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101.
The Story of Cupid and Psyche: Psyche Standing by the Table. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche Standing by the Table. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4 x 2 inches. PRE/100716. Fine.
[Book #30556]
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Price: $75.00
102.
The Story of Cupid and Psyche: Psyche Throwing Herself into the River. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche Throwing Herself into the River. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine.
[Book #30553]
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Price: $80.00
103.
The Story of Cupid and Psyche: Psyche. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: Psyche. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations, which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine.
[Book #30551]
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Price: $80.00
104.
The Story of Cupid and Psyche: The Oracle PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: The Oracle PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 6.25 inches. PRE/121807. Fine.
[Book #30546]
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Price: $100.00
105.
The Story of Cupid and Psyche: The Speaking Tower. PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: The Speaking Tower. PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 3.25 inches. PRE/100716. Fine.
[Book #30548]
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Price: $80.00
106.
The Story of Cupid and Psyche: The Task of Seeds PRINT. William Morris, Edward Burne-Jones.

The Story of Cupid and Psyche: The Task of Seeds PRINT

London: Clover Hill Editions at the Rampart Lions Press, 1974. Burne-Jones, Edward. Unbound. Prints (sold individually) of Burne-Jones’s illustrations which were originally designed to accompany The Story of Cupid and Psyche in a Kelmscott version of Morris’s The Earthly Paradise. The book was never completed. The original woodblocks, carved mostly by William Morris, were left to the Society of Antiquaries after his death. The blocks were “rediscovered” in the 1960s, and in 1974, the Rampant Lions Press published an edition of the work using them. These engravings were printed from those original wood blocks. The book and prints were in a limited edition of 100. A separate cloth box housed 44 loose prints. Paper size: 13 x 9 inches. Image size: 4.25 x 6.25 inches. PRE/121807. Fine.
[Book #20329]
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Price: $100.00
107.
Racinet Lithograph. Auguste Racinet.

Racinet Lithograph

Racinet studied at the School of Design of the City of Paris and exhibited his painting at the Salons from 1849 to 1874, but his work as painter was always inspired by ancient manuscripts from la Bibliotheque Nationale, or related to architectural studies and projects of stained glass. Archivally matted. #51460. Very Good.
[Book #27263]
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Price: $135.00
108.
Racinet Lithograph. Auguste Racinet.

Racinet Lithograph

Racinet studied at the School of Design of the City of Paris and exhibited his painting at the Salons from 1849 to 1874, but his work as painter was always inspired by ancient manuscripts from la Bibliotheque Nationale, or related to architectural studies and projects of stained glass. Archivally matted. #51451. Very Good.
[Book #27264]
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Price: $135.00
109.
Racinet Lithograph. Auguste Racinet.

Racinet Lithograph

Racinet studied at the School of Design of the City of Paris and exhibited his painting at the Salons from 1849 to 1874, but his work as painter was always inspired by ancient manuscripts from la Bibliotheque Nationale, or related to architectural studies and projects of stained glass. Archivally matted. #51490. Very Good.
[Book #27265]
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Price: $135.00
110.
Racinet Lithograph. Auguste Racinet.

Racinet Lithograph

Racinet studied at the School of Design of the City of Paris and exhibited his painting at the Salons from 1849 to 1874, but his work as painter was always inspired by ancient manuscripts from la Bibliotheque Nationale, or related to architectural studies and projects of stained glass. Archivally matted. #51492. Very Good.
[Book #27266]
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Price: $135.00
111.
Racinet Lithograph. Auguste Racinet.

Racinet Lithograph

Racinet studied at the School of Design of the City of Paris and exhibited his painting at the Salons from 1849 to 1874, but his work as painter was always inspired by ancient manuscripts from la Bibliotheque Nationale, or related to architectural studies and projects of stained glass. Archivally matted. #51475.
[Book #27277]
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Price: $135.00
112.
Leaf from Le Costume Historique. Charles Auguste Albert Racinet.

