Morris, . Hardcover. Scarce. A calendar produced by various firms in New Jersey, to be given to customers for free. Filled with advertisements including plumbers, carriage manufacturers, house painters, shoes, book store, musical instruments, hand-made harnesses, furniture, taxidermist, carpenters, tailors, wallpaperers, etc. Also includes a calendar for 1888, numberous full page prints, and a chart for determining days of the week for 160 additional years. Bound in red cloth boards with gilt title to front cover. Gift inscription dated 1990 in pen to first page. Large split to front hinge. Textblock remains attached, but is loose. Two small dampstains to rear endpaper and one small stain to front cover / spine. Size: quarto. [18 pages.] ART/113016. Very Good.
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Museum of Modern Art, 1968. Paperback. An exhibition catalog organized by the Museum of Modern Art and presented by the Tate Gallery in April of 1969. Bound in thin black paper wrappers with white title to spine. Red, blue, and white title to front cover. Minor wear to edges of covers and minor rubbing to panels. Clean, bright interior with many black and white illustrations. 60 pages. ART/122016. Very Good.
London: Chapman and Hall, 1848. Hardcover. An important Victorian magazine, known for its honest viewpoints on the fine arts. Includes 36 engraved full page plates based on paintings and sculptures by Landseer, Wilkie, Callcott, Poole, Eastlake, Westmacott, Thornycroft, and more. Articles on artists, architecture, decorative arts, reviews, and more. The Art Union became The Art Journal in 1849, after it was purchased by publisher George Virtue. Ex-library from MICA with stamp to verso of title page and fore-edge. Black leather spine and corners over grey cloth covered boards with gilt title (The Art Journal) to spine. Minor wear to corners, edges, spine ends, and hinges. Rubbing to covers with a few spots of soiling. Rear hinge is split and nearly detached. Crack to leather on spine. Some spots of foxing to plates, but most other pages remain clean. Size: quarto. 370 pages. ART/032619. Very Good.
Brussels: Pierre Berge & Associes, 2008. Softcover. Auction catalog for a 299 lot sale of African and Oceanic art objects, masks, and sculptures. In black wrappers with pictorial covers. Very good with a few ink notations by potential buyer. Without prices realized. In French. 142 pages. African Art. ART/010517. Very Good.
Paris: Musee de l'Homme, 1967. Paperback. Grey paper wrappers with black title to spine and front cover. Minor wear to edges of boards and corners. Clean and bright with many black and white photographic illustrations. Text in French. Mostly african art with some art from the Americas. 158 pages. ART/021419. Very Good.
Open Studios Press, 2009. Paperback. A mid-atlantic competition for painters - many are from Maryland and DC. Fine in illustrated paper wrappers with white spine panel titled in black. Clean and bright filled with color photographic illustrations of modern art. Includes name, contact info, picture, resume, samples of work, and artist statements for person represented. 172 pages. ART/011017. Fine.
Pasadena: California Insitute of Technology, 1971. Catalog for exhibition held at the Baxter Art Gallery. Nicely produced with tipped in color plates and b&w text photographs. In black paper wrappers with pictorial front cover. Very good condition. 8 x 11.5 inches. Unpaginated. [about 50 pages] African Art. ART/010417.
(Baltimore): Allen C. Abend, 2015. Hardcover. Includes chapters on Baltimore as an art center, opportunities for women to study fine arts (both abroad and in Baltimore), exhibition opportunities for women artists (nationally and locally), biographies of sixteen Baltimore artists, and more. The artists covered include: Alice Worthington Ball, Camilia Whitehurst, Mary A. Kremelberg (Gibson), Josephine Granger Cochrane, Maude Drein (Bryant), Ruth A. Anderson (Temple), Mary de Ford Keller, Dora Louise Murdoch, Margaret Moffett Law, Florence MacKubin, Lilian Giffen, Rosalie Lorraine Gill, Gabrielle DeVeaux Clements, Louisa Wright Neilson (Ford), Mary Worthington Crummer, and M. Louisa Steuart. Oblong, bound in black cloth boards. In white illustrated dust jacket with black title to spine panel. Pristine with numerous color illustrations. 123 pages. BALT/122016. New / New.
