey clothbound clamshell box with three sealed folders inside.Todd urges the reader to break the seals and pore through the contents of the folders. One includes a broadside for the expedition, drawings, two letters, a rubbing, telegrams from the field, and an amazing handwritten expedition journal. All of them letterpress printed, aged, and weathered. The Expedition Broadside appears stained with ale and smudges from the hands of inquisitive sailors. It states that Professor Tyler Freeborn seeks able-bodied men to risk life and limb for the advancement of science. Do you have a thirst for adventure? Perhaps you should apply. Each piece of the book was made to look as if it was created 100 years ago. Stains, creases, and even burned edges will provide the reader with a rich experience when delving through the ephemera and piecing the story together. Printed on a selection of stocks as well as vintage business cards and journal pages, with too many typefaces to name and lots of handwriting as well. Letterpress printed at the Angel Bomb studio. In fine condition. ARTSB/071320. Fine.
Oregon: Artistically Declined Press, 2013. Hardcover. One of 20 copies signed by the poet, Hosho McCreesh who describes himself as a drunken poet. From reviews: "In the footsteps of Charles Bukowski comes Hosho McCreesh’s magnum opus of drunk poetry. Mammoth in size and scope, A Deep & Gorgeous Thirst is unlike any of McCreesh’s previous collections. Because writing and drinking go hand in hand, it may seem an impossible challenge for a poet to offer new perspective of this well-worn, symbiotic relationship. But McCreesh does, and in this brilliant collection he uses subject matter that might feel old and tired in the hands of a less capable poet and turns out exciting and irresistible poems. A perfect elegy to the illusions and delusions of alcohol." This is from the edition of 20 described by the press as "The DrunkSkull Flask Clamshell." It includes a handmade hardback book housed in a clamshell box custom-made by Bill Roberts of Bottle of Smoke Press. Hidden within the clamshell is the coup de grace - an 8 ounce black flask, engraved with the book's DrunkSkull logo, which is housed in a wood insert, along with some pieces of promotional ephemera that include two letterpress broadsides of unpublished drunk poems signed by McCreesh, a ticket also signed, and a third unpublished broadside hand written and painted by the poet. Hidden under the flash is a patch, a sticker, and a removeable tattoo - all featuring the DrunkSkull logo. The text of the book is printed offset and is bound in grey paper boards with black spine label and skull logo on the front cover. On the back cover is printed: "glister like remnant embers of all you've burned away in your mad and drunken joy." The clamshell box has a black cloth spine and grey paper covering the front and rear panels. The front panel features a reproduction of the book's cover and the spine panel has a matching grey paper title label. Box is 10 x 7 x 3 inches. In fine condition. 359 pages plus acknowledgments and colophon. ARTISTSBOOK/042016. Fine.
Richmond, VA: Monalisa Bagby, 2019. Hardcover. Number 1 of 10 copies. In this inventive and interesting work, book artist Lisa Bagby describes the importance of the color red in nature for animal, insect, and plant species. She writes that living creatures rely on color for protection, concealment, and sexual selection. The color red is one of the most distinctive. She offers many examples, from tree frogs to cardinals to red faced monkeys to various plants and fungi. She provides information on such phenomena as aposematism - the use of color by reptiles, amphibians, and fish to warn predators that they are toxic, dangerous, painful to attack, and difficult to eat. Red is not the only color used to display toxicity, but it is one of the more effective ones. The artist states: "The natural world as a companion marks my earliest memories and that status has never wavered. With maturity I came to appreciate the physical, psychological and emotional dynamics of the natural world. As a creative person, I can’t help but notice details of texture, scale and, of course, color in the environment. Color is a significant part of the equation that brings the natural world into our focus and may even persuade us to care. Color sharpens our senses and enjoyment of the environment, whether it is a spectacular sunset or the sight of a cherry tree laden with its fruit. It is part of Nature’s strategy for engaging us. My interest in eco-systems lead me to wanting to better understand how color is used in Nature so I began researching the purpose of red in the environment. The result is my handmade book, The Art of Red in Nature. I learned that Red was not dumped from a paint can over the globe and spread indiscriminately. It has been judiciously allocated across nature and each assignment is useful, if not essential, in the Plant and Animal worlds. Everything in nature, including color, is purposeful and this book explores the story of red in Nature. Not only is color, such as red, designed to support life in eco-systems, but red is also available for human beings to discover, in insects or in minerals, to advance our own creative efforts. The art of red in nature is a wonder indeed." Bagby has creatively illustrated her concertina book with cancelled postage stamps of different species, pen and ink drawings with watercolor applied, linoleum block prints, and cartoons. Additional stamps and descriptions are on the reverse pages. Bound in grey cloth with title label affixed to the front cover. With decorated endpapers and a red and white string closure. In fine condition. Measures 6 x 8 inches. ARTISTSB/072120. Fine.