Leaf from Le Costume Historique

1888. Leaf from Auguste Racinet's Le Costume Historique, the most comprehensive and detailed study of fashion ever published. These volues cover the history of dress and hair styles from antiquity to the 1880's. While Racinet's main focus is on European clothing and accoutrements, including armor, furniture and material culture, he does provide sections on Asia, America and Africa. Lithographs are in full color on heavy stock. Some minor foxing and toning of paper. Print measures 16.125 x 11 inches. Archivally matted. #52790. Very Good.
[Book #27157]
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Price: $115.00
113.
Leaf from Le Costume Historique. Charles Auguste Albert Racinet.

Leaf from Le Costume Historique

1888. Leaf from Auguste Racinet's Le Costume Historique, the most comprehensive and detailed study of fashion ever published. These volues cover the history of dress and hair styles from antiquity to the 1880's. While Racinet's main focus is on European clothing and accoutrements, including armor, furniture and material culture, he does provide sections on Asia, America and Africa. Lithographs are in full color on heavy stock. Some minor foxing and toning of paper. Print measures 16.125 x 11 inches. Archivally matted. #52794. Very Good.
[Book #27158]
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Price: $200.00
114.
Leaf from Le Costume Historique. Charles Auguste Albert Racinet.

Leaf from Le Costume Historique

1888. Leaf from Auguste Racinet's Le Costume Historique, the most comprehensive and detailed study of fashion ever published. These volues cover the history of dress and hair styles from antiquity to the 1880's. While Racinet's main focus is on European clothing and accoutrements, including armor, furniture and material culture, he does provide sections on Asia, America and Africa. Lithographs are in full color on heavy stock. Some minor foxing and toning of paper. Print measures 16.125 x 11 inches. Archivally matted. #52812. Very Good.
[Book #27156]
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Price: $115.00
115.
Orchid - Chromolithograph. Frederick Sanders Reichenbachia.

Orchid - Chromolithograph

Orchids Illustrated & Described. Reichenbachia, a native of Ghent and founder of Messes Sanders of St. Albans, a large nursery firm, intended in this work to illustrate all classes of orchids, drawn life sized and “colored by lithography, or hand painted when found expedient.” He employed as many as 20 orchid collectors in the field, in diverse locations such as Brazil, Columbia, Peru, Ecuador, New Guinea, India, Burma and Madagascar. For the illustration of the work he engaged the services of Henry Moon (1857 – 1905). Unlike many illustrators of the day, Moon believed in representing the flower as found in nature, rather than intensifying the colors, or dramatizing the blooms. The framed print measures 20 ½ x 15 inches. #43759. Fine.
[Book #27119]
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Price: $1,100.00
116.
Orchid - Chromolithograph. Frederick Sanders Reichenbachia.

Orchid - Chromolithograph

Orchids Illustrated & Described. Reichenbachia, a native of Ghent and founder of Messes Sanders of St. Albans, a large nursery firm, intended in this work to illustrate all classes of orchids, drawn life sized and “colored by lithography, or hand painted when found expedient.” He employed as many as 20 orchid collectors in the field, in diverse locations such as Brazil, Columbia, Peru, Ecuador, New Guinea, India, Burma and Madagascar. For the illustration of the work he engaged the services of Henry Moon (1857 – 1905). Unlike many illustrators of the day, Moon believed in representing the flower as found in nature, rather than intensifying the colors, or dramatizing the blooms. The framed print measures 20 ½ x 15 inches. #43760. Fine.
[Book #27120]
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Price: $1,100.00
117.
Print of a Woodchat from A History of British Birds. Rev. Francis Orphen Morris, Alexander Francis Lydon, engraver.

