Element, 2004. Paper Wrappers. 8vo. Black paper wrappers gilt title to front panel and blue/white title to spine. Photographic portait of Acorah to front and spine panels. Minor scuffing to panels and very minor wear to edges, else fine. Pristine interior with tight binding. 253 pp. MYTH/042205. Near Fine.
Refine search resultsSkip to search results
Philadelphia: Porter and Coates, Circ.1890. Hardcover. 8vo. A collection of poems and stories. Three quarter leather backed marbled paper covered boards with maroon and gilt title to spine. Five compartments to spine with gilt tooling. Rubbing to hinges and to leather corners. Wear to edges and chipping to head of spine. Front hinge is starting. Marbled end pages and full marbled edges. Clean interior with illustrations. An attractive binding. 590 pages. OCC/040307. Very Good.
New York: Macmillan, 1914. Hardcover. 1st edition. 8vo. Very good in tan cloth with illustration in orange and black to front board and orange title to front board and to spine. Cloth a bit faded, with light soiling. Interior is clean and bright with illustrations throughout. 187 pages + ads. Children's Literature. CHILD01/120299. Very Good.
Riverside CA: Bo Press Miniature Books, . Pat Sweet describes herself as creating illuminated miniature books of curiosity, humor, and delight. She creates both miniature (under 3 inches) and macro-miniature (under 1 inch) books. She also makes miniature pocket globes, astronomical instruments, orreries, tellurions, and occasional oddities. "Catalog #305 from 1889" with Price List laid in. This inventive book is purportedly an actual catalog from Nightengale & Sons business. From the book artist: "The history of the Nightengale company began in the late16th century, when they supplied Dr. John Dee and Edward Kelley with 'shew-stones' or crystal balls. The company flourished during the European alchemy boom of the late16th and early 17th century, and expanded into optical tools and occult mathematical devices as alchemy gave way to modern chemistry and the beginnings of Mad Science. In the 19th century, they achieved, if not fame, at least notoriety, as purveyors of a line of monster abatement equipment.. They also began courting collectors of antique metaphysical artifacts, and at one point had almost cornered the market in rare editions of C'thuliana. After the turn of the 20th century, Enoch Nightengale, then president of the company, became so concerned about the advent of modern rationalism that Nightengale's catalogues became difficult to come by, passing from hand to hand among the adept, with word-of-mouth their only advertising. The 1889 catalogue is the last to have achieved a general circulation, and even copies of this edition are increasingly difficult to come by. To have discovered a copy with the laid-in price list is very unusual indeed. Traces of Nightengale's continued existence occasionally turn up. Some printed items bearing their name have come to light from the Infernal Regions (see Welcome To Hell!), and their label is sometimes found on the Vampire Hunter Kits of Bo Press Miniature Books. It is to be hoped that a company as old and storied as Nightengale's is still around in some nearby dimension, ready to supply . . .the explorer of uncanny places, magimetician, philosopher, alchemist, monster hunter, or wizard." This copy is bound in Nightengale's distinctive white-on-black skeleton paper and is printed on Mohawn superfine paper. In fine condition. 80 pages 2.5 x 2 inches. PRI/121416.
Philadelphia: A. Hart, Late Carey & Hart, 1850. Hardcover. Scarce American edition. Rebacked with original boards and original spine laid down. Original endpapers with minor chips and tears to inner edges due to repair work. Dampstaining to margins and edges of most pages; however, text remains mostly unaffected. Only first and last few pages and endpapers have larger dampstain markings. Chipping and short closed tears to edges of some pages. Brackets in pencil to margins of some pages. A fascinating book. 444 pages. OCC/060420. Very Good.
New York: G. P. Putnam's Sons, (1986). Hardcover. Presentation copy SIGNED BY THE AUTHOR. 8vo. Blue paper backed yellow cloth covered boards with gilt title to spine. Inscription on front free end page reads " To George, Hope you like this book. I look forward to meeting you. Jerome Charyn." Else is clean and bright. White illustrated dust jacket with blue title to front and spine panels. One small closed teat to bottom edge of front panel of dust jacket. Index, 304 pages. NY/061611. Near Fine in Near Fine Dust Jacket.