Richmond, VA: Monalisa Bagby, 2020. One of four copies signed and numbered by the book artist. Lisa Bagby describes this intricate and mysterious book as "a magical tale of how beauty enters the world and the intertwine of fate and potential." She explores her theme by following the journey of an unnamed good woman who realizes that as she responds to circumstances over which she has no control that she is realizing her potential in ways she could not have imagined. The artist incorporates striking visual and structural designs throughout this book to trace the course of the good woman's journey. They include screen printed patterns of foliage and shapes, the use of colors and various papers to delineate the text, pop-ups and reverse pop-ups, and images from a Liechtenstein print, and a Chagall painting. The backs of the pages of this concertina book are also screen printed using the colors black, orange, and gray. All of the images on the back relate to the story unfolding on the front side. They include the constellation Ursa Major to refer to the mention of a black bear, while an image of a polar bear refers to stories told to the good woman about the North people. Postage stamps of birds pasted in pertain to their cacophony. Printed in Roboto on Rives paper, with insertions of various other fonts. It is bound in grey cloth with maroon floral designs on the front cover, with a black string tie with a maroon and cream button attached. In fine condition. Measures 8.25 x 8.25 x 1 inches. ARTISTSB/101620.
San Diego: Bay Park Press, 2006. Hardcover. Number 10 of 10 copies. This is a charming and beautifully produced book by Carolyn LaFrance, a San Diego architect who is affiliated with the gallery at the Bay Park Press. Maxine is Carolyn’s beloved feline friend and companion, and the book describes a day in Maxine’s life through text and illustrations. Maxine begins her story: “Sun’s up, I get to go out. Yes, yes, I know, ‘Be careful,’ the howling creatures may still be about. What, you think I don’t know that? What I need to know is, who has been in my yard? Mr. Smushy-face? Walter? Or that grey and white bruiser? ...” Each page includes a hand-colored intaglio print of Maxine at various moments in her day (11 prints altogether). The text is Bernhard Modern type on lovely Fabriano Rosapina Bianco paper. Oblong folio bound in grey linen with black spine. Paw prints decorate the front cover and endpapers. Housed in a black portfolio with a grey cloth square label illustrated with paw prints affixed to front and cream ribbon closure. In fine condition. Unpaginated. PRI/072012. Fine.
San Diego: Bay Park Press, 2006. Hardcover. Founded by Sibyl Rubottom and Jim Machacek in 2000, the Bay Park Press produces artists’ books, offers classes, and holds book arts exhibitions. Their books address a wide range of subjects from the universe to gardening to opera to Yiddish and more. Most are letterpress printed, many have moveable pieces, and all are illustrated. Number 3 of 10 copies. In her colophon, Sibyl Rubottom gives her love and thanks “to the father I never knew who named me Sibyl hoping I would be shrewd in business. That did not occur, but I did end up making books.” This beautiful book is about five ancient Sibyls, including how they were depicted in Western art. These Sibyls are the Cumean, Delphic, Erythraean, Persian, and the Libyan. They offered prophecies, often through the use of leaves, as being from the thoughts of the gods. There is a brief description of each, accompanied by an intaglio leaf print and a reproduction of each Sibyl from the work of Michelangelo (four plates) or Velasquez (one plate). Each Sibyl is presented within a fold-out page with the description on the facing page and the plate and illustration inside the fold. Bound in red cloth with green spine, with title and author on front cover. The book was printed on Dutch etching paper in Bodoni, Bernard Modern, Albertus, and Patatino types. There are eight intaglio prints, each signed by the book artist. Housed in a brown paper covered case lined with the same red cloth as the book covers. This splendid production captures the mystery and beauty of the Sibyls legends. In fine condition. Unpaginated. ARTISTSBOOKS/080112. Fine.
