Washington DC: Abstract Orange Press, 2016. Number 47 of 300 copies signed and number by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist who founded and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This is a miniature alphabet book printed with letters that were hand carved in wood by the artist. Each letter is a differently designed capital letter printed in orange. Done in an accordion structure and bound in orange cloth boards with gilt title to spine and front cover. Size: 2 x 1.75 inches. [30 pages.]. Fine.
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Washington DC: Abstract Orange Press, 2016. Number 48 of 300 copies signed and number by the book artist. Lauren Emeritz is a book artist, letterpress printer and graphic artist who founded and runs the Abstract Orange Press. She creates prints and books by hand using a Vandercook press and wood type, including type she designs and carves herself. Lauren holds a BFA in Graphic Design from the University of Delaware. She is the President and Creative Director of Abstract Orange, a graphic design firm in Washington, DC, and a letterpress associate at Pyramid Atlantic Art Center in Hyattsville, Maryland. This is a miniature alphabet book printed with letters that were hand carved in wood by the artist. Each letter is a differently designed capital letter printed in orange. Done in an accordion structure and bound in orange cloth boards with gilt title to spine and front cover. Size: 2 x 1.75 inches. [30 pages.]. Fine.
Baltimore: Beeline Books, 2009. Hardcover. Fine in paper covered boards with blue title to front cover. This book features a humorous essay by the artist about her summer custom of accompanying her husband to Arundel Golf Park where she often sketches and observes the golfers. It is bound in a triptych format and appropriately features a digital reproduction of a colored pencil drawing of the golf course which was completed on site. Unpaginated. [6 pages.] ARTB/122809. Fine.
Riverside, CA: Bo Press Miniature Books, 2010. Hardcover. This is a short story by Prue Batten, an Australian award winning writer of fantasy and historical fiction. Pat Sweet, the book artist writes of Prue: "The Gisborne and Eirie novels are a wonderful source of design inspiration, and their author has generously allowed the Bo Press to produce miniatures based on the world they describe. Prue and I also collaborate on other projects." This story is set in Prue's fantasy world of Eirie and involves love at first sight, betrayal, beautiful costumes, tall dark strangers, and magic." Pat Sweet published this book in three editions, the deluxe, the trade, and this, the fine binding edition. It is bound in a specially printed blush-pink striped paper overlaid with a half binding of antique black lace, with a tiny gold mask on the spine. With six illustrations. In fine condition. Measures 2.25 x 1.50 inches. Unpaginated. [46 pages] ARTISTSBOOK/021518. Fine.
Riverside, CA: Bo Press Miniature Books, 20102016. Hardcover. Signed by the book artist. This is a story by Prue Batten, an Australian award winning writer of fantasy and historical fiction. In this lovely story-within-a-story by Batten, a medieval troubadour tells his master's young son a legend of Occitan: A queen suspected of sorcery and shape-changing and how she was vindicated. The story is loosely based on the legend of Pedauque that has been part of the Occitan legend for centuries. The tale has ten illustrations with historiated initials drawn from medieval manuscripts. Pat writes that this is the sixth book that she and Prue have published together, and she has marked the event with an illustration opposite the title page with a Latin motto including both our names. The beautiful binding is an embroidered fabric of gold, turquoise, and dark blue, with a twisted ribbon spine that echoes the illustrations inside. In fine condition. Measures 2.75 x 2.25 inches. 45 pages. ARTISTSBOOK/021518. Fine.
Riverside CA: Bo Press Miniature Books, 2010. This inventive limited edition book is designed to explain little books, or rather, little case-bound books. Case-binding constructs the body of the book separately from the covers, and combines them at the end of the binding process. It is a quick and reasonably sturdy way of bookbinding, and almost all commercial hardbound books are produced like this. Every part of this book’s binding is labeled, and the back cover is left unglued to show the inner workings of the spine and hinges. The pages of the book itself contain publication data, each page labeled as itself, all the way from half-title to colophon. The book artist Pat Sweet included all she could think of that a book might possess: a tipped-in plate and barrier sheet, a fold-out diagram of the relative sizes of books (from double elephant folio to 64mo), a laid in list of extraneous matter which includes the list itself, and a note on the type, written in the typefaces used in labeling the book’s parts. The book also has examples of things attached to books: a dust jacket, a bookplate, an interior pocket containing a miniature Bo Press bookmark, a binder’s ticket, a slipcase, and a vellum belly band. This is a wonderful self-referential little reference toy for lovers of publishing and binding alike. In fine condition. 2 3/16 x 1 11/16 inches. PRI/121516. Fine.
