Philadelphia: Fisher and Brother, circa 1860. Hardcover. A miniature biography of Benjamin Franklin. Brown cloth boards with gilt title and decoration to spine and front board. One inch tear to bottom of rear joint and amateur glue repair to book cloth on foot of spine. Chipping to spine ends, wear to edges and corners of boards, small loss to book cloth on rear board, and soiling to covers. Inscription to front free endpaper from a teacher to her student as a reward of merit, dated 1867. Occasional spots of foxing to interior, but clean overall. Size: 3 x 2.25 inches. MINI/081723. Very Good. More

New York: Leavitt & Allen. Hardcover. In original light brown paper wrappers with hand colored illustration of a robin and black title to front cover. Tape repair to spine. Interior pages are disbound with remnants of original cord binding laid in. Interior has seven short stories including the death of cock robin with handcolored woodcut illustrations throughout. Occasional finger smudges and spots of foxing and soiling - but clean overall. Size: about 4.25 x 3 inches. 16 pages. CHILD/080423. Very Good. More

Washington DC: Abstract Orange Press, 2017. One of 100 copies signed and numbered by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist who founded and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. A miniature edition of Lauren's full sized book of the same title. Each number is printed from a woodblock hand carved by the artist. Accordion bound in blue cloth covered boards with gilt title to front cover and spine. Rubbing to gilt title on front cover. Size: 2 x 1.75 inches. [24 pages.]. Fine. More

Washington DC: Abstract Orange Press, 2016. Number 12 of 100 copies signed and number by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist who founded and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This is a miniature book of different shapes with each printed in a bright color across a page with the shape in white. Created in an accordion structure and bound in grey cloth with gilt title to spine and front cover. In fine condition. Size: 2 x 1.75 inches.MINIAT/082919. Fine. More

Washington DC: Abstract Orange, 2023. Hardcover. One of 100 copies. Signed and numbered by the book artist on the last page of the book as well as signed on the enclosed paper transcript. This latest work by Lauren Emeritz expresses a powerful message from the Earth to the humans who inhabit it. The foreboding message warns humans that their carelessness and disregard for the impact of their actions that have created extreme urgency around climate change, and its profound destruction may ultimately render them extinct. "Your inability to protect your habitat (me) will make you a blip that destroys itself" [from the text].

A miniaturized edition of "Earth" - letterpress printed with cyanotypes on cotton paper with end sheets of handmade paper from the Morgan Conservatory. "Cyanotype is a 170 year old photographic printing process that produces prints in a distinctive blue. The word cyan comes from the Greek, meaning dark blue substance" [description from the Phillips Collection].

Emeritz created the beautiful cyanotype images using natural elements, plastic, and UV light. The text is printed in large bold bright orange type. With the title in orange on the front cover and an orange spine label with black title. The interior text is a little difficult to read on some pages, so a small sheet with the full text accompanies the book. In fine condition. Measures 1 x .5 inches. Unpaginated [20 pages] ARTB/050624. Fine. More

Buffalo: Breed, Butler, and Co, 1865. Hardcover. Uncommon. Written for children to introduce them to the events in the Bible and the most important people within. Printed and bound by J.M. Johnson of Buffalo, NY. Bound in brown cloth covered boards with oxidized gilt title and decoration to spine and both boards. Minor wear and soiling to boards, edges, and corners. Short closed tear to interior front hinge, but textblock remains firmly attached to boards. Occasional spots of soiling to interior and a few creased pages. Full edges gilt. Illustrated with portraits of important persons from the Bible. Missing last page of text. 190 pages. MINI/012825. Very Good. More

Cairo, Egypt: Islam Aly, 2024. Hardcover. Number 16 of 60 variant copies - each with slighly different covers and illustrations. Book #1 of the "'Tapestry Folios Series', which celebrates the exquisite craftsmanship of Coptic tapestries, renowned for their vibrant colors and intricate designs. Traditionally, these textiles were adorned with motifs, showcasing mythological creatures, human figures, animals, botanical elements, and geometric patterns. Additionally, Christian symbols such as saints, scenes from the Old and New Testaments, crosses, and oriental symbols were commonly depicted. Each book in this series focuses on a unique selection of motifs, inviting readers to explore the beauty of Coptic tapestry art. 'Fauna Fables', celebrates the enchanting world of animals through a tapestry of fables and folklore. From majestic lions to graceful birds, these books invite readers to a journey through the fauna-inspired sections." (Islam Aly).