San Diego: Bay Park Press, 2010. Hardcover. Number 4 of 10 copies. Book artist Sibyl Rubottom grew up on Long Island Sound where Esther Williams was her hero. She grew up watching her movies trying "to relive the fabulous water ballet sequences." As an adult her love of water continued and she began swimming in La Jolla Cove near her home and later in an olympic sized outdoor pool in Mission Valley. She dedicates this book to La Jolla Cove, one of her regular swimming spots when the water is warm enough. Illustrated with six etchings and three unique oil paintings on mylar. Printed on Fabriano Rosapina Bianco paper using letterpress and intaglio prints, some with chine colle. Set in Bernhard Modern. Oblong folio. Housed in a blue clamshell box. Unpaginated. Fine.
San Diego: Bay Park Press / False Bay Editions, 2009. Number 12 of 20 copies. An exquisite production fr. Hardcover. Number 12 of 20 copies. Founded by Sibyl Rubottom and Jim Machacek in 2000, the Bay Park Press produces artists' books, offers classes, and holds book arts' exhibitions. Their books address a wide range of subjects from the universe to gardening to opera to Yiddish and more. Most are letterpress printed, many have moveable pieces, and all are illustrated. This out-of print book is an exquisite work from Sibyl Rubottom and Jim Machacek. It was inspired by Sibyl’s interest in all things botanical and Jim’s family heritage. The result is what they hoped for - "a riotous colorscape for your senses” - with rich and luminous colors and beautiful illustrations. It includes 14 unbound folded folio sized leaves that are housed in a folding case. Twelve of the leaves are dedicated to different types of gardens, each in a different color, with designs and writings to reflect that garden. The gardens are: Japanese, butterfly, desert, night, orchid, primordial, mystical, rose, water, Eros, secret, and herb. Each features a poem or prose by such writers as John Milton, Rumi, Homer, Lord Byron, Robert Frost, Oscar Wilde, Frances Hodgson Burnett, and Ralph Waldo Emerson. The two other folded leaves are for the title and for the colophon. Printed on Fabriano Rosapina Blanco paper in Venus, Edwardian Script, and Palatino typefaces using letterpress, monoprint, and intaglio techniques. Housed in a custom box in brown cloth lined with handmade paper. The covers open from the middle with a title label on one side and a small metal rectangle with wooden peg closure on the other. In fine condition. Unpaginated. [56 pages.] ARTISTSBOOKS/081612. Fine.
Baltimore: Beeline Books, 2009. Hardcover. Fine in paper covered boards with blue title to front cover. This book features a humorous essay by the artist about her summer custom of accompanying her husband to Arundel Golf Park where she often sketches and observes the golfers. It is bound in a triptych format and appropriately features a digital reproduction of a colored pencil drawing of the golf course which was completed on site. Unpaginated. [6 pages.] ARTB/122809. Fine.