Boston: Marshall Jones Co., 1925. Hardcover. 8vo. In black cloth covered boards with light blue title stamp to cover and spine. Illustrated black and white jacket has many tears to spine and edges. Interior is mostly clean with many black and white illustrations. Endpapers are slightly yellowed. BLA/108280. Very Good / Good.
New York: Wyndham Books, 1981. FIRST EDITION. Hardcover. 8vo. In red cloth backed brown paper covered boards with gilt title stamp to spine. Slight fading to top edge of boards. In illustrated black DJ with tow tiny chips to top edge of DJ. Small brown stain to top edge of textblock. Interior pristine. 286pp. OCC/072606. Very Good in Very Good dj.
New York: Harcourt Brace & Company, 1996. Hardcover. First Amerian Edition. SIGNED BY AUTHOR on title page. Near mint green paper boards with bright gilt title to spine. Light bumping to spine ends. In very good white illustrated, price-clipped dust jacket, with some light rubbing and yellowing. Tight, bright, clean interior. 281 pages. Literature. LIT/12013. Near Fine / Very Good.
Baltimore: Flying Fox Press, 2017. Paperback. 1 of 25 copies, initialed and numbered by the artist. Linocut of an imaginary serpent-bird printed archivally in dark green ink on tan paper. Printed at PaperBase with Sarah Robbins. Thirty-seven additional copies were printed for the Guild of Book Workers "Bird in Hand" annual collaborative project. Ten percent of each sale will be donated to Bat Conservation International. Size: 8 x 8 inches. PRI/090117. Fine.
Towson, MD: Susannah Horrom, 2014. Paperback. Limited to 25 copies. Initialed and numbered by the artist. First trade edition. A detailed drawing of a creature that is filled with "lost things" such as keys, phones, pets, money, flashlights, time, weight, and even Atlantis. This drawing was created as part of a collaborative project sponsored by the Delaware Valley Chapter of the Guild of Bookworkers. The first printing of this map was issued exclusively for other participants in the Atlas Project 2014 in an edition of 40. From the artist's statement: "I lose things all the time. I put down a pen, sewing needle, phone, etc. - turn my head for a second - and BAM - gone. Sometimes these mysterious disappearances are due to my clepto cats, but are largely inexplicable. What is taking my eyeglasses, spare change, flashlights, postage stamps, and half of my socks? My husband? Aliens? or more likely - a giant worm-dragon-monster that lives underground and sends up tentacles to steal my stuff..." This trade edition is inkjet printed on archival paper from the original pen and ink drawing. Includes card with artist's statement and brief biography. 8.5 inches x 21 inches. PRI/123114. Fine.
New York and London: Africana Publishing Company, 2001. Paperback. An in depth study of these beautiful sculptures (door locks) and the ingenuity of their locking systems containing in three parts: an overview of the Bamana people and their spiritual beliefs; a discussion of their doors and locks; and a catalogue with photographs of 67 locks and four doors with locks, each with detailed descriptions. Fine in black illustrated paper wrappers with yellow and white title to spine and front cover. Clean and bright with many photographic black and white illustrations. A thin, small quarto. 93 pages. African Art. ART/123016. Fine.
Columbia, S.C. The State Company, 1925. Hardcover. Second edition (the book was first published in 1888). A collection of sixty-one myths including: "How Come buh Alligatur Nebber Sleep fur from de Ribber Bank", "Buh Wolf, buh Rabbit an de Tar Baby", "Buh Rocoon an buh Possum", "De Dyin Bull-Frog", "De Fiddler, buh Tiger, an buh Bear," and many more. Bound in the original maroon cloth with gilt title to front cover and spine. Endpapers and pastedowns darkened, residue on the pastedowns from removed protective wrapper, and foxing to fore-edge of textblock; otherwise bright and clean, without dust jacket. 192 pages. AFAMER/102116. Very Good.
New York: Atheneum, 1976. Hardcover. Signed and inscribed by the author: "For Philip, a believer in magic and friend to dragons! with thanks, Margaret Mary Kimmel - and love - Trina Schart Hyman." First edition, second printing. Includes laid in notecard featuring an image from the book - Boy Studying with Animals. A sweet story about a boy named Thomas who lives in west Wales and is studying to be a wizard. With noted illustrator Trina Schart Hyman's charming black and white illustrations. Fine in tan cloth boards with dark brown title to spine and illustration of a toad to front cover. In brown illustrated dust jacket with white title to spine and front panels. Light rubbing to panels of jacket, else fine. Not price-clipped. Unpaginated. CHILD/082317. Fine / Fine.
