State College, PA: The Carnation Press, 1969. Hardcover. Presentation copy, signed and inscribed by the author. 8vo. Fine in a very good+, price-clipped white illustrated dust jacket with brown title to front and spine panels. Dust jacket slightly browned at spine, as well as minor edgewear. Author's inscription to title page. Else is clean and bright.163 pages. Drama. DRA1/02121. Fine / Very Good+.
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Philadelphia: University of Pennsylvania, 1917. Hardcover. 8vo. Very good in maroon cloth covered boards with gilt title to spine. Minor fading to gilt on spine and minor bumping to spine ends. Presentation copy from editor to publisher. Inscription to front free end page. Else is clean and bright with illustrations. Tight binding. 206 pages. Drama. DRA1/6270. Very Good.
Princeton, NJ: Princeton University Press, 1988. Hardcover. 8vo. Near fine in red cloth covered boards with black and gilt title to spine. Semi-flexible boards. Very small bump to bottom edge of rear board exposing board under cloth. Light stain to bottom edge of text block but does not effect interior. Else is pristine. Interior is bright and clean. Work by Auden, with Christopher Isherwood as well. Index, 280 pages. Drama. DRA/10243. Near Fine.
New York: Harcourt Brace Jovanovich, (1971). Hardcover. SIGNED BY PEARL BAILEY. 8vo. Very good in very good white illustrated dust jacket with white title to front panel and orange title to spine. Minor edgewear to dust jacket. Minor foxing to end pages and minor musty smell throughout. Author's signature to front free end page. 233 pages. DRA/032219. Very Good / Very Good.
London: Richard Bentley, 1839. Hardcover. Theater owner and playwright, Augustin Daly's copy, auction record 21. Includes seven extra portraits, including a proof portrait of Mrs. Bannister and a mezzotint portrait of Charles Bannister, after a painting by R. Dighton. English actor and theater manager, Bannister (1760 -1836) was considered to be the best low comedian of his day. Later in his life, he managed the Theatre Royal, Drury Lane in Covent Garden. Bound in three quarter tan leather over marbled paper covered boards with red label "Stage Biography" and green title / author label beneath. This is part of a series of books Daly had bound in a matching style, all labeled "Stage Biography." Rubbing, pulling, and wear to leather. Clean interiors overall with occasional spots of soiling to margins and foxing to first few pages of both volumes. Top edge gilt with marbled endpapers. Bound by R.W. Smith. Auction record laid into front of first volume. Volume I: 399 pages; Volume II: 368 pages. DRA/031419. Very Good.
Ravenna, Italy: A. Longo, 1977. Paperback. Signed Presentation Copy. Near Fine in wraps. Signed and inscribed on the front flyleaf, dated in 1977; possibly from the author but the signature is unclear. Bound in cream paper wrappers with black title to spine and front panel. Minor browning to edges of wrappers and margins of pages. 116 pages. Italian Literature. ITL1/1282. Near Fine in Wraps.
Boston: The Cornhill Company, (1917). Hardcover. SCARCE. Very good in brown cloth backed and beautifully illustrated black and tan paper covered boards. Gilt title to spine and black title to front board. Wear to exterior includes minor fading to spine, two very small holes to cloth at front hinge, bumping to spine ends and corners, and minor rubbing. Previous owner's book plate to front paste down. A few light spots of foxing to first and last few pages. Else is clean and bright. 73 pages. Drama. DRA01/12099. Very Good.
London: Chappell & Co., 1893. Paperback. This is a very scarce item with an interesting history. J.M. Barrie (1860-1937) and Arthur Conan Doyle (1859-1930) met early in their writing careers when they both wrote for the magazine The Idler. They were both Scottish and passionate about cricket, and they became great friends. Their odd collaboration in writing this operetta came about because Barrie had agreed to write the libretto. He became ill, however, perhaps suffering a nervous breakdown, and his friend Doyle came to his rescue by collaborating with him on the work. Despite their efforts, the operetta was a failure, which apparently bothered them very little. In the original printed wrappers. This is a very nice copy of this uncommon work, particularly in this condition. It is a variant issue of this unusual collaboration. Housed in slipcase with the bookplates of Lord Esher and Clark Hunter. LIT/100709. Very Good.
New York: 1979. Paperback. The original script for an unhappily short lived Broadway musical, which had just 17 performances before it closed, despite the music and lyrics of Cole Porter. Photocopied script bound into a red soft-cover binder. On title page it states that this is the revised edition of May 1979. DRA/090908.
London: The Punch Office, 1846. Hardcover. Original brown cloth with gilt lettering and emblem. Cloth chipped away at lower 1/3 of spine. Some light spotting to lower edge of upper board and to lower board. Bumping to edges. Sporadic foxing throughout. Minor browning. Text is bright. Includes several illustrations. Drama. DRA1/6140. Very Good.
New York: Farrar & Rinehart, Inc., . Hardcover. Inscribed by the playwright. First edition of this well-received Broadway play, which ran in New York between November 1931 and February 1932. Berhman (1893-1973) was a prolific playwright and screenwriter, perhaps best known for his “high comedies” which were so popular in the 1930s. This copy was inscribed to Dame Nellie Burton, Berhman’s landlady when he stayed in London. Miss Burton ran a famous lodging house on Half Moon Street, where lived, among other notables, Siegfried Sassoon and Robbie Ross, the latter being one of Oscar Wilde’s closest friends. The inscription reads “For Miss Burton, with love from her devoted Sam, London Apr. 1932.” Laid in is a typed letter to Berhman from the Stanley Rose bookstore, informing him that the copy of Brief Moment he had sent to Miss Burton at her address on Half Moon Street was returned to sender, “party gone away.” Bound in red cloth with title and author in black on front cover and spine. The interior is bright and clean with some light spotting to fore-edge. The jacket has small tears to top and bottom of spine. In near fine condition with very good jacket. An extremely nice copy with an interesting association. DRA/042011. Near Fine.