Kingston, NY: Maureen Cummins, 2019. Number 8 of 15 copies signed and numbered by the book artist Maureen Cummins. This powerful production was initially realized as a unique object in the spring of 2019, the book was later editioned in the fall of 2019. Throughout the piece, Cummins uses simple typographic means to explore issues of anti-Semitism, denial, and the erasure of cultural memory. Unpublished Manuscript, 1946 came out of the research phase of the Friends, Peace and Sanctuary Project, in which artists were asked to spend two weeks in the Special Collection archives at Swarthmore College. Cummins was immediately drawn to a collection of materials relating to the life of Hans Bergas, a survivor of the Buchenwald concentration camp. Cummins writes: "Following the war he and his family relocated to the United States, to the town of Chester, Pennsylvania. It was there that he met Gertrude Weaver, a German language high school teacher. In response to her request, Bergas began corresponding with Weaver’s students, a process that led to his writing a full-length memoir. Hoping to see the manuscript published, Weaver sent the manuscript to Grace Naismith, a senior editor at Reader’s Digest magazine. In a brief, typewritten response, Naismith thanked Weaver for her submission while unequivocally rejecting it as unsuitable for publication: “…the day has passed,” she wrote, “when people will read any more about Buchenwald or German atrocities…we have been so surfeited with Fascist horror stories, movies, and Nuremberg trial testimonies, that I’m afraid a present sale is most difficult.” In this artist's book, Cummins painstakingly surprints Naismith’s letter, using no more than a few words at a time, over copies of Bergas’s manuscript. In this way, Naismith’s decision to reject the manuscript is given the full weight and consequence it deserves. Reading the texts side by side also highlights the contrast between the editor’s polite, patrician language and the horrific events and experiences described in the memoir: “Death by starvation. Death by illness or execution.”" Both visually and emotionally, the reader/viewer is invited to witness the collision of worlds. Printed on a variety of translucent papers, including vintage onionskin. The memoir was digitally reproduced, while Naismith’s letter was printed letterpress using photoengraved plates. Also included are two documents contained in Bergas’s original manuscript: a map of Buchenwald that he drew for the Chester high school students, and a page of family photographs. Each book is held by a vintage clip board. The book measures 8.5 x 11 inches. In fine condition. 79 pages. ARTISTSB/011620. Fine.
Wien: k/haus, 2001. Hardcover. An Austrian artists' book packaged with an engineer's compass and a four lens action camera, all housed in a custom fitted green tupperware box. This two book set appears to have been issued to document an exhibition of design with work from design students at the University of Applied Arts, Vienna and the Royal College of Art, London. The "exhibit is made up of work-in-progress responses to some of the major issues raised around contemporary theory dealing with globalization and new technologies. Each has interpreted this project according to their own understanding of the imperatives of design in contemporary culture and, in this way, the project aims to open up an increasing vital debate around the nature and role of practice in the twenty-first century" (Vorwort / Foreword). The books include "Global Tools," bound with white cloth spine and white paper covered boards titled in black on front and "Think Tank," which is side-stapled in black paper wrappers with white title to front. Both books include photographic illustrations of the design projects with descriptions of the pieces (some in German and some in English). Sample project proposals include the Phrenology Hat, which changes shape according to your mood; the Audio Tooth Implant, which acts as an "electronic third ear"; Step N' Charge, which is a mat that can generate and store energy by being stepped on; and much more. Finger smudges to covers and minor rubbing, else clean and bright. 35 mm film for the action camera is not included; however, there are manufacturers directions in English for both the engineer's compass and camera. There is also a card for the tupperware container laid in with text in German. Most text in "Global Tools" is in German with some in English. The text in "Think Tank" is mostly in English with some German. All items are housed in a light green tupperware lunchbox that has been custom fitted with yellow foam. Empty plastic label on front of box and light wear / soiling. "Think Tank" is 61 pages; "Global Tools" is 197 pages. Size of box: about 11 x 9 x 3 inches. ARTB/050319. Very Good.
Riverside, CA: Bo Press Miniature Books, 2010. Hardcover. This is a short story by Prue Batten, an Australian award winning writer of fantasy and historical fiction. Pat Sweet, the book artist writes of Prue: "The Gisborne and Eirie novels are a wonderful source of design inspiration, and their author has generously allowed the Bo Press to produce miniatures based on the world they describe. Prue and I also collaborate on other projects." This story is set in Prue's fantasy world of Eirie and involves love at first sight, betrayal, beautiful costumes, tall dark strangers, and magic." Pat Sweet published this book in three editions, the deluxe, the trade, and this, the fine binding edition. It is bound in a specially printed blush-pink striped paper overlaid with a half binding of antique black lace, with a tiny gold mask on the spine. With six illustrations. In fine condition. Measures 2.25 x 1.50 inches. Unpaginated. [46 pages] ARTISTSBOOK/021518. Fine.
