Minneapolis: Angel Bomb Press, 2016. Open edition. This is an artful three-color letterpress mini-book designed and printed to celebrate the 200th anniversary of Mary Shelley's Frankenstein. The book has an accordion fold structure that allows the front spread to be from the perspective of Doctor Frankenstein and the reverse to be from the perspective of the monster. The original story was re-read and condensed down into 9 distinct spreads with artwork created for each and relevant copy from the original work provided to tell the story. With black covers and a stretch black band with a tassel wrapped around it. Housed in a grey box designed to look like a cigarette package with title on top. In fine condition. Measures 2x 3.25 inches. ARTISTSB/070320. Fine.
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Baltimore: Beeline Books, 2009. Hardcover. Fine in paper covered boards with blue title to front cover. This book features a humorous essay by the artist about her summer custom of accompanying her husband to Arundel Golf Park where she often sketches and observes the golfers. It is bound in a triptych format and appropriately features a digital reproduction of a colored pencil drawing of the golf course which was completed on site. Unpaginated. [6 pages.] ARTB/122809. Fine.
Riverside, CA: Bo Press Miniature Books, 2010. Hardcover. This is a short story by Prue Batten, an Australian award winning writer of fantasy and historical fiction. Pat Sweet, the book artist writes of Prue: "The Gisborne and Eirie novels are a wonderful source of design inspiration, and their author has generously allowed the Bo Press to produce miniatures based on the world they describe. Prue and I also collaborate on other projects." This story is set in Prue's fantasy world of Eirie and involves love at first sight, betrayal, beautiful costumes, tall dark strangers, and magic." Pat Sweet published this book in three editions, the deluxe, the trade, and this, the fine binding edition. It is bound in a specially printed blush-pink striped paper overlaid with a half binding of antique black lace, with a tiny gold mask on the spine. With six illustrations. In fine condition. Measures 2.25 x 1.50 inches. Unpaginated. [46 pages] ARTISTSBOOK/021518. Fine.
Riverside, CA: Bo Press Miniature Books, 20102016. Hardcover. Signed by the book artist. This is a story by Prue Batten, an Australian award winning writer of fantasy and historical fiction. In this lovely story-within-a-story by Batten, a medieval troubadour tells his master's young son a legend of Occitan: A queen suspected of sorcery and shape-changing and how she was vindicated. The story is loosely based on the legend of Pedauque that has been part of the Occitan legend for centuries. The tale has ten illustrations with historiated initials drawn from medieval manuscripts. Pat writes that this is the sixth book that she and Prue have published together, and she has marked the event with an illustration opposite the title page with a Latin motto including both our names. The beautiful binding is an embroidered fabric of gold, turquoise, and dark blue, with a twisted ribbon spine that echoes the illustrations inside. In fine condition. Measures 2.75 x 2.25 inches. 45 pages. ARTISTSBOOK/021518. Fine.
Riverside, CA: Bo Press Miniature Books, 2015. Hardcover. Mary Roberts Rinehart and others of the "Golden Age" of mystery writing became known as the "Had I But Known" school for their use of this useful bit of prolepsis: a foreshadowing device that allows a work-around for the strictures of first-person narration. I've collected examples from all eras of literature and placed them each on their own page, like little jewels of purple prose. ~ "Had I but known that Saacho was his father, I woulf have poured a deluge of my blood to save one drop of his." The Spanish Friar, by John Dryden ~ "Ah,had I but known:: the agony! the deceit! You cannot possibly imagine the trials, the letters, the steps, this strange fantasy exacts. I have seen only a few Academicians, but already my nerves are completely upset." The Letters of Charles Baudelaire to his Mother ~"In a state of suffocating agitation the mistress gasped forth the words, "Had I but known: Freiscutz! Presciosa! I'll turn every soul into the streets!" - The Spectator, Volume 38 Carl Maria von Weber A choice collection ('though I say it myself), printed in Garamond Premier Pro on Monarch Superfine paper, and bound in a Japanese chiyogami paper printed with a stormy sea and turbulent waves, a fitting backdrop for a young woman in a lacy nightgown fleeing a dark castle with a single light in the tower window . . . Size: 2" x 2 1/2" inches. 100 pages, 7 illustrations. Fine.
Riverside, CA: Bo Press Miniature Books, 2016. Hardcover. Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. She writes: "Rear Admiral Sir Francis Beaufort, (1774-1857) had no notion of poetry when he devised his long-needed standardized scale for the effect of wind on sailing ships, but his descriptions have a beauty and clarity that come close to it: 'Surface smooth and mirror-like. Calm, Smoke rises vertically. Scaly ripples, no foam crests. Smoke drift indicates wind direction, Still wind vanes.' I've paired Beaufort's poetic descriptions with land (and sea-) scape paintings that illustrate his wind levels, with technical details on the back of each fold out page. The twelve fold-outs have tiny tabs to pull out the pages." Printed on Monarch Superfine paper in UnZialish and Tempus Sans fonts, and bound in black watered satin cloth with endpapers of blue and silver Japanese paper. There are paper titles on the front and spine. In fine condition. Measures 2 3/4 x 2 3/8 inches. 46 pages. ARTISTSBOOK/021518. Fine.