Riverside CA: Bo Press Miniature Books, 2007. Hardcover. Includes 19 illustrations. A miniature book on a subject close to the book artist's heart (she was a theatrical costume designer before she became a bookbinder). Because they're hardly ever seen by the audience, corsets provide a designer with a wonderful fantasy canvas that only the actor will ever see. We suppose it was the same through history: a woman could express herself in a corset design that might shock her friends if they saw it. This book contains nineteen of Pat Sweet's improbable corset designs, each with a romantic and mysterious name, drawn from various periods. The introduction, "A Few Notes on Corsets", includes several historic examples. Fine in pink paper covered boards with paper title label pasted down to front cover. 60 pages. Size: 1.5 x 1.25 inches. MINI/120219. Fine.
Riverside, CA: Bo Press Miniature Books, 2015. Hardcover. Mary Roberts Rinehart and others of the "Golden Age" of mystery writing became known as the "Had I But Known" school for their use of this useful bit of prolepsis: a foreshadowing device that allows a work-around for the strictures of first-person narration. I've collected examples from all eras of literature and placed them each on their own page, like little jewels of purple prose. ~ "Had I but known that Saacho was his father, I woulf have poured a deluge of my blood to save one drop of his." The Spanish Friar, by John Dryden ~ "Ah,had I but known:: the agony! the deceit! You cannot possibly imagine the trials, the letters, the steps, this strange fantasy exacts. I have seen only a few Academicians, but already my nerves are completely upset." The Letters of Charles Baudelaire to his Mother ~"In a state of suffocating agitation the mistress gasped forth the words, "Had I but known: Freiscutz! Presciosa! I'll turn every soul into the streets!" - The Spectator, Volume 38 Carl Maria von WeberA choice collection ('though I say it myself), printed in Garamond Premier Pro on Monarch Superfine paper, and bound in a Japanese chiyogami paper printed with a stormy sea and turbulent waves, a fitting backdrop for a young woman in a lacy nightgown fleeing a dark castle with a single light in the tower window . . . Size: 2" x 2 1/2" inches. 100 pages, 7 illustrations. Fine.
Riverside CA: Bo Press Miniature Books, . Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. "Catalog #305 from 1889" with Price List laid in. This inventive book is purportedly an actual catalog from Nightengale & Sons business. From the book artist: "The history of the Nightengale company began in the late16th century, when they supplied Dr. John Dee and Edward Kelley with 'shew-stones' or crystal balls. The company flourished during the European alchemy boom of the late16th and early 17th century, and expanded into optical tools and occult mathematical devices as alchemy gave way to modern chemistry and the beginnings of Mad Science. In the 19th century, they achieved, if not fame, at least notoriety, as purveyors of a line of monster abatement equipment.. They also began courting collectors of antique metaphysical artifacts, and at one point had almost cornered the market in rare editions of C'thuliana. After the turn of the 20th century, Enoch Nightengale, then president of the company, became so concerned about the advent of modern rationalism that Nightengale's catalogues became difficult to come by, passing from hand to hand among the adept, with word-of-mouth their only advertising. The 1889 catalogue is the last to have achieved a general circulation, and even copies of this edition are increasingly difficult to come by. To have discovered a copy with the laid-in price list is very unusual indeed. Traces of Nightengale's continued existence occasionally turn up. Some printed items bearing their name have come to light from the Infernal Regions (see Welcome To Hell!), and their label is sometimes found on the Vampire Hunter Kits of Bo Press Miniature Books. It is to be hoped that a company as old and storied as Nightengale's is still around in some nearby dimension, ready to supply . . .the explorer of uncanny places, magimetician, philosopher, alchemist, monster hunter, or wizard." This copy is bound in Nightengale's distinctive white-on-black skeleton paper and is printed on Mohawn superfine paper. In fine condition. 80 pages 2.5 x 2 inches. PRI/121416.
Riverside, CA: Bo Press Miniature Books, 2009. Hardcover. A collection of lost or forgotten places to make an explorer's heart beat faster: They range from the real (Petra) to the mythical (Shamballa) to the debatable (Troy) to the unexpected (Napoleon, Arkansas). Cities disappear for a variety of reasons: changing trade routes, sinking water tables, earthquake, fire, flood and war. Some accidents of history can cause a once mighty metropolis to disappear from human memory as thoroughly as drifting sand or creeping vines can erase it from view. This little book is bound in cream, tan, and silver French marbled paper, with a spine of gray kid leather with raised bands. Bound into the book is a fold-out graph comparing the cities lifespans.The book has decorative endpapers and a paper title pasted to the front. 68 pages, 26 maps, plus a fold-out graph measuring 1.5 x 8.25 inches. Book size: 1 5/8 inches x 1 1/8 inch. Fine.