Riverside, CA: Bo Press Miniature Books, 20102016. Hardcover. Signed by the book artist. This is a story by Prue Batten, an Australian award winning writer of fantasy and historical fiction. In this lovely story-within-a-story by Batten, a medieval troubadour tells his master's young son a legend of Occitan: A queen suspected of sorcery and shape-changing and how she was vindicated. The story is loosely based on the legend of Pedauque that has been part of the Occitan legend for centuries. The tale has ten illustrations with historiated initials drawn from medieval manuscripts. Pat writes that this is the sixth book that she and Prue have published together, and she has marked the event with an illustration opposite the title page with a Latin motto including both our names. The beautiful binding is an embroidered fabric of gold, turquoise, and dark blue, with a twisted ribbon spine that echoes the illustrations inside. In fine condition. Measures 2.75 x 2.25 inches. 45 pages. ARTISTSBOOK/021518. Fine.
Riverside, CA: Bo Press Miniature Books, 2015. Hardcover. Mary Roberts Rinehart and others of the "Golden Age" of mystery writing became known as the "Had I But Known" school for their use of this useful bit of prolepsis: a foreshadowing device that allows a work-around for the strictures of first-person narration. I've collected examples from all eras of literature and placed them each on their own page, like little jewels of purple prose. ~ "Had I but known that Saacho was his father, I woulf have poured a deluge of my blood to save one drop of his." The Spanish Friar, by John Dryden ~ "Ah,had I but known:: the agony! the deceit! You cannot possibly imagine the trials, the letters, the steps, this strange fantasy exacts. I have seen only a few Academicians, but already my nerves are completely upset." The Letters of Charles Baudelaire to his Mother ~"In a state of suffocating agitation the mistress gasped forth the words, "Had I but known: Freiscutz! Presciosa! I'll turn every soul into the streets!" - The Spectator, Volume 38 Carl Maria von WeberA choice collection ('though I say it myself), printed in Garamond Premier Pro on Monarch Superfine paper, and bound in a Japanese chiyogami paper printed with a stormy sea and turbulent waves, a fitting backdrop for a young woman in a lacy nightgown fleeing a dark castle with a single light in the tower window . . . Size: 2" x 2 1/2" inches. 100 pages, 7 illustrations. Fine.
Riverside, CA: Bo Press Miniature Books, 2018. Hardcover. Limited to 10 copies. "When Duke Albert V of Bavaria commissioned his court painter, Hans Mielich, to make an inventory of the jewels belonging to him and his wife Anna in 1552, he may not have expected the over-the-top manuscript Meilich finally produced two years later. The jewelry wasn't the half of it. The 110 gouche on paper paintings showed the back and front of each piece of jewelry, life-sized, and each was surrounded by a different elaborate frame. The manuscript is a riot of cartouches, strapwork, acanthus, foliage, flowers, grotesques, and caryatids, and yet each jewel shines forth as an individual masterpiece. The book remained in the private ducal and electoral Chamber of Artifacts for almost three centuries—long after the originals of the jewelry depicted had been lost. Only in 1843 was the work presented to the Bavarian State Library by King Ludwig I. I have tried, in my presentation of the Jewel Book, to reproduce in miniature some sense of the outrageous Renaissance ostentation that makes the original such a brilliant and worldly example of wretched excess. My favorite page is the frontispiece of the Duke and Duchess playing chess, as though their real pursuits were intellectual, surrounded by their bored courtiers and a couple of puppies. This miniature copy of the Jewel Book of Anna of Bavaria is limited to ten copies. It is set on OldStyle1 and Palatino Linotype, and printed on Monarch Superfine paper with a Canon Pro-100 inkjet printer. The book is bound in gilded snakeskin with a beaded and embellished front panel of celadon snakeskin. The tri-fold box is bound in a gold on black Indian silkscreened paper with a raised rectangle on the front bound in a textured Japanese metallic gold paper. The interior of the box is lined in a Japanese chiyogami feather print. A small pocket on the front of the box holds a booklet containing information on the Jewel Book and its patrons. Both are of the same gold paper" (Pat Sweet). The book is 2 5/8" x 2" and the box is 3" x 2 3/8" x 1" 136 pages. ARTB/120219. Fine.