This particular book features laser-cut avian imagery and patterns designed to replicate the intricate patterns, appearance, and texture found in traditional Coptic tapestries. Coptic bound in hand-carved white camel bone with intricately carved spaces and cuts that reveal the patterns inside the book. The pages are blue handmade paper. Two yellow leather straps wrap around book to hold closed. Unpaginated. Size: 3 x 3 x 1 inches.

Islam Aly is an Egyptian-born book artist and teacher. His books explore the possibilities of historical bindings in contemporary book art practices They have appeared in international exhibitions in the United States and abroad, and in private and public collections including the New York Public Library, the Metropolitan Museum of Art, the National Library of Chile, Yale University, and Bibliotheca Alexandrina. In an artist's statement he writes: "When I make a historical book structure, I go through a learning process. I learn the history as well as the different physical aspects of the binding such as how a book form is constructed in a specific sequence. I learn about the use of different materials such as paper, wood, leather and dyes. I learn to make choices in selecting and replacing traditional materials that I don’t have access to. I use these different experiences to enhance my work in making artists’ books and to use historical and cultural references from these structures in the actual content. In essence, I wish to explore new ways to use the rich structures of historical books in contemporary artists’ book practice and incorporate contemporary content into strictly historical structures." ARTB/061324. Fine. More

Cairo, Egypt: Islam Aly, 2024. Hardcover. Number 18 of 60 variant copies - each with slighly different covers and illustrations. Book #1 of the "'Tapestry Folios Series', which celebrates the exquisite craftsmanship of Coptic tapestries, renowned for their vibrant colors and intricate designs. Traditionally, these textiles were adorned with motifs, showcasing mythological creatures, human figures, animals, botanical elements, and geometric patterns. Additionally, Christian symbols such as saints, scenes from the Old and New Testaments, crosses, and oriental symbols were commonly depicted. Each book in this series focuses on a unique selection of motifs, inviting readers to explore the beauty of Coptic tapestry art. 'Fauna Fables', celebrates the enchanting world of animals through a tapestry of fables and folklore. From majestic lions to graceful birds, these books invite readers to a journey through the fauna-inspired sections." (Islam Aly).

This particular book features laser-cut animal imagery and patterns designed to replicate the intricate patterns, appearance, and texture found in traditional Coptic tapestries. Coptic bound in hand-carved white camel bone with intricately carved spaces and cuts that reveal the patterns inside the book. The pages are blue and orange handmade paper. Two orange leather straps wrap around the book to hold it closed. Unpaginated. Size: 3 x 3 x 1 inches.

Islam Aly is an Egyptian-born book artist and teacher. His books explore the possibilities of historical bindings in contemporary book art practices They have appeared in international exhibitions in the United States and abroad, and in private and public collections including the New York Public Library, the Metropolitan Museum of Art, the National Library of Chile, Yale University, and Bibliotheca Alexandrina. In an artist's statement he writes: "When I make a historical book structure, I go through a learning process. I learn the history as well as the different physical aspects of the binding such as how a book form is constructed in a specific sequence. I learn about the use of different materials such as paper, wood, leather and dyes. I learn to make choices in selecting and replacing traditional materials that I don’t have access to. I use these different experiences to enhance my work in making artists’ books and to use historical and cultural references from these structures in the actual content. In essence, I wish to explore new ways to use the rich structures of historical books in contemporary artists’ book practice and incorporate contemporary content into strictly historical structures." ARTB/061324. Fine. More

Cairo, Egypt: Islam Aly, 2024. Hardcover. Number 7 of 30 variant copies - each with slighly different covers and illustrations. Book 1 " in the 'Junctions Series', which draws inspiration from the intricate beauty of Coptic book covers, known for their ornate designs and rich symbolism. Each book in this series serves as a connection between the past and present, blending traditional craftsmanship with contemporary aesthetics. In this first book 'Perspective', readers are invited to explore a visual journey through the cover pattern developing inside the book. Inspired by the intricacies of Coptic book covers, 'Perspectives' is weaving together elements of art, culture, and history to create a unique visual experience" (Islam Aly).