Vermont: Bridge Press, 2001. LIMITED. Hardcover. 138/500 c. SIGNED BY ARTIST/AUTHOR. Compilation of reproductions of Cohen's beautiful and powerful black and white etchings and engravings from books and broadsides. His uses a variety of intaglio techniques in his printmaking including mezzotint, drypoint, and double printing. The results are rich and often haunting. Black cloth boards. Bembo type on Mohawk Superfine paper. Printed by The Stinehour Press. 75 pp. BOB/042707. Very Good Plus.
Baltimore: Flying Fox Press, 2017. Paperback. 1 of 25 copies, initialed and numbered by the artist. Linocut of an imaginary serpent-bird printed archivally in dark green ink on tan paper. Printed at PaperBase with Sarah Robbins. Thirty-seven additional copies were printed for the Guild of Book Workers "Bird in Hand" annual collaborative project. Ten percent of each sale will be donated to Bat Conservation International. Size: 8 x 8 inches. PRI/090117. Fine.
Portland, OR: Anne Greenwood. Number 40 of 100 trade copies. The Lunar Maria (pl.) or Mare (sing.) are large dark basaltic plains on the Earth’s Moon formed by ancient volcanic eruptions. These plains Oceanus (Oceans), Mare (Seas), Lacus (Lakes), Palus (Marshes), and Sinus (Bays) were named by Giovanni Battista Riccioli in 1651 after states of mind and conditions of water. I have editioned three decks of 44 oracle cards named after the Lunar Maria: one wool hand-embroidered original, twelve cotton digitally printed, finished w/ hand-stitching, and 100 paper digitally printed. All the decks include a letterpress printed, hand-bound booklet, and indigo dyed bag and cloth with machine stitched text. The booklet describes how to use the cards and includes 44 poetic fragments that correspond to each basaltic plain and embroidered image. The booklet was designed, printed and bound by Daniela Del Mar. This project was conceived in the midst of studying magical tools and practices with Colette Gardiner in her Blue Iris Mystery School in Portland, Oregon, working as an artist-in-residence at the Icelandic Textiles Center in Blönduós, Iceland and learning from Carmen Spagnola's Numinous School of Intuition Development. The combination of these experiences helped me further understand, connect and embed my ancestry, place and natural world within my art practice. Ten percent of all sales from this deck, and funds generated from any readings will be donated to The Chúush Fund: Water for Warm Springs which directly benefits the Confederated Tribes of Warm Springs, Oregon as they work to restore their access and infrastructure for clean water. Edition size: 12 5.5”x 7.5”x 2” finished bag w/ contents, 4”x 5.5” cards & booklet, 20”x 20” cloth.
Glenview, IL: Karen Hanmer, 2002. Paperback. Open Edition. This book was created for the 2002 exhibition BEAUT.E(CODE). It documents interviews conducted with computer software developers to explore the aesthetic values in, and their fond feelings for, computer programming. Artist Statement: "I am a visual artist. My husband is a software engineer. For years I have listened to his conversations with colleagues about hardware and software, what is good or pleasing and what is not and why, what they find new and exciting or classic and exciting. I am able to sense, but am unable to experience the excitement they feel. I wanted to find a point of entry into this world, and find a way to convey their excitement to other non-technical people. I gathered information by conducting group interviews with and sending questionnaires to computer professionals to explore aesthetic values in the art of computer programming and how they are similar to (or different from) aesthetic values in art. Or more plainly, “what excites these guys?” Three elements are combined to create the pieces in this show: quotes from the interviews which I thought best or most colorfully expressed these aesthetic values, representations of artifacts I remember fondly from my college days working in the machine room of the university’s computer center circa 1980, and my simplistic understanding of the basic inner workings of a computer." A collection of scantron forms with text keypunched onto the cards and "bound" with a custom printed rubber band reading "it is a living thing." Size: 3.25 x 7.25 x 5 inches. Fine.
Glenview, IL: Karen Hanmer, 2002. Softcover. Limited to 100 copies. A miniature flip book of black and white photos of corn fields. The book simulates the experience of driving past a field of corn. The corn photos are pigment inkjet prints. Measures 2 x 3.5 x .5 inches. Fine condition. PRI/062618. Fine.
Glenview, IL: 1998. Hardcover. 3 of 20 copies. Signed and numbered by the artist. A collection of quotes and photographs of three generations of men reminisceing about hunting and fishing trips. Bound accordion style with marbled paper covered boards. Measures 6 inches by 30 inches by 3 inches when fully extended. Housed in an archival paper case with the artists' contact information and edition number on the front panel. Unpaginated. [10 pages.] ARTB/060111. Fine.