London: Printed for J. Walker, 1785. Hardcover. Theater owner and playwright, Augustin Daly's copy, auction number 242. First edition. Irish actress, George Anne Bellamy (1727 - 1788), frequently acted at the Theatre-Royal, Drury Lane in London. Bound in three quarter tan leather over marbled paper covered boards with red label "Stage Biography" and green title / author label beneath. This is part of a series of books Daly had bound in a matching style, all labeled "Stage Biography." Rubbing, pulling, and wear to leather. Foxing throughout. Previous ownership signature (C. Powell) in pen to top of half title page. Top edge gilt with marbled endpapers. Bound by R.W. Smith. Folded up playbill from 1783 for Capricious Lady and The Sultan at the Theatre-Royal is laid in to front. Chipping to edges. Auction record tipped in to rear. 204 pages. DRA/031419. Very Good.
New York: Robert M'Dermut, 1806. Hardcover. Theater owner and playwright, Augustin Daly's copy, with his bookplate to front pastedown. Early edition. Bookplate of Franklin Johnston to facing page. "Master Betty" (1791 - 1874) was a famous English child actor, before leaving the stage at age 17 to attend college. Bound in three quarter tan leather over marbled paper covered boards with red label "Stage Biography" and green title / author label beneath. This is part of a series of books Daly had bound in a matching style, all labeled "Stage Biography." Rubbing, pulling, and wear to leather. Heavy chipping to head of spine. Dampstaining to boards and interior. Tears to a few pages. Top edge gilt with marbled endpapers. Bound by R.W. Smith. Includes three illustrations. Auction record number 230 written in pencil to front endpaper with note "Augustin Daly Collection;" however, record is not present. 140 pages. DRA/031419. Very Good.
New York: Printed for the Colophon, 1933. Limited Edition. Hardcover. LIMITED EDITION OF 465 COPIES. 8vo. Pink and white linen covered boards with red title to silver title label on spine. Fading to spine. Minor foxing to end pages, edges of text block and to margins of a few pages throughout. Else is clean and bright. Some pages unopened. 137 pages. DRA/080417. Very Good.
Riverside, CA: Bo Press Miniature Books, 2019. Number 4 of 20. At his height, Henry Irving (1838 - 1905) was the greatest actor in the world (and the first to be knighted). He was much more than an actor, he was an actor-producer, which in those days meant that he was responsible for everything, what we would call the artistic director, the director, the production manager, the production designer, and also the lead actor. And the scale of his productions at the Lyceum Theater in London were gorgeous and spectacular, using the latest technology in staging and special effects. Irving led the English theater for over thirty years, and died as he would no doubt have wished, still acting. I came upon his obituary in the Times, and it was a wonderful piece of writing, but also a very good valuation of his art and his place in theatrical history, which isn't so easy to do so near an actor's own time. The old joke used to run that he was an actor who would never play Faust when he could play Mephistopheles. He changed the status of the theater forever, bringing it from the shady demimonde of the 18th century to the height of a recognized and respected form of art. Everyone at the Lyceum called him the Guv'nor, a term of both affection and a well-founded wariness of his perfectionism. If in a former life I had worked as a costumer in his company, I would have been proud to do the same. This miniature book is bound in a gray paper with horizontal slubbed gold lines, and a black and gold marbled paper that wraps around the back to form a small pocket inside filled with theater memoribelia: programs, autographs, advertising posters, and other souvenirs. 2 7/8" x 2", 64 pages. Fine.
New York: Alferd A. Knopf, 1941, 1941. First Edition. Hardcover. FIRST EDITION. 8vo. Very good in very good- beige illustrated dust jacket with black title to front and spine panels. Minor browning, soiling, and chipping to dust jacket. Large chip to foot of spine panel has been repaired with archival tape. Open tear to bottom corner of rear internal flap of dust jacket. Dust jacket is now in an protective sleeve. 249 pages. DRA108151. Very Good / Very Good Minus.
Tokyo: Kodansha, (circa 1980). "Pictorial record of all about Japan's unique puppet theater ... (with pictures by) the one camera artist devoted to the theater for years long enough to know minds and emotions of these 'living' puppet individuals" (English insert). Includes over 700 plates with 19 in color. Also includes an 8 page laid-in English language introduction by Dr. Roy Andrew Miller. Bound in grey cloth boards with gilt title in Japanese to spine and black title (also in Japanese) to front cover. Clean and bright with many tipped-in photographs. Text in Japanese ONLY (with small English language insert). Laid in print of faces. Housed in a black paper covered box with illustration of a lady to front panel. Bottom panel of box is detached along one edge. Wear and rubbing to edges, corners, and panels of box. Size: Quarto. 263 pages.
New York: Random House, 1937. Hardcover. Signed by 6 members of the Irish cast including Jill Stern, John L. Kearney, Lloyd Gough, and Julia Haydon. 5th printing. Near fine in blue cloth with gilt lettering. Signed area of front endpaper discolored from laid in newsclipping about the performance. Else is clean and bright. 176 pages. Drama. DRA1/6120. Near Fine.