(Baltimore): Allen C. Abend, 2018. Hardcover. Allen Abend's latest book about the art of Baltimore focuses on the history of the Peabody Institute's art collection and how it was assembled, cared for, and divested of over the last century. He "chronicles the management of the collection after the gallery closed in 1925 through its present day status. The book explores the dichotomy associated with the Peabody Art Collection as both a treasure and a burden" (jacket). Chapters include: Baltimore's Need for the Peabody Institute, Founding of the Peabody Institute, Gallery Organization, Peabody Art Collection, Gallery Exhibitions 1879 - 1925, Gallery Closes - Changing Priorities, and Collection Becomes the Property of the State of Maryland. Also includes an appendix that lists the artworks in the Peabody Collection. Oblong, bound in black cloth boards. In black illustrated dust jacket with black title to orange spine panel. Pristine with numerous color illustrations. 139 pages. BALT/112818. New / New.
Leigh-on-Sea: F. Lewis Publishers, 1968. Hardcover. 4to. Orange cloth covered boards with gilt title to front board and to spine. Interior is clean and bright and filled with illustrations, 4 of which are in full color. Slight yellowing to edges of pages. Red dust jacket with black title to front and spine panels. Minor wear to dust jacket includes fading to spine and a few tiny light spots of soiling to the rear panel. Ltd. Edition, one of 600 copies. A lovely book. Art. ART908291. Near Fine in Near Fine Dust Jacket.
Baltimore: Goucher College, 1968. Hardcover. Thin 4to. SIGNED BY ARTIST, "For Sylvia and Paul, Amalie." Grey cloth backed white and orange illustrated paper covered boards with black title to front board and to spine. Author's inscription to half title page. Light toning to edges of pages. Else is clean and bright with a tight interior with many illustrations. 77 pages. Modern art. ART/030806. Near Fine.
New York: Metropolitan Museum of Art, 1977. Hardcover. 4to. Beige cloth covered boards with gitl title to spine. Wear to exterior includes minor browning to spine and one small scuff mark to cloth at rear hinge. Interior is clean and bright with lovely woodcut illustrations throughout. Housed in a light blue slip case with fading to edges. Unpaginated. ART/121509. Very Good +.
London: The Field Press Limited, 1933. Paperback. Very good in black paper wrappers with turquoise title to spine and front cover. Minor wear to edges of wrappers and chipping to spine ends. A few chips to edges of illustration pasted down on front cover. Roll to spine. Clean interior with many reproductions of art, some are in full color. Oversize. Pages 175 - 232. ART/091015. Very Good.
Charlottesville: Thomasson-Grant, 1988. Hardcover. 4to. Introduction by Wendy Shadwell. Dark green cloth boards with gilt title to spine. Clean, bright interior with tight binding. Filled with full color illustrations by Catlin, Bodmer, McKenney, Audubon, Catesby, De bry, and more. Grey illustrated dust jacket with black and maroon title to spine. There is a one and a half inch closed tear to the front panel of jacket. Creasing to top edge of jacket. 127 pages. ART/082406. Near Fine in Very Good Minus dj.
London: George Bell and Sons, 1901. Hardcover. Herkomer (1849 - 1914) was a German born painter, who lived mostly in England but spent many summers in his native Bavaria. He was known for painting scenes of poor people and also the Queen on her deathbed. He was also an early film director and composer. Sadly, none of his seven films are in existence any longer. Ex-library with sticker removed from spine, pocket to rear, bookplate to front endpaper, and stamp to copyright page. Bound in the original blue cloth boards with gilt title to spine. Leather and gilt title to front board is mostly detached and no longer present; however, embossed title remains legible. Chipping to leather author label to front board. Heavy chipping and wear to spine ends. Minor wear to corners and minor rubbing to boards. Closed tear to bookcloth along rear hinge, but binding remains secure. Filled with full page plates including photogravures of Herkomer's works. 133 pages plus plates. A heavy folio that may require an extra shipping fee. ART/040219. Very Good.
Philadelphia: The Art Alliance Press, 1984. Hardcover. "A study of the soically conscious grass roots wall art that originated in the late 1960s and spread through the country and abroad during the following decade" (jacket). Red cloth boards with gilt title to spine. In black illustrated dust jacket with red title to spine and front panels. Minor sunning to spine of jacket and light wear to edges. Slight cock to spine. Filled with photographic illustrations, mostly in black and white with some in color. Size: Quarto. 516 pages. ART/121218. Very Good / Very Good.