Glenview, IL: Karen Hanmer, 2009. Softcover. Limited to 100 copies. Signed and numbered by the book artist. In this flip book an image of the White House deconstructs to represent blunders and evil-doings since the 2001 inauguration. Created with pigment inkjet prints. The illustration was done in collaboration with Henry Maron. In fine condition. Measures 2.5 x .5 x .75 inches. PRI/070618. Fine.
Towson, MD: Susannah Horrom, 2014. Paperback. Limited to 25 copies. Initialed and numbered by the artist. First trade edition. A detailed drawing of a creature that is filled with "lost things" such as keys, phones, pets, money, flashlights, time, weight, and even Atlantis. This drawing was created as part of a collaborative project sponsored by the Delaware Valley Chapter of the Guild of Bookworkers. The first printing of this map was issued exclusively for other participants in the Atlas Project 2014 in an edition of 40. From the artist's statement: "I lose things all the time. I put down a pen, sewing needle, phone, etc. - turn my head for a second - and BAM - gone. Sometimes these mysterious disappearances are due to my clepto cats, but are largely inexplicable. What is taking my eyeglasses, spare change, flashlights, postage stamps, and half of my socks? My husband? Aliens? or more likely - a giant worm-dragon-monster that lives underground and sends up tentacles to steal my stuff..." This trade edition is inkjet printed on archival paper from the original pen and ink drawing. Includes card with artist's statement and brief biography. 8.5 inches x 21 inches. PRI/123114. Fine.
Dorothy Simpson Krause. “Leonardo" is a book-necklace made from pages from a book about Leonardo da Vinci. It was made by the book artist years ago when she was in Rome. The book's aged pages have a red leather diamond shaped front cover with a shiny red "jewel" and hangs from a black rubber cord. Measures 3.5 x 2.25” inches. In very good condition. ARTISTSB/072519. Very Good.
New York: Purgatory Pie Press, 2010. Paperback. Number 70 of 150. Each card was set and printed by Dikko Faust. A collection of 12 postcards contained in a box labeled "Elongated Postcards." The designers include: Elizabeth Duffy, Mike Topp, Marc Nasdor, Bryan C. Baker, Rosamond S. King, Jessi Nebraska Gifford, Eve Eisenstadt, Kit Kennedy, Jeffrey Cyphers Wright, Dikko Faust, and anonymous. Each card is signed by the printed and designer. Each card is printed on a different type of paper. Some designs are typographic, one is printed on velvet, one is embossed, most are humorous, all are interesting. Housed in a white cardstock envelope with a velcro closure. [12 pages.] PRI/010213. Fine.
New York: Purgatory Pie Press, 1994. Number 100. Signed by the book artists. An old record that has been re-produced by the Purgatory Pie Press with a new label printed on both sides: "Roberta 'N' Rob Smith - Lame!" and "Roberta 'N' Rob Smith - Worse!" This "random re-issue" pokes fun at bad records with lots of typos, slogans, and gimmicks. The words 'Lame / Stale' and 'Worse / Fukt-Fi' have been scratched into the record. The record sleeve is printed with information about the fictitious Roberta N Bob fan club and is also signed by them. The plastic bag that covers the sleeve has several stickers which further emphasize the poor record quality "30 years after ... New British Infestation", "This record waz wuns mor popular than it is NOW", etc. The label, sleeve, and stickers are letterpress printed. PRI/010213. Fine.
New York: Purgatory Pie Press, 2004. Paperback. Number 172 of 200 copies. Each page features a linoleum cut of a different character including G-Squirt, Drip Nose, Jolly Notso, Scrubby, and more. The face of each member is depicted in a cartoonish, grotesque style. The verso forms a different book - Team Evil - with an additional set of grotesque characters. Fine in off white paper wrappers with yellow illustration and red title to front panel. Unpaginated. [8 pages]. PRI/010212. Fine.
New York: Purgatory Pie Press, 2004. Slipcased. Number 71 of 100 copies. An inventive and interesting work from the Purgatory Pie Press, designed by Esther Smith and typeset and printed by Dikko Faust. The book compiles quotes on infinity from such figures as Aristotle, Georg Cantor, Einstein, and Dan Quayle. The book is done in accordian style with cutouts on dark blue paper, with the writings and designs in gold and orange. It is covered in lovely orange silk and housed in a stiff blue paper slipcase. In fine condition. 2 x 9 inches. PRI/010213. Fine.