Coptic bound in hand-carved white camel bone with intricately carved spaces and cuts that reveal the patterns inside the book. Illustrated with laser-cut designs on blue handmade paper, with each section designed to resemble the patterns, appearance, and texture of the old Coptic covers. A red leather strap wraps around book to hold it closed. Unpaginated. Size: 3 x 3 x 1 inches.

Islam Aly is an Egyptian-born book artist and teacher. His books explore the possibilities of historical bindings in contemporary book art practices They have appeared in international exhibitions in the United States and abroad, and in private and public collections including the New York Public Library, the Metropolitan Museum of Art, the National Library of Chile, Yale University, and Bibliotheca Alexandrina. In an artist's statement he writes: "When I make a historical book structure, I go through a learning process. I learn the history as well as the different physical aspects of the binding such as how a book form is constructed in a specific sequence. I learn about the use of different materials such as paper, wood, leather and dyes. I learn to make choices in selecting and replacing traditional materials that I don’t have access to. I use these different experiences to enhance my work in making artists’ books and to use historical and cultural references from these structures in the actual content. In essence, I wish to explore new ways to use the rich structures of historical books in contemporary artists’ book practice and incorporate contemporary content into strictly historical structures." ARTB/101124. Fine. More

Cairo, Egypt: Islam Aly, 2024. Hardcover. Number 11 of 30 variant copies - each with slighly different covers and illustrations. Book #2 of the "'Tapestry Folios Series', which celebrates the exquisite craftsmanship of Coptic tapestries, renowned for their vibrant colors and intricate designs. Traditionally, these textiles were adorned with motifs, showcasing mythological creatures, human figures, animals, botanical elements, and geometric patterns. Additionally, Christian symbols such as saints, scenes from the Old and New Testaments, crosses, and oriental symbols were commonly depicted. Each book in this series focuses on a unique selection of motifs, inviting readers to explore the beauty of Coptic tapestry art. 'Spatial Compositions', explores the interplay between space and form through a collection of visual compositions. Inspired by the intricate designs of Coptic tapestries, this book invites viewers to contemplate the beauty of geometric patterns and spatial arrangements." (Islam Aly).

This book features laser-cut patterns designed to replicate the intricate patterns, appearance, and texture found in traditional Coptic tapestries. Coptic bound in hand-carved white camel bone with intricately carved spaces and cuts that reveal the patterns inside the book. The pages are green, blue, and white handmade paper. A yellow leather strap wraps around the book to hold it closed. Unpaginated. Size: 2 x 3 x 1 inches.

Islam Aly is an Egyptian-born book artist and teacher. His books explore the possibilities of historical bindings in contemporary book art practices They have appeared in international exhibitions in the United States and abroad, and in private and public collections including the New York Public Library, the Metropolitan Museum of Art, the National Library of Chile, Yale University, and Bibliotheca Alexandrina. In an artist's statement he writes: "When I make a historical book structure, I go through a learning process. I learn the history as well as the different physical aspects of the binding such as how a book form is constructed in a specific sequence. I learn about the use of different materials such as paper, wood, leather and dyes. I learn to make choices in selecting and replacing traditional materials that I don’t have access to. I use these different experiences to enhance my work in making artists’ books and to use historical and cultural references from these structures in the actual content. In essence, I wish to explore new ways to use the rich structures of historical books in contemporary artists’ book practice and incorporate contemporary content into strictly historical structures." ARTB/102824. Fine. More

Cairo, Egypt: Islam Aly, 2024. Hardcover. Number 3 of 30 variant copies - each with slighly different covers and illustrations. Book #3 of the "'Tapestry Folios Series', which celebrates the exquisite craftsmanship of Coptic tapestries, renowned for their vibrant colors and intricate designs. Traditionally, these textiles were adorned with motifs, showcasing mythological creatures, human figures, animals, botanical elements, and geometric patterns. Additionally, Christian symbols such as saints, scenes from the Old and New Testaments, crosses, and oriental symbols were commonly depicted. Each book in this series focuses on a unique selection of motifs, inviting readers to explore the beauty of Coptic tapestry art. 'Ethereal Vines' is inspired by the delicate tendrils of Coptic tapestries; this book celebrates the beauty of botanical motifs and vine-like patterns." (Islam Aly).