Lancaster, PA: The Jaques Cattell Press, 1944. Hardcover. 8vo. Black cloth covered boards with faded yellow title to front board and to spine. Minor bumping to spine ends. Slight toning to edges of pages. Slight musty smell. Else is clean and bright with illustrations throughout. Blue, black and white illustrated dust jacket with white title to front panel and black title to spine panel. Wear to jacket includes chipping to edges and minor foxing. Wear to front hinge of dust jacket has been expertly repaired with archival tape. Index, 255 pages. American Indian. AMIND/012412. Very Good + in Very Good Minus DJ.
Sutton Mandeville, England: Perdix Press, 1978. Softcover. One of 100 copies printed. Seventy were for the fourth exchange of the Society of Private Printers and thirty for private circulation. A charming small collection of 16 verses that were taken from the Oxford Nursery Rhyme Book of 1955, compiled by the nursery rhyme scholars Iona and Peter Opie. The pages are sewn into light cream wrappers with the title and decoration in blue on front cover. Hand set in 10 point Bembo and printed on a Columbian press by Walter Pattridge. In fine condition. 2.5 x 4.5 inches. Unpaginated. PRI/112717. Fine.
Luminice Press. One of 10 copies. This fascinating and intricate work by highly regarded book artist Williams is about two forms of transformation: alchemy, a physical process, and written scripture, a codification of religious beliefs. Alchemists believed that a method could be found to transmute base metals into gold. After centuries of trying, they never discovered such a method. The beliefs of some early societies were transformed from pantheistic to a concept of a single god figure, whose stories were collected in written form and used to codify new faiths. This book looks at the failure of alchemy and also how early faiths were corrupted and then used by dominant groups to subjugate and harm those who differed. The front cover is a pentagram with five triangles. The pentagram symbolized both good and evil and had many interpretations. For example, the single point up indicated the five wounds of Christ; both points up had an occult meaning. The triangles represent the base metals of alchemy. From top left in a clockwise rotation they are: silver, lead, tin, iron and copper with the sixth metal, mercury, represented by the silver dust surrounding the pentagram. Gold, the primary objective of alchemy, is at the center. The rear cover represents the four elements identified in antiquity: air, fire, earth and water. Each base metal has been associated with a planet in our solar system. Lead with Saturn, tin with Jupiter, iron with Mars, copper with Venus, silver with the moon, and mercury with its namesake planet. As the book progresses, each etching is aligned with one of the metals. The symbol for each metal, or planet associated with it, is found on the text page. Wit 11 original etchings from zinc plates on Twinrocker hand-made paper, 12 letterpress printed pages from polymer plates with alcohol based stains on Mohawk text weight paper, marbled endpapers. Covers are bound with paper over binders board. Front cover has onlays of thin steel and copper with metal pigment coatings and patina as well as silver leaf and gold leaf. Rear cover has an onlay of embossed aluminium foil from an engraved polycarbonate plate. closed, with three flaps and magnet closure bound with book cloth over binders board with Tyvek hinges. ad, tin, iron and copper with the sixth metal, mercury, represented by the silver dust surrounding the pentagram. Gold, the primary objective of alchemy, is at the center. The rear cover represents the four elements identified in antiquity: air, fire, earth and water. Each base metal has been associated with a planet in our solar system. Lead with Saturn, tin with Jupiter, iron with Mars, copper with Venus, silver with the moon, and mercury with its namesake planet. Custom case measures 9.5 x 8.75 x 1.5 inches. In fine condition. ARTISTSB/052720.
Philadelphia, London: Courage Books, (1991). Hardcover. Thin 4to. Very good black illustrated glossy paper covered boards with white title to spine. Offsetting from jacket to endpages, else clean interior. Color illustrations on every page. Very good illustrated dust jacket with white title to spine. Minor wear to edges of jacket and a few scuff marks to rear panel. 56 pages. CHILD/102209. Very good in very good jacket.