London: William Heinemann, 1921. Hardcover. Inscribed by Beerbohm with Autograph Letter Signed laid in. The book is inscribed on the half title to S.J. Williams, “Dear Mr. Williams I am so very glad you see to like [And Even Now] and I thank you very much - Max Beerbohm May, 1943.” Laid in is a letter to Williams along with the envelope in which it was sent. The letterhead is “Abinger Manor Cottage, Abinger Common, Nr. Dorking.” In this charming letter Beerbohm writes: “June 15 1943/Dear Mr. Williams/I write to tell you, with many thanks, how proud I am to be the subject of an epigram so perfect in pre-, com-, and incision. Epigrams are usually unkind in wit. Wit and kindness are rather distantly related to each other. But here they seem to be [the word are is crossed out below this] brother and sister, and will abide in my heart as well as in my brain. With kindest regards from my wife and me to Mrs. Williams and to you, I am sincerely and gratefully yours, Max Beerbohm.” The envelope is addressed S.J. Williams, Prof/Queens’ College/Cambridge. The flap of the envelope is affixed to the front endpaper opposite the half title page. There is one fold in the letter otherwise in fine condition. Book is bound in original yellow cloth with paper title label to spine. Soiled and bumped but in very good condition. Interior pages are clean and tight. 320 pages. LIT/042012. Very Good.
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London: Methuen, . Hardcover. Folio. A nice collection of Beerbohm’s fine caricatures. The forty-nine subjects include Henry James, G.K. Chesterton, John Singer Sargent, H.G. Wells, Bernard Shaw, and Winston Churchill. Each is protected by a tissue guard with a facsimile of Max’s handwriting describing the subject. Bound in the original red cloth backed red cloth boards, with printed paper label on front cover and gilt title and author to spine. Spine has a few splits, boards are faded and rubbed, with bumping to corners. Foxing to endpapers but plates are clean. In very good condition. ART/092111. Very Good.
. Original caricature done in ink on paper. The caricature celebrates the opening night of The Happy Life, a play by Louis N. Parker and Murray Carson, staged at the Duke of York’s Theatre, London, in 1897. It depicts Parker (standing atop the Duke of York’s column), Carson, and Max (top hat and wasp-waisted coat) himself drinking champagne. Both Parker and Carson were important dramatists at the turn of the century; Beerbohm would later collaborate with Carson on a one-act “curtain-raiser” in 1914, The fly on the wheel. Inscribed “Best wishes in a great success. December 6 ’97” and signed “Max.” Unrecorded; not in Hart-Davis’s catalogue of Beerbohm’s caricatures. In near fine condition and nicely framed. 20 x 25.4 cm. ORIG/011216.
c 1919. Original Illustrations. An original ink wash drawing inscribed with name of the subject and signed by Max. Not dated, but from the early 1900s. Nathaniel Goodwin (1857-1919) was a leading American actor and vaudevillian, also known for his colorful personal life. (He was married five times and was engaged again at the time of his sudden death from apoplexy.) He was the subject of Beerbohm’s radio broadcast, “Nat Goodwin - and Another,” published in the Radio Times, accompanied by a reproduction of this caricature. The drawing shows an unsmiling profile of Goodwin in white tie, smoking a cigar. Done in black and white wash on dark cream colored paper. In near fine condition, in a gold frame with white matte. This came from the collection of Douglas Cleverdon, who produced Max’s broadcasts. Drawing measures 7 x 10.5 inches. In the frame it is 13 x 17.5 inches. Near Fine. ORIG/092111. Near Fine.
London: William Heinemann, 1919. Hardcover. A very nice ASSOCIATION COPY. Beerbohm signed and inscribed the book “For CS Evans from his friend Max 1919.” Evans was the chairman of Beerbohm’s publishing company, Heinemann, and he and Evans were close friends. Max Beerbohm, of course, is known as one of the leading critics, caricaturists, and writers of his day. This book is the first edition in the primary binding of dark blue cloth with gilt title and author to spine and front board. It is in very good plus condition with a small nick to the top of the front board, some chipping to corners and spine, and four darker blue spots to front. No dust jacket. Interior pages are clean with some browning to margins of pages. 219 pages plus four pages of publisher ads. LIT/091608. Very Good +.
London: William Heinemann, 1911. Hardcover. IN THE RARE DUST JACKET. First Edition of Beerbohm’s famous novel. According to Mark Samuels Lasner, the Beerbohm scholar and bibliographer, there have only been five copies of this book identified as still having their dust jackets. Two are in institutions, two have been in private hands, and the location of the remaining copy is not currently known. The front cover of the plain brown dust jacket is cleanly detached, and there are small chips and tears along top edges, but otherwise in very good condition. Title, author, price, and publisher in brown to spine. Bound in original reddish brown cloth with light bumping and soiling. Some spotting to fore-edges and very occasional light foxing to text pages but in very good condition. 350 pages. LIT/110811. Very Good in Very Good Dust Jacket.
London: Heinemann, 1972. Hardcover. Inscribed and signed by Rupert Hart-Davis. Laid in is a letter from Rupert's son, Adam, to a family friend, Bound in blue cloth with gilt title to spine. In brown, orange, cream dust jacket with some nicks and small tears. Overall in very good condition. 125 pages. LIT/061112. Very Good in Very Good Dust Jacket.
London: John Lane, n.d. . Hardcover. First illustrated edition. Inscribed by the publisher, John Lane, "Frances Minturn Hall with love from her publisher John Lane Nov 16, 1924. Hall was an American poet, and would have been just 19 years old when she received the book. George Sheringham was best known as a painter and theater designer, but also was a book illustrator. There is a color frontispiece and twenty three full page color illustrations protected by tissue guards. Bound in the original cream cloth, with the front cover elaborately decorated in cream, blues, and pink by Sheringham. Spine faded, corners bumped, and some chipping and marks of handling to covers. Interior pages and illustrations are clean and bright with occasional foxing. 70 pages. LIT/090411. Very Good.
London: The Bodley Head, 1981. LIMITED EDITION. Paper Wrappers. Small 8vo. 1 of 225 copies. Includes an essay by Shaw, "The Opera Season & Its Lessons" and an essay by Beerbohm, "At Covenant Garden." Very clean grey paper wrappers with illustration to front wrapper. Pristine interior. Sewn binding. 19 pp. LIT/121604. Fine.