Riverside, CA: Bo Press Miniature Books, 2017. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. This book is from a small open edition, signed by the book artist. According to Pat Sweet: "Illustrations of humans wearing the skulls of extinct animals as masks, dinosaurs mostly, but later animals and hominids, as well. Costumes for a cross-species Dance of Death that extends backwards through time. As we are now, so once were they; as they are now, we soon will be. (The concept for this one is a little difficult to explain. The images certainly looks deeply meaningful, but mostly I just wanted to put big dinosaur skulls on people's heads. Who doesn't?)." Bound in black Japanese paper printed with red dragonflies, with paper title labels pasted on the front and spine. Decorative endpapers. Includes 24 illustrations. Size: 1 5/8 x 1 3/8 inches. 74 pages. ARTB/012418.
Riverside CA: Bo Press, 2009. This is a limited edition photographic pocket Wunderkammer, a cabinet of objects - Animal, Vegetable, Mineral, and Debatable Historical, Mythological, Fictional, and Legendary Artistic, Psychological, Political, and Scientific - each mounted on a Victorian microscope slide. There are 42 illustrations showing the objects in this collection. Some highlights include a test tube containing the poison of a New Guinea toad unknown to science, Philomena, the celebrated singing flea of L. Bertaloto's Flea Circus in Regent Street, 1834, a dropped stitch found beneath a Revolutionary guillotine, Paris 1786 (from the Crafts of Terror collection), an unlucky four-leaf clover ("Has killed three and injured countless others!") among many others. Most of the items in the collection are at least partly real, and not always the ones you'd think. They all create the atmosphere of original wunderkammers - not always science but always interesting. There are two charts included, one showing the distribution of the items in the collection by location, and the other showing their distribution in time.There is also a black and white illustration of the complete cabinet (thanks to the small size of the exhibits, housed in an actual cabinet), and a larger color print folded into a slipband inside the back cover. The book is bound in gold, light blue, and green Florentine paper and a spine of dark blue lizard paper piped in gold. With decorative endpapers, and a paper title pasted on the spine In fine condition. 2.75 x 1.75 inches. PRI/060619. Fine.
Riverside, CA: Bo Press Miniature Books, (2013). Hardcover. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. Number 26 of 50 copies. Signed and numbered by the book artist. "We all know how the story goes: Jonathan Harker leaves the inn at the beginning of 'Dracula', and is dropped off at the crossroads by the coachman, who is afraid to take him any further. But there is another part of the story, one that Stoker's editor (so the story goes) persuaded him to omit. In this version, Harker demands to be taken down a side road that leads to a long-abandoned village, with dire results. This is the story of that dangerous digression: 'Dracula's Guest', published posthumously in 1914. It may have been a part of the novel, or it may not. The narrator is never named, and seems unlike the characterization of Harker in the novel. You can be the judge" (book artist). Designed, printed, and bound by Pat Sweet. Includes 5 illustrations. and endpapers decorated with a flying bat's wing. Bound in black and gold Japanese chiyogami paper with blood red cloth spine. 74 pages. Measures 2 1/16 inches x 1 1/2 inches. PRI/121416. Fine.
Riverside, CA: Bo Press Miniature Books, circa 2015. Open edition. According to the book artist: "No phrase is quite so evocative of the Middle Ages in Europe than 'a knight in shining armor.' This book follows the arming, or as Shakespeare called it, the 'accomplishing', of a knight: from the medieval underwear called braies, through the many padded layers of wool and linen that absorbed the blows of battle and the scraping of the armor, through the overlapping layers of metal plates that, when properly tied to the arming clothes, would protect the knight from anything that could be thrown at him until the introduction of the longbow and firearms." Bound in marbled paper covered boards with black title to spine. In translucent dust jacket with title printed on spine and front panels. This charming book of knightly fashion includes 48 illustrations of a knight, showing each garment worn with a description on the facing page. Each plate is preceded by a translucent overlay of the featured garment, and each plate builds on the next, so you can see the progression of the knight's dressing piece by piece. Also includes an introduction with several illustrations. 114 pages. Size: 2 1/8 x 1 5/8 inches. ARTB/120219. Fine.
Vermont: Bridge Press, 2001. LIMITED. Hardcover. 138/500 c. SIGNED BY ARTIST/AUTHOR. Compilation of reproductions of Cohen's beautiful and powerful black and white etchings and engravings from books and broadsides. His uses a variety of intaglio techniques in his printmaking including mezzotint, drypoint, and double printing. The results are rich and often haunting. Black cloth boards. Bembo type on Mohawk Superfine paper. Printed by The Stinehour Press. 75 pp. BOB/042707. Very Good Plus.