Riverside, CA: Bo Press Miniature Books, 2015. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. This book is from a small open edition signed by the book artist. According to Pat Sweet: "The list makes heartbreaking reading, and I'm not sure which I resent more: the loss of books through active human malevolence, or through stupid human thoughtlessness. Each has its place here, along with forgetfulness, carelessness, accident, embarrassment, and spite. Lord Byron's memoirs being ceremonially burned in John Murray's office fireplace, Sylvia Plath's Double Exposure, which may or may not be in the Ted Hughes archives, frozen until 2022., Clisson et Eugenie, Napoleon's novella, scattered across Europe, and the massive Yongle Encyclopedia, victim of budget cuts. And all the lost books of the Greece, Rome, Timbuktu, the Bible . . ." The book is printed on Mohawk Superfine paper, and bound in the same Mohawk paper (a different shade) and in mottled brown Indian pinto lokta paper. Includes 28 illustrations. 78 pages. Size: 2 3/4 x 1 7/8 inches. ARTB/060619.
Riverside, CA: Bo Press Miniature Books, 2018. Hardcover. According to the book artist: "Ahmed Muhiddin Piri was one of the greatest admirals the Ottoman navy ever produced. He followed his uncle Kemal Reis into the Ottoman navy and quickly rose in what can only be called a swash-buckling career. He took part in every significant battle in the first half of the 16th century. During this, he found time to write one of the most complete and beautiful collections of maps and information ever published: the Kitab-i Bahriye, or The Book of the Sea. The Book of the Sea contained not only extremely accurate maps, but a wealth of detailed information about major ports, bays, gulfs, islands, and coastal cities of the Mediterranean Sea. His maps are filled with detail and color, palm trees and jewel-like cities, ships and rivers, and multi-colored mountain ranges. Even the compass roses show an endless imagination. I have chosen my favorites out of the hundreds that fill the Kitab-i Bahriye, and bound them in an Islamic binding of a brown and metallic copped lizard print with windows of a gold and turquoise paper that resembles the waves of the sea. There is a paper title on the front overlap and on the spine. The maps are printed on Monarch superfine paper." 106 pages. Size: 2 7/8 inches x 2 inches. Fine.
Riverside, CA: Bo Press Miniature Books, 2019. Paperback. A keepsake created for the Miniature Book Society Conclave in 2019 in Bloomington, IN. In addition to providing instructions on how to properly open a book, it includes some book terminology and some book related historical facts. Size: about 2 inches tall by 3 inches wide. 16 pages. MINI/070220. Fine.
Riverside, CA: Bo Press Miniature Books, 2016. Hardcover. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. She writes: "Rear Admiral Sir Francis Beaufort, (1774-1857) had no notion of poetry when he devised his long-needed standardized scale for the effect of wind on sailing ships, but his descriptions have a beauty and clarity that come close to it: 'Surface smooth and mirror-like. Calm, Smoke rises vertically. Scaly ripples, no foam crests. Smoke drift indicates wind direction, Still wind vanes.' I've paired Beaufort's poetic descriptions with land (and sea-) scape paintings that illustrate his wind levels, with technical details on the back of each fold out page. The twelve fold-outs have tiny tabs to pull out the pages." Printed on Monarch Superfine paper in UnZialish and Tempus Sans fonts, and bound in black watered satin cloth with endpapers of blue and silver Japanese paper. There are paper titles on the front and spine. In fine condition. Measures 2 3/4 x 2 3/8 inches. 46 pages. ARTISTSBOOK/021518. Fine.