Upper Denby, Huddersfield: Fleece Press, 2004. Hardcover. Deluxe Edition. Number 45 of 54 deluxe copies that include two tipped-in color prints and a signed loose print of “Cafe Dansant No. 2.” Laid in is a signed typed letter from printer Simon Laurence on his letterhead dated October 12th, 2003. This the fourth book in the John Buckland Wright series printed by the Fleece Press. It contains the “free” or autonomous prints not published in the previous volumes including book illustrations, commercial work and designs for cards, announcements and publishers’ marks. It addition it features a descriptive account of all the rejected and unfinished blocks in the studio. A description and printed examples of Wright’s experiments with color which culminated in two engravings “The Blue Dress” (1952) and “The Red Room” (1952) are also included; Wright died before completely finishing the latter. Before the printing of this book, neither of these engravings had been editioned. Fine in quarter vellum with patterned paper boards and gilt title to spine. Pristine interior with many tipped-in illustrations, some of which are in color. Printed in Modern No. 7 type set at Whittington Press by Peter Sanderson on Magnani Avorio Biblos paper and bound by Smith Settle. The tipped-in reproductions were printed in Sheffield by J.W. Northend Fine Print. The print and book are housed in a fine orange cloth clamshell box with paper title label to spine. 71 pages. PRI/122409. Fine.
Refine search resultsSkip to search results
England: The Fleece Press, 2010. Hardcover. 1 of 500 copies. The artist Leslie Cole, who trained under Bawden and Ravilious at the Royal College of Art in the 1930s, produced some of the finest wartiime paintings after appointed an Official War Artist, his watercolors being particularly fine, many in a Ravilious influenced style. Cole travelled through Germany (recording the scenes of horrific trauma at Belsen a week after its liberation), France, Malta and the Far East, where he recorded the action in Borneo and Singapore, a theatre of the war largely forgotten by Europeans today. Cole’s work was the equal of any other war artist, and yet he was unable, for personal or other reasons, to maintain the momentum after the war, when he seems to have slid very slowly downhill, and his early promise was unfulfilled. The book also writes of Cole’s wife Brenda . She had a very colorful teenage history, being the chief prosecution witness for the Church of England when they prosecuted the Rector of Stiffkey for importuning young girls. She disguised this past very ably through her life, even changing her name, and may not even have told her husband. Her true identity was revealed to friends before she died. This handsome work was designed and type set by Simon Lawrence, the publisher. Bound in quarter dark blue cloth with beautiful blue marbled paper made by Louise Brockman for the front and rear covers. . Printed in Miller display type. Over 130 illustrations of Cole's works and photographs of him and his wife.198 pages including index. PRI/011311. Fine.