Baltimore: Flying Fox Press, 2017. Paperback. 1 of 25 copies, initialed and numbered by the artist. Linocut of an imaginary serpent-bird printed archivally in dark green ink on tan paper. Printed at PaperBase with Sarah Robbins. Thirty-seven additional copies were printed for the Guild of Book Workers "Bird in Hand" annual collaborative project. Ten percent of each sale will be donated to Bat Conservation International. Size: 8 x 8 inches. PRI/090117. Fine.
Glenview, IL: Karen Hanmer, 2002. Paperback. Open Edition. This book was created for the 2002 exhibition BEAUT.E(CODE). It documents interviews conducted with computer software developers to explore the aesthetic values in, and their fond feelings for, computer programming. Artist Statement: "I am a visual artist. My husband is a software engineer. For years I have listened to his conversations with colleagues about hardware and software, what is good or pleasing and what is not and why, what they find new and exciting or classic and exciting. I am able to sense, but am unable to experience the excitement they feel. I wanted to find a point of entry into this world, and find a way to convey their excitement to other non-technical people. I gathered information by conducting group interviews with and sending questionnaires to computer professionals to explore aesthetic values in the art of computer programming and how they are similar to (or different from) aesthetic values in art. Or more plainly, “what excites these guys?” Three elements are combined to create the pieces in this show: quotes from the interviews which I thought best or most colorfully expressed these aesthetic values, representations of artifacts I remember fondly from my college days working in the machine room of the university’s computer center circa 1980, and my simplistic understanding of the basic inner workings of a computer." A collection of scantron forms with text keypunched onto the cards and "bound" with a custom printed rubber band reading "it is a living thing." Size: 3.25 x 7.25 x 5 inches. Fine.
Karen Hanmer, 2019. Paperback. Limited to 50 copies, of which about 8 were issued in miniature. This book binder's cat has amazing dexterity and a passion for teaching bookbinding best practices. Accordion book. Integral wrapper consolidates pages for reading, quickly unfolds to full length for exhibit. Created for Once Upon a Book, an exhibition of the Delaware Valley Chapter of the Guild of Book Workers at the Free Library of Philadelphia in conjunction with the 2019 Standards of Excellence Seminar. Epson P5000 prints on Hahnemuhle Bugra aquamarine blue. Edited by Jill Krase. Fine.
Glenview, IL: Karen Hanmer, 2002. Softcover. Limited to 100 copies. A miniature flip book of black and white photos of corn fields. The book simulates the experience of driving past a field of corn. The corn photos are pigment inkjet prints. Measures 2 x 3.5 x .5 inches. Fine condition. PRI/062618. Fine.
Glenview, IL: 1998. Hardcover. 3 of 20 copies. Signed and numbered by the artist. A collection of quotes and photographs of three generations of men reminisceing about hunting and fishing trips. Bound accordion style with marbled paper covered boards. Measures 6 inches by 30 inches by 3 inches when fully extended. Housed in an archival paper case with the artists' contact information and edition number on the front panel. Unpaginated. [10 pages.] ARTB/060111. Fine.
Glenview, IL: Karen Hanmer, 2009. Softcover. Limited to 100 copies. Signed and numbered by the book artist. In this flip book an image of the White House deconstructs to represent blunders and evil-doings since the 2001 inauguration. Created with pigment inkjet prints. The illustration was done in collaboration with Henry Maron. In fine condition. Measures 2.5 x .5 x .75 inches. PRI/070618. Fine.
Glenview, IL: 2008. Hardcover. 1 of 100 copies. Each page depicts the outline of a couple from a romance novel cover. The translucent paper allows the images to interact and form new combinations. According to Sarah Bodman of the University of West England "That shameful temptress Karen Hanmer has really done it this time! Under that tantalizing red cover is a heady series of swooning ladies and masterful men. In a whirlwind of passion, dozens of romance novels have been condensed into one steamy artist’s book of multiple outlines emerging through transparent papers." Fine in red velvet covered boards with gilt title to front cover. The interior is laser printed on vellum paper. Unpaginated [16 pages]. ARTB/060111. Fine.
Basel: Romano Hänni, 2008. Hard Cover. Swiss book artist and typographer Romano Hänni (1956 - ) has been experimenting with unusual compositions of letter forms and symbols since the early 1980s. His designs can seem somewhat whimsical but often are reactions to society, politics, and traumatic events. Creating things manually with the participation of all of the senses is very important to him. A master of visual poetry, he enjoys teaching to pass on his knowledge and skills. Number 197 of 290 copies. This book was hand composed and hand printed in black, red, and blue ink. An accordion structure bound in boards with an illustrated white dust jacket and a paper band closure. Includes a two page laid in supplement featuring the title of the work and the colophon. A small book measuring 3.25 inches wide by 5 inches tall. In fine condition. Unpaginated [10 pages]. ARTB/060111. Fine.