Print of a Woodchat from A History of British Birds

London: Bell & Daldy, 1870. Second Edition. This print comes from the six volume work, A History of British Birds, written by Rev. Francis Orpen Morris, comprised of some of the most accurate drawings and information about British birds and their habitats. Morris was prolific in his authorship of Natural History books and articles. Alexander Francis Lydon was one of Morris's principal engravers, contributing much in technique and design. A team of women colorists under very strict scrutiny hand colored each plate. The prints are presented on a greenish tan or biscuit color background, which is associated with the earliest printings of these books. Print method is Woodcut (Xylographic) engraving with superb original hand color Plate printed on one side, blank on reverse. Print measures 220 x 125 mm or approximately 8 3/4 x 4 7/8 inches. Leaf measures 243 x 144 mm or approximately 9 5/8 x 5 5/8 inches. Archivally matted. #46366. Very Good.
[Book #27218]
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Price: $90.00
118.
Print of a Spotted Flycatcher from A History of British Birds. Rev. Francis Orphen Morris, Alexander Francis Lydon, illustrator.

Print of a Spotted Flycatcher from A History of British Birds

London: Bell & Daldy, 1870. Second Edition. This print comes from the six volume work, A History of British Birds, written by Rev. Francis Orpen Morris, comprised of some of the most accurate drawings and information about British birds and their habitats. Morris was prolific in his authorship of Natural History books and articles. Alexander Francis Lydon was one of Morris's principal engravers, contributing much in technique and design. A team of women colorists under very strict scrutiny hand colored each plate. The prints are presented on a greenish tan or biscuit color background, which is associated with the earliest printings of these books. Print method is Woodcut (Xylographic) engraving with superb original hand color Plate printed on one side, blank on reverse. Print measures 220 x 125 mm or approximately 8 3/4 x 4 7/8 inches. Leaf measures 243 x 144 mm or approximately 9 5/8 x 5 5/8 inches. Archivally matted. #46376. Very Good.
[Book #27217]
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Price: $65.00
119.
Seventeen Original Lithographs from the book English Portraits. William Rothenstein.

Seventeen Original Lithographs from the book English Portraits

London: Grant Richards, [1898]. Original Illustrations. Scarce. 750 copies printed. These are the disbound pages from English Portraits, with seventeen of Will Rothenstein’s twenty-four lithographs of well-known persons of his day, along with a page of complimentary comments about each person. Rothenstein (1872-1945) was famous for his portraits, and painted Albert Einstein, T.S. Eliot, Thomas Hardy, W.B. Yeats, and Oscar Wilde among many others. Both his painted works and his prints display his great sensitivity and artistic mastery. He was also a friend to many prominent figures of his day, including Max Beerbohm, Joseph Conrad, and H.G. Wells. This group from English Portraits are as follows: Charles Ricketts and Charles Shannon, Sir Frederick Pollock, Thomas Hardy, Sir F. Seymour Haden, William Archer, The Right Rev. Dr. Creighton, The Marchioness of Granby (Violet Lindsay), The Right Hon. W.E.H. Lecky, John Singer Sargent, Arthur Wing Pinero, William Ernest Henley, Sidney Colvin, George Bernard Shaw, Alice Meynell (2 copies), Grant Allen, and Henry James. Each leaf measures 10 x 14.5 inches. The title page and table of contents page are also included. Some browning, closed tears, and light chipping, particularly to the page margins, but the lithographs are generally in quite nice condition. ART/011712. Very Good.
[Book #25604]
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Price: $1,600.00
120.
Poems by Sa'di, Amir Khusrao, et al., Two Leaves. Sa'di.

Poems by Sa'di, Amir Khusrao, et al., Two Leaves

circa 1760. This is a set of leaves from an anthology or collection of poems by Sa'di, Amir Khusrao, Jami and others. Circa 1760, it is written on paper, in a fine hand, black nasta'liq script with occasional phrases in blue. Written diagonally within two columns, the text throughout is encased in double gold lines with a few exquisite blue and gold floral headings. The fragment also contains illuminated title in polychrome colors of blue gold and red with a final folio of perching birds amongst flower sprays. Framed. #22609/22712. Very Good.
[Book #27269]
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Price: $375.00
121.
Poems by Sa'di, Amir Khusrao, et al., Two Leaves. Sa'di.