Illustrated with laser-cut vine tendrils designed to replicate the intricate patterns, appearance, and texture found in traditional Coptic tapestries. Coptic bound in hand-carved white camel bone with intricately carved spaces and cuts that reveal the patterns inside the book. The pages are blue and green handmade paper. Green leather clasp wraps around book to hold closed. In fine condition. Unpaginated. Size: 2 x 3 x 1 inches. ARTB/061324. Fine. More

Cairo, Egypt: Islam Aly, 2024. Hardcover. Number 10 of 30 variant copies - each with slighly different covers and illustrations. Book #3 of the "'Tapestry Folios Series', which celebrates the exquisite craftsmanship of Coptic tapestries, renowned for their vibrant colors and intricate designs. Traditionally, these textiles were adorned with motifs, showcasing mythological creatures, human figures, animals, botanical elements, and geometric patterns. Additionally, Christian symbols such as saints, scenes from the Old and New Testaments, crosses, and oriental symbols were commonly depicted. Each book in this series focuses on a unique selection of motifs, inviting readers to explore the beauty of Coptic tapestry art. 'Ethereal Vines' is inspired by the delicate tendrils of Coptic tapestries; this book celebrates the beauty of botanical motifs and vine-like patterns." (Islam Aly).

Illustrated with laser-cut vine tendrils designed to replicate the intricate patterns, appearance, and texture found in traditional Coptic tapestries. Coptic bound in hand-carved white camel bone with intricately carved spaces and cuts that reveal the patterns inside the book. The pages are blue and green handmade paper. Blue leather clasp wraps around book to hold closed. In fine condition. Unpaginated. Size: 2 x 3 x 1 inches. ARTB/021925. Fine. More

Cairo, Egypt: Islam Aly, 2024. Hardcover. Number 11 of 50 variant copies - each with slighly different covers and illustrations. Book #4 of the "'Tapestry Folios Series', which celebrates the exquisite craftsmanship of Coptic tapestries, renowned for their vibrant colors and intricate designs. Traditionally, these textiles were adorned with motifs, showcasing mythological creatures, human figures, animals, botanical elements, and geometric patterns. Additionally, Christian symbols such as saints, scenes from the Old and New Testaments, crosses, and oriental symbols were commonly depicted. Each book in this series focuses on a unique selection of motifs, inviting readers to explore the beauty of Coptic tapestry art. 'Fauna Panorama', offers a panoramic view of animals depicted within Coptic tapestries, intertwined with botanical elements. Through the overlapping and repetition of these motifs, the book captures the diverse and beautiful patterns found in Coptic textile art." (Islam Aly).

This oblong book features laser-cut animal imagery and botanical patterns designed to replicate the intricate patterns, appearance, and texture found in traditional Coptic tapestries. Coptic bound in hand-carved white camel bone with intricately carved spaces and cuts that reveal the patterns inside the book. The pages are white handmade paper. A short brown leather strap holds it closed. Unpaginated. Size: 1 x 6 x 1 inches.

Islam Aly is an Egyptian-born book artist and teacher. His books explore the possibilities of historical bindings in contemporary book art practices They have appeared in international exhibitions in the United States and abroad, and in private and public collections including the New York Public Library, the Metropolitan Museum of Art, the National Library of Chile, Yale University, and Bibliotheca Alexandrina. In an artist's statement he writes: "When I make a historical book structure, I go through a learning process. I learn the history as well as the different physical aspects of the binding such as how a book form is constructed in a specific sequence. I learn about the use of different materials such as paper, wood, leather and dyes. I learn to make choices in selecting and replacing traditional materials that I don’t have access to. I use these different experiences to enhance my work in making artists’ books and to use historical and cultural references from these structures in the actual content. In essence, I wish to explore new ways to use the rich structures of historical books in contemporary artists’ book practice and incorporate contemporary content into strictly historical structures." ARTB/021925. Fine. More