New York: Purgatory Pie Press, 2011. Paperback. Number 176 of 200. Signed by the authors and printer (Dikko Faust). This book features the New York City Gotham Golem who "will save America with creativity and art." This modern Golem is based on the creature from 16th century Prague which was created to save the Jews. A political piece which states that "the Art Party is a response to the Tea Party ... rather than cutting social programs, the Art Party advocate creative cultural solutions to rebuild America." Fine in white paper wrappers with blue title (Join the Art Party) to front panel. Unfolds to reveal a poster of the golem printed on top of a map of New York City. Unpaginated. [8 pages plus poster printed on verso]. PRI/010213. Fine.
Dania Beach, FL: Claire Jeanine Satin, 2019. An accordion bound miniature book with white paper covered boards that are overpainted with a metallic colors technique developed by the artist. The interior pages feature pasted down metallic objects arranged in an artful manner. No text or titling. This is one in a series of six similar books, each with different cover designs and interiors. Size: about 2 inches. A unique artists' book from Claire Jeanine Satin, a well known book artist, sculptor and designer of public art installations. Signed by the artist. Satin's work has been extensively exhibited and collected in the United States and in Europe, including at The Library of Congress, the National Museum of Women in the Arts, The Getty (CA), MOMA, The Victoria and Albert Museum, and the National Institute of Design (India). She has created over 500 bookworks to date. She is known especially for her conceptual works in uenced by the ideas of composer/visual artist John Cage, and the conversion of ordinary industrial materials into environmental constructions and book works of layered transparent mass. ARTISTSBOOK/052119. Fine.
Freeville, NY: Carol Schwartzott, 2021. Hardcover. Number 3 of 25 copies signed and numbered by the book artist. A collection of seven love poems originally from the book "India's Love Lyrics" compiled and translated by Laurence Hope. It includes the original illustrations that have been reworked from Carol's earlier book, "King Zada's Song" (1995). The interior of the book "follows a simple flutter style / accordian format, with each of the six hand-cut arched windows folding out to create tiny theaters displaying illustrations reminiscent of classic Indian miniatures" (artist statement). Bound in paper covered boards with title label to front cover. Digitally printed on Mohawk Superfine Vellum with additions of hand coloring. Housed in a handmade box covered in a variety of papers with title label to spine panel. In fine condition. Measures 3 x 2 inches in a box that is 4.25 x 2.5 inches. Unpaginated. [46 pages.] ARTISTSB/122121. Fine.
Chicago: Starshaped Press, 2021. 1 of 50 copies. Printed as part of the Project Chicago campaign - which involved working with the Design Museum of Chicago to invite artists to help spread the word about getting vaccinated. The project called for only digital art, but the Starshaped Press decided to create a set a of limited edition posters that encompass the elements of Chicago - from its buildings and gardens to its neighborhoods, with a message to consider both self, family, and community. This poster is not only intended to promote the Covid-19 vaccine, but all vaccines. It is a reminder of the good work that these shots do. Letterpress printed in 7 colors on recycled white card stock. Proceeds from sales benefit Heartland Alliance and Howard Brown Health, two Chicago based organizations working hard to get vaccines to marginalized populations of the city. Size: 14 inches square. Fine.
Portland, OR: Shu-Ju Wang, 2003. Softcover. One of 48 copies. In this engaging work the artist describes her book as a sentimental prayer or poem for belly dancers. The book captures the essence of belly dance through word play and a rhythmic pattern that mimics the dance itself. For example "Enchant, with the intricate movements of you/Feet, gliding, stepping to the beat of the drum." Shu-Ju describes her artistic philosophy: " In a culture of bigger-is-better and faster-is-better, I create small & intimate work, slowly. Influenced by Chinese gongbi style paintings, illuminated manuscripts, and Islamic miniatures, my work combines abstract & representational forms in lush and jewel-like colors, and I invite viewers to interpret, to draw conclusions about this world that we live in." Bound in a pull-out accordion structure with a wrap-around cover. in Japanese Masa Unwaxed and French handmade paper. Gocco printed. Finished with hand-dyed rayon ribbon, coins, and beads. In a blue protective envelope. In fine condition. Measures 3.25 x 4.25 x .25 inches closed. Fine.
Portland, OR: Shu-Ju Wang, 2005. One of 31 copies. The artist describes her book: "In a reference to ever miniaturized technologies that allow us to surround ourselves with ever more content, this book raises the quesiton of the Signal-to-Noise (S/N) ratio of such content. Using archival clear adhesive tape, "noisy words" are transferred from black Arches Cover to Strathmore Drawing paper in an accordion book. Translations of the text, in both English and in audio waveforms, are Gocco printed on the back.A recording of Shu-Ju reading the text is the source for the waveforms. Handmade grey paper from Taiwan is used for the cover boards and is also the fiber transferred onto the Arches Cover slipcase." Size 1.75 x 2.375 inches closed; 1.75 x 55.25 inches when opened. Fine condition. Unpaginated. ARTISTSB/041321. Fine.