Poems by Sa'di, Amir Khusrao, et al., Two Leaves

circa 1760. This is a set of leaves from an anthology or collection of poems by Sa'di, Amir Khusrao, Jami and others. Circa 1760, it is written on paper, in a fine hand, black nasta'liq script with occasional phrases in blue. Written diagonally within two columns, the text throughout is encased in double gold lines with a few exquisite blue and gold floral headings. The fragment also contains illuminated title in polychrome colors of blue gold and red with a final folio of perching birds amongst flower sprays. Framed. #22611/22702. Very Good.
[Book #27270]
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Price: $500.00
122.
The Christmas Scribner's [Original Advertising Poster]. Scribner's.

The Christmas Scribner's [Original Advertising Poster]

[New York]: Charles Scribner's Sons, [1899]. Charles Dana Gibson. A stunning large color advertising poster for the 1899 Christmas issue of Scribner's Magazine. It features a classic black and white illustration by Charles Dana Gibson of one of his Gibson Girls being escorted by an older gentleman. Noted Christmas Features listed include : A Christmas Poem illustrated in colors by Walter Appleton Clark; Two Christmas stories; C.D. Gibson's "The Seven Ages of the American Woman" a Series of Drawings; Augustine Birrell on John Wesley; and other illustrations by H.C. Christy and Maxfield Parrish. Banners with the title and with price of 25 cents are gaily decorated with green and red Christmas holly. In a faux distressed wood frame showing some nicks and scratches. Poster is in very good condition. Poster is 18 x 22 inches. With frame is 18 x 25 inches. ART/100114. Very Good.
[Book #27791]
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Price: $350.00
123.
Great Black-Backed Gull, Land Rail, and White Bellied Petrel Prints framed together - from a Handbook of the Birds of Great Britain. Richard Bowder Sharpe.

Great Black-Backed Gull, Land Rail, and White Bellied Petrel Prints framed together - from a Handbook of the Birds of Great Britain

1896. Source: A Handbook of the Birds of Great Britain; three bird lithographs designed by Richard Bowder Sharpe (1847-1909), an English zoologist who joined the British Museum as a Senior Assistant in the Department of Zoology, in charge of the bird collection. Sharpe wrote 13 1/2 of the 27 volumes of the Catalogue of the Birds of the British Museum.The framed print measures 6 1/8 x 4 1/4 inches. Matted in wood frame with gold finish. #43583/43562/43576. Very Good.
[Book #27118]
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Price: $375.00
124.
Marsh-Harrier and Common Partridge from A Handbook of the Birds of Great Britain. Richard Bowder Sharpe.

Marsh-Harrier and Common Partridge from A Handbook of the Birds of Great Britain

1896. A Handbook of the Birds of Great Britaiin; two lithographs designed by Richard Bowder Sharpe (1847-1909), an English zoologist who joined the British Museum as a Senior Assistant in the Department of Zoology, in charge of the bird collection. Sharpe wrote 13 1/2 of the 27 volumes of the Catalogue of the Birds of the British Museum.The framed print measures 6 1/8 x 4 1/4 inches. #43518/43589. Very Good.
[Book #27117]
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Price: $325.00
125.
Etching of "The Shoe Black" Frederick Smallfield, Artist.

Etching of "The Shoe Black"

c. 1859. A charming small etching by Frederick Smallfield (1825-1915). Smallfield was a Victorian artist best known as a watercolor artist. He studied at the Royal Academy in the late 1840s with members of the Pre-Raphaelite Brotherhood, who influenced his work. He was an original member of the Junior Etching Club, whose members included Millais, Whistler, and Tenneil. They produced a number of anthologies with their works. Image is 2.5 x 2.5 inches on 5.5 x 6 inch paper. Near fine. ORIG/012015.
[Book #27974]
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Price: $50.00

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